1 |
JOHN PIPER Conisbrough Castle, South Yorkshire, signed in pencil and numbered 44/100, original screen print, 24" x 32". See illustration FP £800-1500 | Nil |
|
2600 |
| 2 | KING CHARLES BIRD AND OTHERS A Sioux Chief and three others, from Thomas McKenney and James Hall: The Indian Tribes of North America, Rice Rutter and Co., 1872, hand coloured lithographs, each 9.5" x 6.5", and the companion (8 in two frames) Provenance: Old Church Galleries Private Collection Thomas McKenney and James Hall's portraits of the great leaders of the Indian Nations are one of the most important surviving documents of early 19th century America. McKenney, head of the United States Bureau of Indian Affairs for many years, was a champion of Native American culture and fought throughout his tenure for the preservation and integration of its' history into the history of the United States. It took McKenney ten years to complete the publication of "History of the Indian Tribes of North America" £800-1500 | Nil |
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| 3 | ANDY WARHOL Mick Jagger, unsigned screen print on aquarelle paper, 43.5" x 28.75". See illustration Provenance: This would appear to be a proof before edition, which accounts for the lack of a signature, or number. It was a gift to the vendor from a member of the Hesketh family. £1500-3000 | Nil |
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3800 |
| 4 | HENRY MOORE The Lover, from the Seven Ages of Man Portfolio, lithograph, a proof copy from the Curwen Archive, aside from the edition of 75, 13" x 9.75" £400-600 | Nil |
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| 5 | AUGUSTUS JOHN Studies of horses and a girl standing (Dorelia), signed in pencil in the margin, etching (1910), 5" x 7" Provenance: Max Rutherston, 180 New Bond Street, London W1 Private Collection £100-200 | Nil |
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900 |
| 6 | SNAFFLES "The Finest View in Europe", signed in pencil in the margin, coloured print heightened with bodycolour, 16.25" x 26.25" and the companion "The Worst View in Europe" (2) £300-600 | Nil |
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1200 |
| 7 | MARY LOUISE COULOURIS "Tally Ho I", signed and titled in the margin, limited edition coloured print, 13/50, 17.5" x 21" £100-200 | Nil |
|
100 |
| 8 | THEODORE ROUSSEL A London street scene, etching, 5.75" x 8" and four other etchings by the same artist (a collection) £150-250 | Nil |
|
170 |
| 10 | HENRY MATISSE Grand Visage 1929, lithograph, signed in pencil in the margin and numbered 3/50, 23" x 17.25". See illustration Provenance: Private Collection £3000-6000 | Nil |
|
6000 |
| 24 | CARLOS GRIPPO A figure standing beside a wall, signed and dated 1990, watercolour, 29.75" x 22" £200-300 | Nil |
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| 25 | ROBERT GEORGE TALBOT KELLY A Pylon at Karnak, signed and dated 1901 and titled on the mount, watercolour, 25.75" x 20.75". See illustration Provenance: Private Collection. £600-1200 | Nil |
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550 |
| 26 | JOHN HAYWOOD Saker attacking Houbra, signed and the reverse inscribed, gouache, 18" x 24". Provenance: The Mathaf Gallery, 24 Motcombe Street, London SW1 Private Collection £300-500 | Nil |
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500 |
| 27 | E. BONANNI Two Arab gentlemen outside an armory, signed and inscribed "Roma", watercolour, 20.25" x 14". See illustration £500-1000 | Nil |
|
900 |
| 28 | DELPHIN ENJOLRAS A nude seated at a dressing table, signed, pastel, 28" x 22.25". See illustration Provenance: Private Collection £5000-10000 | Nil |
|
4600 |
| 29 | ENGLISH SCHOOL, circa 1920 A reclining nude, apparently inscribed on the reverse "Chaloner Concours, a dux Mr Curran's clan", monogrammed and dated 1920 (?), pencil, 24.5" x 17.5" Provenance: Private Collection £200-400 | Nil |
|
200 |
| 30 | ANDRE DERAIN "Deux femmes nues allongees" with the atelier stamp for Andre Derain, charcoal drawing, 14.75" x 24". See illustration. Provenance: Private Collection £500-1000 | Nil |
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650 |
| 31 | BELA KADAR Two nudes in an interior, signed, gouache, 18" x 11". See illustration Provenance: Private Collection £2000-4000 | Nil |
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2800 |
| 32 | EDOUARD DUYCK Noel des Flandres, signed, watercolour over traces of pencil, 15" x 9.75". Provenance: Private Collection | Nil |
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| 33 | WILLIAM WYLD "The Piazzetta of St. Mark, Venice", signed, watercolour and bodycolour, 11.5" x 17.5". See illustration Exhibited: According to an old label attached to the reverse the Royal Manchester Institution Exhibition of the Works of Modern Artists 1878, no. 394, priced at £42 £2000-3000 | Nil |
|
4800 |
| 34 | WILLIAM BURGESS Barge Horses grazing by a river, probably Sandwich, the reverse apparently with a figure sketch and studies of a horse and cart, watercolour, 7.75" x 11.25". See illustration Provenance: Martyn Gregory Gallery, St. James, London SW1 Private Collection, Sherborne, Dorset. £300-600 | Nil |
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420 |
| 35 | CHARLES WILDA The Snake Charmer, signed, watercolour, 8.75" x 6.5". See illustration Provenance: The Mathaf Gallery, 24 Motcombe Street, London SW1 Private Collection | Nil |
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4000 |
| 36 | PAUL PASCAL A caravan with mountains beyond, signed, gouache, 7.75" x 11". See illustration £400-700 | Nil |
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| 37 | LUCIEN LEVY-DHURMER A nobleman in a yellow turban, signed and dated 1917, and the reverse with various labels, pastel, 25.5" x 19". See illustration Provenance: Apparently Monsieur Elliot. Private Collection Exhibited: Exposition de Bruxelles, Artistes Francais, no. 30. | Nil |
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| 38 | BERCHERS Arab figures on horseback, indistinctly signed, watercolour, 8" x 11" and another watercolour of a view on the Nile, indistinctly inscribed (2) £300-600 | Nil |
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| 39 | MUHAMMAD HASSAN A young Arab boy standing full length wearing a fez, signed and dated 1892, watercolour, 13.75" x 10" and another watercolour entitled "Syrian Bedouin 1892" (2) £150-300 | Nil |
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| 40 | ASCRIBED TO JOHN CONSTABLE RA A view of a church with a house beyond, watercolour, 4.25" x 6.5". See illustration Provenance: The Collection of Robert Worthington, Esq. OBE, FRCS of Exeter and thence by descent. According to an inscription on the reverse of the frame this work was accepted as a Constable by Graham Reynolds of the Victoria & Albert in May 1961. | Nil |
|
80 |
| 41 | JOHN GENDALL St. Margaret's, Twickenham, seat of the Earl of Casillis, watercolour and wash over traces of pencil, 5" x 8", framed with an engraving apparently derived from the watercolour, but with variations. Provenance: The Collection of Robert Worthington, Esq. OBE, FRCS and thence by descent. Exhibited: Exeter Museums and Art Gallery "Exeter's Forgotten Artists", 11th July - 16th October, 1979. £80-160 | Nil |
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280 |
| 42 | GEORGE HEYWOOD MAUNOIR SUMNER Splash bridge below Holly Hatch in the north western corner of the New Forest with a bracken cart and two figures in the foreground, , monogrammed "HS", watercolour, 29.5" x 29.5". See illustration Provenance: The artist and thence by descent. | Nil |
|
4200 |
| 43 | WILLIAM RUSSELL FLINT "Cecilia, White Dress, semi-nude", signed and the reverse with a label, watercolour, 7.5" x 10.75". See illustration Provenance: Private Collection, Dorset. £1500-3000 | Nil |
|
14500 |
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44 |
ENGLISH SCHOOL, 19th century Going over a fence, coloured chalks on green tinted paper, 10.75" x 15.25" and six similar scenes by the same hand, the remaining six with titles including "Last but not least" and "Plain sailing", 9.75" x 14" with variations (7) Provenance: Private Collection, Wiltshire £200-400 |
Nil |
|
300 |
