167 |
C.V. English School, 19th Century: An album of watercolours and sketches #150-300 | Nil |
|
380 |
| 168 | P. Hobbs: Studies of dogs, pen and ink, 7.5" x 11.25" (unframed ten pages) #70-90 | Nil |
|
180 |
| 169 | Monogrammist: A water meadow with church to the distance, indistinctly signed and dated lower right, watercolour, 7" x 14" £50-100 | Nil |
|
|
| 170 | H. Landseer: "Roach Abbey, Yorkshire", watercolour, 5.25" x 7.75" £150-250 | Nil |
|
|
| 171 | R. Chandler: A study of daisies and wildflowers, signed lower right, watercolour, 17.5" x 8.75" #80-150 | Nil |
|
250 |
| 172 | English School, Early 20th Century: Interior of a Cathedreal, watercolour, 21" x 10.25" #50-100 | Nil |
|
|
| 173 | R.H. Austen: A still life of flowers in a vase, signed and dated 1953 lower left, watercolour, 11" x 12.75" #50-100 | Nil |
|
45 |
| 174 | R. Tucker: "Teesdale", signed and dated lower left, watercolour, 9" x 16.75" #40-80 | Nil |
|
|
| 175 | ...Barbier: A rural landscape with figures, pastel, 8" x 10.5" £150-250 | Nil |
|
170 |
| 176 | Charles P. Sainton: A study of a nude women, signed and dated '92, pencil, 13.5 x 9.75" #40-60 | Nil |
|
110 |
| 177 | Bess Norris: A seated woman wearing a blue dress, signed lower right, pencil and watercolour wash, 8.5" x 6.75" #60-80 | Nil |
|
|
| 178 | Emma Sawyer: A portrait of Monsieur Pouchee, signed and dated 1842, pencil sketch, 9.75" x 8" #20-30 | Nil |
|
30 |
| 179 | W. Scott-Moncrieff: A portrait of a sleeping woman, signed and dated 7.4.38, pencil, 5.25 x 7" #100-200 | Nil |
|
|
| 180 | Italian School 17th Century: The Crucifixion, pen and ink, 10" x 7. 5" (unframed) #150-250 | Nil |
|
|
| 181 | Hugh Casson: Seven preliminary sketches for "the Chairman's Claret" for Eldridge Pope, 1984, various sizes. Although unsigned these sketches are on the reverse of Christmas cards, one of which begins "Dear Hugh..." #100-200 | Nil |
|
480 |
| 182 | J.B. Smith: An extensive view of Llanberris Peris, Snowdon, North Wales, with Dolbarton tower to the distance, signed and dated 1893, watercolour with paper label to the reverse, 35" x 22" #500-800 | Nil |
|
|
| 183 | F.M. Victor: "Gurnards Head" waves crashing against a landscape, signed and titled, watercolour, 11" x 19.25" #100-200 | Nil |
|
110 |
| 184 | Monogrammed E.E.H.: A lake scene with mountains to the distance, watercolour, 5.25" x 12.5" #40-60 | Nil |
|
|
| 185 | A Late 17th Century style calf bound volume containing a quantity of Old Master style studies #100-200 | Nil |
|
|
| 186 | English School: Coastal scene with ships and a town to the distance, watercolour, 8.5" x 12.25" #40-60 | Nil |
|
|
| 187 | Stuart Beck: "Weymouth Harbour", watercolour, signed, 9.25" x 13.5", and another work by the same artist (2) #40-80 | Nil |
|
35 |
| 188 | A. Lukis-Guerin: A Mediterranean scene with houses by water, watercolour, signed, 4.75" x 8.5" #30-50 | Nil |
|
30 |
| 200 | H.K. Ruuse: "Skagen" A sailing barque with beach and breaking waves, oil on canvas, signed 27" x 38" #300-600 | Nil |
|
|
| 201 | Carrington Birch: "The Pamir" a three masted training vessel, oil on canvas, signed 18" x 28" #200-400 | Nil |
|
280 |
| 202 | David Cobb: Fishing boats beached at St. Ives harbour, oil on canvas, signed, 19" x 29.5" #400-600 | Nil |
|
|
| 203 | Harold Wyllie: "The Royal Sovereign" oil on board, signed 13" x 19" £200-400 | Nil |
|
|
| 204 | Charles Pears: "Hunt Class Destroyer, English Channel", oil on canvas, signed 19" x 29" #700-1000 | Nil |
|
950 |
| 205 | Rowland Langmaid: The yacht "Morena" R.Y.S. 1934 sailing in Poole Harbour, signed, 15" x 19" #600-1000 | Nil |
|
|
| 206 | Circle of Alfred Vickers: A harbour scene, possibly Isle of Man, oil on canvas, 19" x 26" #300-600 | Nil |
|
440 |
|
207 |
E. Kruse: A pink house in wooded landscape, oil on canvas, signed, 28" x 25" #50-100 |
Nil |
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