552 |
A SUN INSURANCE LEAD FIRE MARK no 123775, framed with inscription "Railway in Yetminster", and a copy of the insurance policy, dated November 29th 1750 #40-80 | Nil |
|
80 |
| 553 | A DOULTON LAMBETH SLATERS PATENT JARDINIERE with applied floral decoration against a green ground, 8.5" high and another similar bracket (2) #100-200 | Nil |
|
|
| 554 | A LOETZ STYLE IRIDESCENT ORANGE HAND BLOWN VASE in a pewter mount with stylised floral decoration, 12" high #80-120 | Nil |
|
50 |
| 555 | A VICTORIAN MAHOGANY WORK BOX of rectangular form, with flush fitted brass handle, the interior with single fitted tray, 15" wide #40-80 | Nil |
|
|
| 556 | A WILLIAM IV ROSEWOOD WRITING AND JEWELLERY CABINET, the top with mother-of-pearl inlay opening to velvet lined jewellery compartment, the front with twin doors enclosing two short and two long drawers, each fitted, the lower as a writing slope, on turned wooden feet, 11" wide #350-450 | Nil |
|
360 |
| 557 | A CAST BRONZE SCULPTURE OF A HORSE with front foot raised, on naturalistic base and stepped marble support, 12" high #100-200 | Nil |
|
320 |
| 558 | A CARVED WOOD AND GESSO PICTURE FRAME, the circular frame with scrolling, cresting and cartouche carved decoration throughout, 27" wide #40-80 | Nil |
|
80 |
| 559 | A GREEN PAINTED TRUNCHEON: G.R. Stafford W. TG362 and another similar (2) #50-100 | Nil |
|
120 |
| 570 | PUGH: A Carrera marble sculpture of a young girl holding a water bottle, standing in front of a wall, on shaped base, with carved signature to the reverse, 24" high #600-800 | Nil |
|
|
| 571 | JOHN RICHARD CLAYTON: "Narcissus", cast bronze, signed J R G, 1846 to the reverse, 6.5" high. See illustration. John Clayton worked as a sculptor and artist producing work for the House of Lords and Wells Cathedral before going on to establish the Victorian period most famous firm of stained glass makers, Clayton & Bell in 1855. Provenance: The artist's family and thence by descent #200-400 | Nil |
|
|
| 572 | SVEN BERLIN: CELTIC STYLE HORSES HEAD, carved in Ham Hill stone, 17" wide. See illustration #400-800 This sculpture is illustrated in Dorset - The County Magazine, issue 97, 1982 page 7. | Nil |
|
1600 |
| 580 | A VICTORIAN POLISHED SLATE AND MARBLE MANTEL CLOCK, the circular dial with visible brocot escapement, flanked by twin fluted variegated marble columns, with all over incised and gilt highlighted carved decoration, 18" wide #80-150 | Nil |
|
70 |
| 581 | AN EARLY VICTORIAN MAHOGANY CASED TIME PIECE, the white enamel dial signed C Stening, Hove, with Roman numerals, with an eight-day fussee movement, the case with scrolling foliate carving, with matching wall bracket, 10" wide #500-700 | Nil |
|
500 |
| 582 | A GEORGE III STYLE BANJO BAROMETER, the mahogany case with architectural pediment and shell inlay, the thermometer above circular silvered barometer dial, signed C Realino, Manchester, 38" high #80-150 | Nil |
|
320 |
| 583 | A VIENNA TYPE WALL CLOCK, with walnut and ebony finished case, the circular dial with Roman numerals, the movement with musical chimes, 25" #100-200 | Nil |
|
170 |
| 584 | A GEORGE II WALNUT BRACKET CLOCK, the silvered chapter ring signed James Chater, London, the chapter ring with Roman numerals, flanked by pierced cast gilt spandrels with central date aperture, all beneath a silent/strike dial, the three train movement with engraved back plate striking on eight bells, the case with raised top and cast gilt metal handle, 21" high. See illustration #2500-3500 | Nil |
|
|
| 585 | G ROSSI, NORWICH: A Victorian mahogany stick barometer, the mercury filled tube with engraved ivory dial with twin adjustable guages, the case with label G. Rossi, Norwich Standard, above a bow fronted barometer case, the ebony reservoir case with turned ivory adjuster, 41". See illustration #1500-2500 | Nil |
|
2300 |
| 586 | A LOUIS XVI STYLE MANTEL CLOCK, the red marble case surmounted by a gilt metal sculpture of a young man holding a butterfly net, the circular dial with Arabic numerals, on scrolling gilt metal feet, with twin two branch candelabra, 19" high #80-120 | Nil |
|
160 |
| 587 | A GEORGE III OAK LONGCASE CLOCK, the silvered and brass dial signed John Stoakes, Fareham with subsidiary seconds dial and date aperture with rococo type engraving, the silvered chapter ring with Roman numerals and Arabic minutes with pierced cast spandrels all beneath a strike/silent dial, the five pillar movement striking on a bell, the arched hood surmounted by gilt acorn finials, the dial flanked by twin turned columns, the trunk door with an inlaid panel of a dragon, 86" high. See illustration #800-1500 | Nil |
|
1200 |
| 588 | A 19TH CENTURY GERMAN BRACKET CLOCK, the central dial with chime/silent and chime on eight bells/Westminster dials, the elaborately carved ebonised case with vase shaped urns and floral decoration above, the eight-day three-train movement with repeat mechanism, 26" high. See illustrtion #800-1500 | Nil |
|
1050 |
| 589 | A 19TH CENTURY FRENCH COMPTOISE WALL CLOCK, the circular enamel dial signed L. Gaye A Lestelle, surrounded by pressed metal frame with architectural and floral decoration, the broad pendulum similarly decorated. See illustration #300-500 | Nil |
|
|
| 590 | A LOUIS XIV STYLE TORTOISESHELL VENEERED CARTOUCHE MANTEL CLOCK, the circular dial with Roman numerals on porcelain mounts within a gilt frames, the case asymmetrically shaped with gilt metal mounts, 17" high #700-1200 | Nil |
|
|
| 591 | AN EARLY 20TH CENTURY ENGLISH DIAL CLOCK, the white enamel dial signed Harrods Ltd, London, with black painted Roman numerals with eight-day fusee mechanism, 13" wide #100-200 | Nil |
|
380 |
| 592 | A VICTORIAN POLISHED SLATE MANTEL CLOCK of architectural form, with circular black enamelled dial with gilt Roman numerals, the clock surmounted by a figure of a working coppersmith, 21" high #100-200 | Nil |
|
90 |
| 593 | A BLACK FOREST TYPE CUCKOO CLOCK of traditional design, with all over carved decoration of a bird amongst vine leaves and fruiting foliage, 22" #200-300 | Nil |
|
200 |
| 594 | A 19TH CENTURY DROP DIAL MAHOGANY CASED WALL CLOCK, the octagonal dial surround with Abalone shell and brass inlay, above visible pendulum aperture, 24" #400-600 | Nil |
|
|
| 595 | A "POSTMAN'S ALARM" TYPE WALL CLOCK, the octagonal mahogany dial surround with cut brass inlay, the circular convex dial with Roman numerals, 12.5" wide #60-120 | Nil |
|
65 |
| 596 | A TERRESTRIAL GLOBE with varnished papers on a mahogany stand with turned base, 14" high #50-100 | Nil |
|
550 |
| 597 | A VICTORIAN POLISHED SLATE AND MARBLE MANTEL CLOCK, the circular dial with enamel chapter ring, the elaborate architectural case with variegated marble panels, and incised gilt highlighted decoration, 18" wide #50-100 | Nil |
|
30 |
|
598 |
A NOVELTY "SWINGER" TYPE CLOCK in the form of a bronze elephant on a wooden plinth, the swinging clock with circular dial above pendulum, suspended from the elephant's trunk, 11" high #150-250 |
Nil |
|
280 |
