123 |
ATTRIBUTED TO WILLIAM HENRY BARTLETT In the shade of ancient trees, watercolour, 4.75" x 6.75" #150-300 | Nil |
|
80 |
| 124 | GABRIEL LUDWIG LORY A stag on an escarpment with a hill-top town and a range of mountains beyond, signed, watercolour and bodycolour, 8. 75" x 12.25" #150-300 | Nil |
|
300 |
| 125 | ENGLISH SCHOOL, circa 1850 A portrait of a young gentleman wearing a brown coat with a velvet-trimmed collar, bust-length, oval, watercolour, 7.5" x 6" #80-160 | Nil |
|
180 |
| 126 | ENGLISH SCHOOL The First Duke of Marlborough standing beside his charger with a cannon and a military encampment beyond, bodycolour, 10.5" x 7.5" in an 18th century style gadrooned and beaded frame £100-200 | Nil |
|
800 |
| 127 | CHINESE SCHOOL, 18th/19th century A parrot perched on a branch of blossom with a cricket, gouache, 12" x 13.75" #100-200 | Nil |
|
150 |
| 128 | ATTRIBUTED TO MARCO RICCI A view of Raby Castle from the deer park with two figures in the shade of trees in the foreground, inscribed "Ricci", gouache, 11" x 17" £1000-2000 | Nil |
|
1600 |
| 129 | AFTER GUERCINO Putti making wine, sepia stipple engraving by F. Bartolozzi, 8.25" x 12" in a beaded giltwood frame and two other similar sepia engravings (3) #100-200 | Nil |
|
240 |
| 130 | ITALIAN SCHOOL, 17th century "Ernest Principi et Comiti Mansfeldia. ..", an oval portrait engraving, 17" x 12", in an ebonised and parcel-gilt frame, a lithograph of flowers and a coloured engraving of a bird (3) #50-100 | Nil |
|
170 |
| 131 | ENGLISH SCHOOL, 19th century A view of Winchester Cathedral with figures on a road in the foreground, watercolour, 11.5" x 15.5", in a carved wood frame of 17th century design #80-160 | Nil |
|
460 |
| 132 | ASCRIBED TO EDWARD DAYES A view of Winchester with the cathedral in the distance, watercolour, 16" x 22" and a companion picture of figures and cattle beside Winchester College Chapel (2) #500-1000 | Nil |
|
650 |
| 133 | ASCRIBED TO GEORGE BARRET RA New-Bottle Bridge, near Dalkeith, inscribed on a typed label on the reverse, watercolour and pen and ink, 13.25" x 17.5" #150-300 According to the inscription on the reverse this work was drawn around 1762-1769 when the artist was employed by Lord Dalkeith, later the Duke of Buccleuch, to paint views of Dalkeith Park, Melrose Abbey and other houses nearby | Nil |
|
750 |
| 134 | ENGLISH SCHOOL, circa 1800 A silkwork picture of two birds on a blossoming branch with butterflies overhead, 11.25" x 15", in an 18th century style giltwood and gesso frame with a beaded outer border £100-200 | Nil |
|
800 |
| 135 | AFTER JOHN SPEEDE "Hantshire described and divided", engraving, 15. 25" x 20.25", in an ebonised parcel-gilt frame and an engraving of "Winchester Cross" (2) #150-300 | Nil |
|
230 |
| 136 | WILLIAM HENRY BARTLETT "City Cross, Winchester", pen and ink with wash, 9.5" x 6.75". According to a label on the reverse this is the original pen and watercolour drawing for Woodward's History of Hampshire 1861 and The History of Winchester 1864 #150-300 | Nil |
|
200 |
| 137 | RICHARD BLOME "A Map of Garnsey", coloured engraving, 5" x 4.75", in a grained-wood and parcel-gilt frame of 18th century design #50-100 | Nil |
|
190 |
| 138 | ENGLISH SCHOOL, 19th century A spray of summer flowers, watercolour over traces of pencil, 11.75" x 9.75", in a rosewood and parcel-gilt frame #60-120 | Nil |
|
70 |
| 139 | DAVID COX "Harlech Castle", signed and dated 1826, watercolour, 5.75" x 8.25" #500-1000 | Nil |
|
2200 |
| 140 | ASCRIBED TO WILLIAM LEIGHTON LEITCH "Campagna di Roma", watercolour, 6" x 9.25" and another watercolour of figures in a punt with houses on a hillside beyond (2) #300-500 | Nil |
|
380 |
| 141 | HENRY J. KINNAIRD "Winchester" with cattle watering in the foreground and the Cathedral beyond, signed and titled, watercolour, 4.75" x 6. 75" #150-300 | Nil |
|
550 |
| 142 | ATTRIBUTED TO WILLIAM LEIGHTON LEITCH "A scene in North Wales", inscribed on a typed label on the reverse, watercolour, 6" x 9.25" and another watercolour of an Italian lake with a figure coming ashore in the foreground (2) £300-500 | Nil |
|
180 |
| 143 | ATTRIBUTED TO ALFRED VICKERS A shipwreck off the Isle of Wight, inscribed on a label on the reverse, watercolour study, 4.75" x 7.75" #100-200 | Nil |
|
250 |
| 144 | ASCRIBED TO ROBERT CLEVELEY JUNIOR "The Battle of Cape St. Vincent 1797", inscribed on a label on the reverse, watercolour, 15" x 21.25" This drawing appears to be a sketch for the painting in the National Maritime Museum, Greenwich, illustrated in EH Archibald "Dictionary of Sea Painters", plate 269. #500-1000 | Nil |
|
|
| 145 | WILLIAM DANIELL RA "Hindu Temple at Permabor, India, 1792", inscribed on the reverse, watercolour over traces of pencil, 12.25" x 17.25" £1500-3000 | Nil |
|
3200 |
| 146 | AFTER I HELLART "Burgundia Dux", an oval portrait engraving, 22" x 17. 5", in an ebonised frame, another of the Duke of Grafton, a coloured engraving after Richard Cosway of "Abelard and Eloisa" and "The East Prospect of the Inside of the County Hall in Winchester" (4) £100-200 | Nil |
|
220 |
| 147 | AFTER SIR ANTHONY VANDYKE "Charles I", engraving, sold by I. Smith at the Lyon and Crown, 13" x 9.75", in an ebonised and parcel-gilt frame, and five other portrait engravings (6) #200-400 | Nil |
|
650 |
| 148 | AFTER WILLIAM WISSING "The Honourable William Cecil, Esq.", engraving, 14.25" x 10.5", in an ebonised and parcel-gilt frame, engraving by John Rafael Smith of "A Maid - une pucelle" and three other portrait engravings (5) #150-300 | Nil |
|
375 |
| 149 | ENGLISH SCHOOL A view of Netherhampton House, sepia wash, 6.5" x 9", in a simulated tortoiseshell frame and a drawing of a cavalier with a musket over his shoulder inscribed "Henri IV", pen and ink, 14" x 10" and a neo-classical drawing in a walnut and parcel-gilt frame (3) £100-200 | Nil |
|
160 |
| 150 | AFTER WILLIAM HOGARTH "A Harlots Progress", plates 1-6, 12.5" x 15.5", in ebonised and parcel-gilt frames (6) #300-600 | Nil |
|
800 |
| 151 | AFTER DAVID PHILIPPE The Return of Charles II with a mass of figures on the quayside, engraving, 12" x 15.75" and another engraving of "His Most Sacred Majesty King Charles I giveing his royall orders to his Secretary of War Sir Edward Walker Kt. concerning (the) Great Rebellion", 11.75" x 14" #100-200 | Nil |
|
270 |
|
152 |
AFTER Ca. CAMPBELL "Wilton in Wiltshire, the seat of the Right Honourable, The Earl of Pembroke and Montgomery, Knight of the Most Noble Order of the Garter & c", engraving by "Hulsbergh", 15.5" x 39. 5", in an 18th century style gadrooned giltwood frame with a beaded inner border #150-300 |
Nil |
|
240 |
