32 |
SIR WILLIAM ORPEN (1878-1931) A head and shoulder portrait study of Victor Auger, inscribed in pencil 'From William Orpen to Victor H. Auger, Paris, 3rd November 1919 in memory of many kindnesses', pencil on British Delegation Paris writing paper, 12" x 7" |
Nil |
|
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33 |
JOHN CYRIL HARRISON (1898-1985) 'Grey Geese feeding', signed, pencil on paper, 4.75" x 4" |
Nil |
|
|
34 |
JAMES QUAIL FORDATI (1836-860) A folio of stuck-down caricatures and sketches, some anthropomorphic and with annotations, pen, ink and pencil on paper, 2.25" x 1.5" to 10.5" x 6.5" |
Nil |
|
|
35 |
AUSTRIAN SCHOOL, 19th century Napoleon carrying the flag and riding a rearing horse, signed lower left 'A.SNAFS...', pencil on paper, 6.5" x 8.25" and pencil and watercolour landscape sketch, signed 'R. Alt 1828' (2) |
Nil |
|
|
36 |
CIRCLE OF HENRY FUSELI RA (1741-1825) A study of an angry face, the reverse with an exhibition label for Bury St. Edmonds Art Gallery 1973 (apparently approved by Geoffrey Keynes), pencil, 3.5" x 2.5" |
Nil |
|
|
37 |
ATTRIBUTED TO CLAUDE MELLAN (1598-1688) A portrait of a man, half-length, in a buttoned tunic, possibly the Roman painter Giovanni Baglione, the lower right bearing a blind stamp, pencil, 7.25" x 5.25" |
Nil |
|
|
38 |
ATTRIBUTED TO SIR EDWARD JOHN POYNTER (1836-1919) Head and shoulders sketch of a girl wearing a scarf on her head, indistinctly monogrammed lower right, sepia and graphite pencil with white gouache highlights, 4.25" x 6.5" |
Nil |
|
|
39 |
KEITH VAUGHAN (1912-1977) A study of lovers, signed, the reverse bearing printed Alexander Raydon Estate stamp, pencil, 12" x 9.75". See illustration |
Nil |
|
|
40 |
VANESSA BELL (1879-1961) A rear view study of a nude bending over, signed and dated 1914, pen and ink, 9.25" x 5.75". |
Nil |
|
|
41 |
JOHN BRATBY (1928-1992) Patty knitting, signed and inscribed 'Patty at 7A, 6th October 1976', the reverse bearing Thackery Gallery label, pencil, 10.5" x 7.5" |
Nil |
|
|
42 |
EUGENE BEJOT (1867-1931) 'Le Chevet de Notre Dame', signed, pencil, 7.75" x 4.25", the reverse depicting a French street scene, and another similar view across the Seine (2) |
Nil |
|
|
43 |
ROBERT BEVAN (1865-1925) Shipyard welders, initialled RB upper right, pastel on brown paper, 4.75" x 7.75" |
Nil |
|
|
44 |
ETHEL WALKER Nude female figure, signed lower left, pencil, 13 1/2 x 10 1/2" |
Nil |
|
|
45 |
BASIL NIGHTINGALE (1864-1940) 'A Special Artist', inscribed within the image with the title, signed and dated 1891, black pen and ink, 8" x 10" |
Nil |
|
|
46 |
DAVID LINT(?) Study of a Grecian stone carving, signed lower right, pencil, 15" x 24.25" |
Nil |
|
|
47 |
PERCY WYNDHAM LEWIS (1882-1957) A portrait study of Ezra Pound, initialled WE, the reverse with Alexander Raydon Estate stamp and inscribed in pencil 'Wyndham Lewis 1951', pencil, 14.5" x 11". See illustration |
Nil |
|
|
48 |
WARWICK HERBERT DRAPER (1873-1926) Summit of the Eiffel Tower showing Lighthouse Laboratories Edoux-Lift , signed, dated 1890 and titled within the margin, black ink and wash, 11.25" x 6.25", and a collection of sixteen further architectural studies of various part of the Eiffel Tower's construction (a lot) |
Nil |
|
|
49 |
ELI MONTLAKE 'Siamese Cat 1', signed in ink with artist's blind stamp, charcoal, 21.5" x 30" |
Nil |
|
|
50 |
RICHARD WALTER SICKERT (1860-1940) A view of two horses standing on boxes in a circus ring, indistinctly signed and titled, pencil, pen and ink, 7.25" x 10". See illustration |
Nil |
|
|
51 |
RICHARD WALTER SICKERT (1860-1940) 'Envermen sur la Place', signed and titled with some artist's annotations as to colourings, perhaps for a larger composition, brown pen and ink with pencil traces, 8.5" x 11.75". See illustration |
Nil |
|
|
52 |
RICHARD WALTER SICKERT (1860-1940) A portrait of a fore-shortened nude lying on a bed with her arms outstretched, signed in ink and inscribed 'Venezia 1903' and further inscribed with an indistinct title in pencil and the number 206, pencil on brown paper, 2.75" x 11.75". See illustration |
Nil |
|
|
53 |
RICHARD WALTER SICKERT (1860-1940) A study of a lifeless woman lying full length on a bed and facing to the left, with a chest of drawers in the background, signed lower right, brown pen and ink, 7.75" x 11.75". See illustration |
Nil |
|
|
54 |
ASCRIBED TO SIR PETER LELY (1618-1680) A head and shoulder portrait of Charles II, facing the viewer, inscribed to the reverse 'Charles II study by P. Lely. H. Samuels 91L 1873' and further signed by William Sharp Ogden, coloured chalk pastel on paper, 10.5" x 8", and the companion portrait of his mistress, Louise de Keroualle (2). See illustration |
Nil |
|
|
55 |
ATTRIBUTED TO HENRY TILSON (1659-1695) Portrait of a gentleman in full long wig wearing a white cravat, apparently unsigned but the reverse bearing a label for 'Colnoghi Ltd, Bond Street, London, no. M57', pastel, 9.75" x 6.75" |
Nil |
|
|
56 |
BUNNELL (?) Portraits of Sir Francis John Ford aged 5, William Ford aged 2 and Mary Ford (Mrs Darrell), in a palladian background, signed and dated October 1822 to the lower left, the reverse bearing two old hand-inscribed labels, chalk pastel over pencil, 18" x 13.5", |
Nil |
|
|
57 |
ENGLISH SCHOOL, 19th century A portrait of a Regency woman with grey curly hair and blue eyes, seated with a tree in a background, coloured chalk pastel, 29.5" x 24.5" |
Nil |
|
|
60 |
ARTHUR BRISCOE (1873-1943) 'On the Deck', signed lower left, watercolour, 10.5" x 14.5" |
Nil |
|
|
61 |
WILFRID DE GLEHN (1870-1951) 'A study for firelight, 1925', unsigned but with artist's studio stamp and inventory number 1282 to the lower left, watercolour over pencil traces, 19.25" x 15". See illustration |
Nil |
|
|
62 |
JAMES BOYD (1929- ) An abstract study, signed, gouache, 27.75" x 21" |
Nil |
|
|
63 |
PATRICK REYNTIENS A study for a stained glass window at the Higher Shooting Lodge based upon Thomas Hardy's tale of The Three Strangers, signed and dated 1992 by the artist and inscribed as a gift to the receiver, watercolour over pencil traces, 14.75" circular |
Nil |
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