31 |
Japanese School: A figure riding a mountain goat in a landscape, 38" x 25" #40-80 | Nil |
|
|
| 32 | Frederick Nash: "The Great Exhibition, Crystal Palace, 1851" coloured lithograph, 13" x 19", and five others from the same series (6) £150-300 | Nil |
|
150 |
| 33 | A further six coloured lithographs from the same series #150-300 | Nil |
|
150 |
| 34 | A further six coloured lithographs from the same series #150-300 | Nil |
|
160 |
| 35 | A further six coloured lithographs from the same series #150-300 | Nil |
|
150 |
| 36 | A further six coloured lithographs from the same series #150-300 | Nil |
|
150 |
| 37 | A further six coloured lithographs from the same series #150-300 | Nil |
|
150 |
| 38 | A further five coloured lithographs from the same series #100-200 | Nil |
|
100 |
| 39 | A further five coloured lithographs from the same series #100-200 | Nil |
|
120 |
| 40 | W.L. Wyllie R.A.: "The Baltic Trader", etching, signed in pencil to the margin, 9.25" x 13.75" #300-400 | Nil |
|
280 |
| 50 | After John Speede: A map of Cumberland, hand coloured, 15" x 20" £200-400 | Nil |
|
|
| 51 | A map of the road from Portland to Frampton, handcoloured, 7" x 5", and the companion (2) #50-100 | Nil |
|
|
| 52 | After Robert Morden: A map of Lincolnshire, handcoloured, 13" x 16" £30-60 | Nil |
|
|
| 53 | After Greenwood & Company: A map of the county of Huntingdon, 21" x 25" #30-60 | Nil |
|
25 |
| 54 | After John Cary: A new map of Shropshire, 20" x 18", and maps of the road from Bristol to Weymouth and London to Weymouth (3) #50-100 | Nil |
|
|
| 55 | A map of the Hundred of Boughton Blean, handcoloured, 16" x 15" £50-100 | Nil |
|
|
| 56 | After Robert Morden: A map of Kent, handcoloured, 13" x 24" #50-100 | Nil |
|
|
| 57 | After Emanuel Bowen: A map of the county of Kent, handcoloured, 20" x 27" #100-200 | Nil |
|
|
| 65 | James Benson: A sketch of a nude, signed, 15" x 10.5", a pastel of a lady by R. Moore, and two sketches by Avagnostarde (4) #50-80 | Nil |
|
50 |
| 66 | William Ralston: "Billy's Bath" (original drawing for letters for a Grandfather about Billy) 9" x 6.5" and a humourous horse riding sketch (2) #30-60 | Nil |
|
|
| 67 | Earnest Hidderly Fairhurst: A folio of figure and erotic studies, coloured chalks, (unframed) #50-100 | Nil |
|
75 |
| 68 | William Rouse R.B.A.: "Henley on Thames Church, Evening", watercolour, 1.75" x 3.75" #30-60 | Nil |
|
80 |
| 69 | J. Jack: "Old Castles in Lorne" a bound folio of watercolours #150-200 £100-200 | Nil |
|
|
| 70 | Niven: A still life of flowers in a vase, watercolour, 22" x 18" £30-60 | Nil |
|
|
| 71 | Local Interest: Eldridge Pope Brewery, Dorchester, watercolour, 29" x 38" #100-200 | Nil |
|
320 |
| 72 | Roger Lowless: Eldridge Pope's Brewery in springtime, watercolour, 12" x 20", and two watercolours of Public Houses by Brennand (3) £50-100 | Nil |
|
240 |
| 73 | After John Glover 1767-1849: "A View of Bassenthwaite" watercolour, 19" x 26" #200-400 | Nil |
|
|
| 74 | John Tennant: Dorset landscape, watercolour, signed, 14" x 22" painted for Commander and Mrs Scott of Bucknowle, fomerly neighbours of the artist £200-400 | Nil |
|
200 |
| 75 | W.A. Chase: A still life of Delphiniums in an ironstone jug, watercolour, 28" x 17" #40-70 | Nil |
|
45 |
|
76 |
W. Bright Morris R.O.I. 1844-1900: A study of a young boy, 10" x 5" £250-450 |
Nil |
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