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Page design, text and images: Copyright Pacts Auction Systems 2001.
Sale type & date: |
Pictures & Furniture Sale on Thursday 31st October 2002 |
Lot numbers: |
526-572 of 741 |
Lot |
Description & Estimate |
Vat % (Sales Tax) |
Hammer Price £ |
526 |
WILLIAM BULLOCK: A pair of Regency bronze "Colza" oil lamps, the urn shaped bodies with arched handles with mythical beast mounts, the bodies with further winged mounts, the circular lids with flaming finial mounts, on triangular bases mounted with mask mounts, resting on scrolling paw feet, 13" high. See illustration #1500-3000 The Liverpool based sculptor, William Bullock took out a patent for this pattern in 1805, and a number of examples made in basalt are known to have been produced by the Liverpool Herculaneum pottery, an example of which is in the British Museum. The st | Nil |
|
| 527 | A PAIR OF REGENCY BRONZE AND ORMOLU TABLE CANDELABRA, the five gilt sconces with leaf decoration supported on a central bronze column decorated with a coiled snake, the triform bases with heavy cast leaf decoration and three paw feet on triform stands, 24.5" high. See illustration #2000-3000 | Nil |
1800 |
| 528 | GUY TAPLIN: "Egret" carved and painted wood on a twisted metal stand with cork and driftwood circular base, 43.5" high. See illustration £1500-3000 | Nil |
1800 |
| 529 | GUY TAPLIN: "Snow Goose" carved and painted wooden body on a weathered metal stand with cork and driftwood base, 20" high. See illustration #1000-2000 | Nil |
1600 |
| 530 | GUY TAPLIN: "Mallard" carved and painted model of a duck, 15" wide. See illustration #600-1000 | Nil |
550 |
| 531 | A CONTINENTAL CARVED OAK FIGURE of a male saint holding a book, naturalistically carved, showing signs of original painted finish, 46" high. See illustration #2500-3500 | Nil |
|
| 532 | AN OAK CARVING, ENGLISH, late 17th/early 18th century of a pelican in his piety feeding three chicks from his breast, 15.5" high. See illustration #600-800 | Nil |
|
| 533 | LUCA MADRASSI: A gilt bronze study of a young girl holding a brooch to her flowing robes, 12.5" high #150-250 | Nil |
170 |
| 534 | A PAIR OF SPELTER FIGURES of gentleman in military dress holding swords, on circular bases each 17" high (2) #150-300 | Nil |
|
| 535 | P..JENSEN: A bronze of two bison, naturalistically modelled, 29" wide. See illustration #800-1600 | Nil |
920 |
| 536 | A SET OF FOUR 17TH CENTURY CARVED OAK FIGURES of the Apostles Matthew, Mark, Luke and John each naturalistically carved sitting with various attributes, 19" high. See illustration #4000-6000 | Nil |
|
| 537 | A 19TH CENTURY NORTH EUROPEAN WALNUT CARVED PANEL of a naked female reclining with buildings in the background, 6.5" wide #200-400 | Nil |
|
| 538 | A PAIR OF 19TH CENTURY CAST STEEL ORNAMENTS of seated Pointers, 7" long #80-160 | Nil |
95 |
| 550 | A FRENCH TOLE WARE WALL CLOCK, the circular brown painted mount with a white enamel dial and Roman numerals within a gilt metal bezel with two train movement, 14" #120-200 | Nil |
120 |
| 551 | A LOUIS XV STYLE GILT METAL MANTEL CLOCK, the rococo case with alabaster panels surmounted by a literary figure, the white enamel dial with Roman numerals inscribed "Miroy Frere a Paris" with associated movement and original movement under glass dome, 20" £200-300 | Nil |
|
| 552 | AFTER MOREAU "JOYEUX REVEIL" A FRENCH GILT SPELTER CLOCK SET, the drum-shaped clock with Roman numerals and two train movement flanked by a seated figure looking at an oval mirror held by a winged cherub, on marble base, 17", and a pair of musical cherubs ensuite (3) £150-250 | Nil |
150 |
| 553 | A LOUIS XV STYLE GILT METAL AND "SEVRES" PORCELAIN MANTEL CLOCK, the case with female caryatid figures flanking panels decorated with children dancing in an 18th century arcadian landscape, the circular dial with Roman numerals surmounted by a gilt winged cherub, the two train movement with outside count wheel striking on a bell, 16" £100-200 | Nil |
240 |
| 554 | A GEORGE III BLACK JAPANNED "ACT OF PARLIAMENT" CLOCK, the white painted dial with Roman and Arabic numerals, the baluster-shaped case with a long door with gilt painted "stringing", the single train movement with anchor escapement and single brass cased weight, 54". See illustration #2000-3000 | Nil |
2800 |
| 555 | A FRENCH BLACK SLATE MANTEL CLOCK of plain architectural form, the gilt engine-turned dial with Roman numerals, the two train movement with outside count wheel striking on a bell by Henri Marc of Paris, 13" #50-100 | Nil |
|
| 556 | A FRENCH GILT METAL AND "SEVRES" PORCELAIN MANTEL CLOCK, the rectangular case with panels painted with winged cherubs within a "bleu celeste" border, the acanthus leaf and strapwork base surmounted by two cherubs holding garlands of flowers with a floral finial, the white enamel dial with Roman numerals and two train movement striking on a bell, 22" #200-400 | Nil |
720 |
| 557 | AN EDWARDIAN BURR WALNUT MANTEL CLOCK with a crossbanded border of plain rectangular form on compressed gilt bun feet, the gilt dial with Arabic numerals inscribed "Sir John Bennett Ltd", 6" #40-60 | Nil |
70 |
| 558 | A BECK "STAR" COMPOUND MONOCULAR MICROSCOPE with silvered barrel on cast iron foot inscribed "Beck, London", 11" in a wooden case £100-200 | Nil |
|
| 559 | A MICROSCOPE BY COOKE TROUGHTON AND SIMMS LTD, YORK, ENGLAND with adjustable lenses, no.1197, in mahogany case, 14" #100-200 | Nil |
|
| 560 | A SPELTER ELEPHANT "MYSTERY" CLOCK, the beast holding a pendulum clock, the white enamel dial with Arabic numerals and Junghams movement, 10" #100-200 | Nil |
|
| 561 | A LATE GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK, the case with long crossbanded door flanked by quarter fluted pilasters, the hood with swan-neck pediment, the painted arched dial commemorating the battles of Trafalgar and Copenhagen, with figures emblematic of the seasons in the spandrels and subsidiary seconds and date dials with two train eight day movement, 86". See illustration #1500-2500 | Nil |
|
| 562 | A GEORGE I GREEN JAPANNED LONGCASE CLOCK by Thomas Batters, London, the chinoiserie case with a long arched door surmounted by a hood with pagoda top and three gilt brass spear finials, the brass arched dial with Roman and Arabic numerals to the chapter ring, strike/silent in the arch, matt centre with subsidiary seconds dial and date aperture, with five pillar two train movement, early 18th century, 93". See illustration #1500-2500 | Nil |
1800 |
| 563 | A CARRIAGE CLOCK in gilt brass case with bevel glaze panels and white enamel dial with Roman numerals and timepiece movement, and another (2) #80-150 | Nil |
150 |
| 570 | A NORTH WEST PERSIAN TRIBAL RUG of Herati design, the central rectangular blue field worked overall with stylised flowers and hooked boteh, within salmon pink and red serrated leaf outer border and guards, 120" x 60" #80-150 | Nil |
|
| 571 | A CHINESE RUG, the dark blue ground worked with pastel shaded flowers within ivory border, 96" x 59" #100-200 | Nil |
|
|
572 |
A CHINESE RUG, the ivory ground worked with sprays of prunus blossom within salmon pink and pale green borders, 104" x 72" #50-100 |
Nil |
|
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