723 |
A VICTORIAN STYLE OAK BRACKET CLOCK, the arched dial with silvered chapter ring and chime/silent and slow/fast dials above, with applied gilt metal mounts, the three train movement stamped "Junghams" striking on three gongs, the oak case with moulded top above arched door, 14.75" high #150-300 | Nil |
|
|
| 724 | A "VIENNA" TYPE WALL CLOCK, the circular dial with two part ceramic construction with enamel Roman numerals, monogrammed G.B., the case of traditional type with decorative pediment above applied half column mouldings, 90.5" high #150-250 | Nil |
|
140 |
| 725 | AN EARLY 19TH CENTURY OAK LONGCASE CLOCK, the white enamel dial with central seconds dial, Roman numerals and Arabic minutes with gilt painted spandrels, the eight day movement striking on a bell, the square top hood with applied columns, with rectangular trunk door, on short bracket feet, 80" high. See illustration #400-700 | Nil |
|
820 |
| 726 | AN EARLY 18TH CENTURY OAK LONGCASE CLOCK, the brass dial signed J Methy (?) Londiny Fecit, with central date aperture, seconds dial and turned winding holes, with brass chapter ring with black enamel Roman numerals and Arabic minutes with cast and pierced spandrels to the corners, the six pillar movement with outside count wheel striking mechanism, the case with stepped and flared cornice above applied column decoration, the trunk with narrow rectangular door, 84" high. See illustration #2000-4000 | Nil |
|
2300 |
| 727 | AN 18TH CENTURY WALNUT LONGCASE CLOCK, the brass dial with plaque signed William Hayler, Chatham, with subsidiary seconds dial, date aperture and turned winding holes, the brass dial with black enamel numerals and Arabic minutes with pierced spandrels, the arch with roundel with winged bird and the motto "Tempus Fugit", the five pillar movement striking on a bell, the hood with arched pediment with three ball and spike finials, the door flanked by applied columns with gilt mounts, the trunk with arched top door and conforming base, 92" high. See illustration #4000 | Nil |
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|
| 728 | A WALNUT AND SEAWEED MARQUETRY LONGCASE CLOCK, the brass dial signed John Wise, London, with circular date aperture with engraved basket of fruit above, with subsidiary seconds dial and turned winding holes, the silvered chapter ring with black enamel Roman numerals and Arabic minutes, with cherub and crown pierced spandrels to the corners, the eight day movement striking on a bell, the flat top hood with seaweed marquetry above fretwork grill, the door with applied quarter rail and columns with brass caps, the trunk door with central glass window and all over seaweed marquetry, the foot with | Nil |
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|
| 729 | A 19TH CENTURY SITZENDORF PORCELAIN MANTEL CLOCK modelled as a pair of figures wearing traditional costume, enamelled in polychrome either side of a French clock, eight day movement, on a raised flower encrusted rococo base, 11.5" high. See illustration #1000-2000 | Nil |
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|
| 740 | AN "AFGHAN GOLD" RUG the central rectangular panel with two rows of "elephants foot" guhls within a floral and boteh pattern outer borders and guards, 74" x 56" #50-100 | Nil |
|
50 |
| 741 | A HAMMADAN TYPE RUNNER, the beige ground with a central salmon pink seven pole medallion within ivory hooked boteh design outer borders and guards, 157" x 39" #250-350 | 17.5% |
|
320 |
| 742 | AN AFGHAN TYPE RUG the red ground with a central triple pole medallion within panelled floral outer borders and guards, 66" x 44" £50-100 | Nil |
|
45 |
| 743 | A KURDESTAN TYPE RUG, the red field with a blue stepped lozenge design, within "arrow head" outer borders and guards, 48" x 36" £100-200 | Nil |
|
110 |
| 744 | A KURDESTAN TYPE RUG, the beige ground panelled field worked with stylised flowers and boteh and floral herati type outer borders and guards, 45" x 36" #100-200 | Nil |
|
240 |
| 745 | AN AFGHAN TRIBAL RUG, the blue and red ground with a central diamond quadrilateral within hooked boteh ivory and blue outer borders and guards, 50" x 38" #50-100 | Nil |
|
|
| 746 | A HAMMADAN TYPE RUG with a central blue and red pole medallion on an ivory field within floral pattern outer borders and guards, 70" x 40" #80-150 | Nil |
|
|
| 747 | AN AFSHAR TYPE RUG, the beige and red striped ground worked all over with rows of stylised flowering plants, the central cream lozenge medallion within outer borders and guards, 69" x 52" #100-200 | Nil |
|
170 |
| 748 | A KARAJA TYPE RUNNER the brick red ground with a central stepped boteh pole medallion in shades of blue and ivory within borders and guards, 126" x 37" #80-150 | Nil |
|
|
| 749 | A MALAYER TYPE RUG the cream field with a central hexagonal medallion worked with numerous small boteh within dark blue spandrels and ivory and red hooked boteh pattern borders, 68" x 50" #50-100 | Nil |
|
50 |
| 750 | A NORTH WEST PERSIAN SMALL CARPET, the dark blue central rectangular panel worked with aubergine stylised candelabra palmettes and leafage within blue and ivory floral pattern outer borders and guards, 118" x 82" #200-400 | Nil |
|
650 |
| 751 | A SHIRAZ TYPE KELIM woven with a field of hexagons in shades of pale green, blue, yellow and salmon pink, within ivory cruciform pattern outer borders and guards, 126" x 56" #100-200 | Nil |
|
90 |
| 752 | A NORTH WEST PERSIAN "MEDALLION" RUG, on a red ground with ivory spandrels and floral pattern borders and guards, 68" x 48" #40-60 | Nil |
|
|
| 753 | A NORTH WEST PERSIAN CARPET the central blue rectangular panel worked with stylised candelabra leafage and palmettes within ivory serrated leaf and oval medallion outer borders and guards, 80" x 50" #100-200 | Nil |
|
150 |
| 754 | A HAMMADAN TYPE RUNNER, the blue field worked with an overall Herati design within ivory hooked boteh outer borders and guards, 187" x47" £100-200 | Nil |
|
200 |
| 755 | A PERSIAN STYLE SMALL CARPET, the cream ground with a central pale blue panel worked with numerous flowers and boteh within ivory spandrels and floral Herati pattern outer borders and guards, 110" x 71" #100-200 | Nil |
|
110 |
| 756 | A KAZAK RUG, the brick red field worked with blue stepped spandrels and a double lozenge pole medallion, the ivory red and blue borders and guards with a cut leaf and florette motif, 94" x 57" #300-500 | Nil |
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|
| 770 | A VICTORIAN ROSEWOOD BREAKFAST TABLE, the oval tip-top above a shallow frieze, on central turned column with three downswept cabriole legs with scroll and leaf-carved knees and feet, 61" wide. See illustration #300-600 | Nil |
|
|
| 771 | A PAIR OF WILLIAM IV BAR BACK DINING CHAIRS, the broad back rails above central scrolling carved rail, with drop-in seats on spiral-turned front legs (2) #60-120 | Nil |
|
120 |
| 772 | A WILLIAM IV BAR BACK ARMCHAIR, the broad back rail above scrolling carved rail, with scrolling downswept arm supports, the drop-in seat on spiral turned front legs #80-160 | Nil |
|
70 |
| 773 | AN EDWARDIAN MAHOGANY WRITING TABLE, the rectangular top with central embossed leather writing surface, within mahogany and satinwood crossbanded border, above two frieze drawers with further conforming crossbanding on square tapering legs with brass mounted ceramic castors, 36" wide. #300-500 | Nil |
|
|
| 774 | A PAIR OF GEORGE II MAHOGANY DINING CHAIRS, the scrolling top rails with leaf carved decoration, the pierced splat with scrolling ribbon type ornaments, with square section legs with moulded front corner bracket (2). See illustration #300-500 | Nil |
|
480 |
|
775 |
AN 18TH CENTURY OAK SIDE TABLE, the rectangular top with moulded edge above a single frieze drawer with brass drop handles with Old English Rose backplates, on square and turned legs with square stretchers and turned feet, 32" wide. #300-500 |
Nil |
|
360 |
