599 |
A 19TH CENTURY FRENCH SILVER PLATED CLOCK GARNITURE, the clock dial signed Joly La Rochelle, with elaborate scrolling frame, flanked by twin five light candelabra, 16" high #600-800 | Nil |
|
|
| 600 | A LACQUERED BRASS STUDENTS COLUMN TYPE MICROSCROPE in fitted mahogany case with a quantity of lenses and fittings, the case 10" wide £50-100 | Nil |
|
50 |
| 601 | A MAHOGANY AND BRASS MOUNTED PLATE CAMERA with label "Time and Inst. Patent, Thornton-Pickard", with two plate holders #50-100 | Nil |
|
70 |
| 602 | A 19TH CENTURY FRENCH CLOCK GARNITURE, the bronzed case with ormolu mounts and side handles, the eight-day movement, striking on a bell, with twin three light candelabra, 17". See illustration #400-600 | Nil |
|
|
| 603 | MARMADUKE STORR, LONDON: A George III mahogany bracket clock, the circular silvered dial signed to the centre, with date aperture, the chapter ring with Roman numerals with strike/silent selector above, the door with brass mounts and gilt cast spandrels, the case with raised top and cast carrying handle, the twin fusee five pillar movement with verge escapement and elaborately engraved back plate and brackets, with pull repeat, 18" high. See illustration £3000-5000 | Nil |
|
3000 |
| 604 | JAMES WARNE, LONDON: A George III mahogany bracket clock, the silvered chapter ring with matted centre with visible pendulum bob and date aperture, the chapter ring with Roman numerals and Arabic minutes, with cast and pierced spandrels to the corners with strike/silent indicator above, the door with arched topped panel and further conforming spandrels, the case with raised carrying handle and fir cone finials, the twin chain fusee movement with verge escapement and elaborately engraved back plate, with pull repeat, 21" high. See illustration £3000-5000 | Nil |
|
3000 |
| 605 | OURRY, PARIS: A Louis XV tortoiseshell and brass veneered bracket clock, the arched dial with enamelled Roman numerals mounted against a matted and engraved scene with an oriental figure in a landscape, the door flanked by twin applied columns, all beneath removable domed top with cast gilt finials, the movement signed Louis Ourry, Paris, with outside count wheel striking mechanism, 22" high. See illustration #2000-4000 | Nil |
|
|
| 606 | A DROP DIAL WALL CLOCK, the white enamel dial with Roman numerals, in mahogany frame with eight-day movement with visible pendulum, 21.5" high #40-60 | Nil |
|
55 |
| 607 | A 19TH CENTURY FRENCH POLISHED SLATE MANTEL CLOCK, the column form mantel clock surmounted by an eagle on a rocky outcrop, the circular dial with Roman numerals, the eight-day movement striking on a bell on shaped and scrolling base, 15" high #100-200 | Nil |
|
|
| 608 | SAMUEL SAUNDERS OF MANCHESTER: A George III mahogany longcase clock, the silvered dial with subsidiary seconds and date dials, with scrolling rococo engraving of ho-ho birds and a ship at sea, the chapter ring with enamelled Roman numerals, flanked by cast and pierced gilt spandrels, the arch with painted moon phase, the hood with elaborate scrolling swan neck pediment above open fretwork panelling, the dial flanked by fluted columns with cast capitals, the door with gothic arched top between recessed cluster columns, on conforming base, 93" high. See illustration #5000 | Nil |
|
|
| 609 | C..A..CANTI MALLING, KENT: A George III wheel barometer, with rosewood and satinwood strung case, with gilt pineapple finial between swan neck pediment, the barometer with dry/damp gauge above a convex fronted thermometer, a circular timepiece with convex white enamel dial with Roman numerals, the barometer dial with elaborately engraved centre above a spirit level, 58" high. See illustration £4000-6000 | Nil |
|
2500 |
| 630 | A PAIR OF REGENCY SIMULATED ROSEWOOD SIDE CHAIRS, the "X"-frame lateral splats with floral brass mounts and rope-twist cresting rails above cane panelled seats on bobbin-turned legs, 16" #50-100 | Nil |
|
|
| 631 | AN EDWARDIAN INLAID MAHOGANY JARDINIERE of Sheraton design with a brass liner and swing handle, on moulded circular base and ball feet, 14" #40-60 | Nil |
|
130 |
| 632 | A WILLIAM AND MARY STYLE DRESSING STOOL with upholstered rectangular seat on "braganza" feet, 20" #40-70 | Nil |
|
55 |
| 633 | A NEST OF THREE LOUIS XV STYLE MARQUETRY TABLES, the largest table with a kidney shaped top inlaid with a scene of flowers against a radiating background, on lyre shape legs, 24" wide. See illustration #500-700 | Nil |
|
550 |
| 634 | A SET OF FOUR WILLIAM IV MAHOGANY BAR BACK DINING CHAIRS, the broad backs above drop-in seats and moulded seat rail, on octagonal panelled and turned legs (4) #200-400 | Nil |
|
260 |
| 635 | A REGENCY ROSEWOOD CIRCULAR TOPPED BREAKFAST TABLE, the top above a moulded frieze on octagonal panelled column with triform base and turned feet with recessed castors, 48" wide #400-600 | Nil |
|
|
| 636 | A VICTORIAN BURR WALNUT CANTERBURY WHATNOT, the serpentine fronted top with pierced gallery above four open divisions with pierced dividers and a single concave fronted drawer, on short turned legs with brass castors, 40" high. See illustration #300-500 | Nil |
|
600 |
| 637 | A GEORGE III MAHOGANY OCCASIONAL TABLE, the rectangular top with canted corners and moulded edge on a slender turned and vase form column with three downswept legs with turned feet, 24" wide #150-250 | Nil |
|
400 |
| 638 | A LATE 17TH CENTURY OAK BOX, the rectangular lid with moulded front and notched sides, the front with fluted and punched decoration, on a later stand, 18" wide #200-400 | Nil |
|
300 |
| 639 | A VICTORIAN WALNUT SOFA, the carved frame with a buttoned back over a serpentine seat, on turned and carved front legs terminating in castors. See illustration #300-600 | Nil |
|
|
| 640 | A GEORGE III SHERATON STYLE MAHOGANY CARD TABLE, the "D"-shaped top with mahogany crossbanding and satinwood stringing, above a similarly decorated frieze, on square tapering legs, 36" wide #150-350 | Nil |
|
130 |
| 641 | A CHARLES II STYLE OAK JOINT STOOL, the rectangular top with moulded edge on outswept turned legs with square section stretchers, 17.5" wide #100-200 | Nil |
|
240 |
| 642 | A WILLIAM IV ROSEWOOD WORK TABLE, the rectangular top above a single frieze drawer and basket in "U" form support on octagonal column with platform base and turned feet, 18" wide. See illustration #200-400 | Nil |
|
180 |
| 643 | A 17TH CENTURY OAK SIX PLANK COFFER of traditional form, the front with moulded decoration, on raised trestle ends, 40" wide (lid replaced) £100-200 | Nil |
|
90 |
| 644 | A SET OF FOUR GEORGE III MAHOGANY DINING CHAIRS with carved back rails, splayed back supports and square section legs with moulded corners (4) #200-400 | Nil |
|
260 |
| 645 | A QUEEN ANNE OAK CHEST OF DRAWERS, the rectangular top with moulded edge above two short and three long graduated drawers with panelled fronts, on turned feet, 38" wide. See illustration #300-500 | Nil |
|
360 |
| 646 | A 17TH CENTURY OAK DROP FLAP DINING TABLE, the oval top on gateleg base with turned uprights and square section stretchers, with turned feet, 47" wide #300-500 | Nil |
|
|
| 647 | A GEORGE III MAHOGANY CORNER CUPBOARD with scrolling pediment above single thirteen panel glazed door enclosing shelved interior with serpentine fronted shelves, 29" wide #200-400 | Nil |
|
320 |
|
648 |
T.. & G.. SEDDON: A Regency mahogany library side table, the rectangular top with moulded corners above central frieze and two side drawers, each moulded as double drawers with turned knob handles and scrolling foliate brackets, on turned and reeded tapering legs with brass castors, 48" wide. Stamped to the top of one drawer Seddon, and with paper label T & G Seddon no. 551, London House, Aldersgate Street. See illustration #400-600 |
Nil |
|
800 |
