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Page design, text and images: Copyright Pacts Auction Systems 2001.
Sale date: |
Paintings, Books & Furniture Sale on Thursday 8th July 2004 |
Lot numbers: |
255-284 of 761 |
Lot |
Description & Estimate |
Vat % (Sales Tax) |
Image |
Hammer Price £ |
255 |
JOSEPH HENNAH Pulpit Rock, Portland, with two figures fishing, signed, oil on canvas, 14" x 18" #50-100 | Nil |
130 | |
| 256 | H...BETTERIDGE "Canal, Uxbridge", signed, and the reverse inscribed with the title, oil on board, 9.75" x 13.5" #200-400 | Nil |
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| 257 | HENRY J. FOY "In the Derryvaghs, Donegal", signed and the reverse inscribed with the title, oil on board, 13.75" x 20.5". See illustration #250-450 | Nil |
280 | |
| 258 | ARTURO RICCI "The Proposal", signed, oil on canvas, 16.5" x 21". See illustration #5000-10000 Provenance: Private Collection, Dorset. | Nil |
5000 | |
| 259 | ENGLISH SCHOOL, 19th century Mending nets, indistinctly signed, oil on board, 10" x 8" #80-150 | Nil |
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| 260 | TOMSON LAING "On the Shore, Ballantrae", signed and titled, oil on canvas, 13.5" x 20.5" #300-500 | Nil |
450 | |
| 261 | TOMSON LAING Kelp gatherers on the seashore, signed, oil on canvas, 13.75" x 21.75" #300-500 | Nil |
600 | |
| 262 | PAUL MAITLAND "Ludlow Bridge", inscribed with the title, artist's name and date 1905, on a label on the reverse, oil on panel, 4.25" x 8.75". See illustration #2000-3000 | Nil |
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| 263 | MANNER OF DAVID TENIERS Figures playing cards in an interior, oil on panel, 6" x 5.5" and the companion painting (unframed) (2) #100-200 | Nil |
90 | |
| 264 | ... VAN HOESCH The interior of a blacksmith's shop, signed, oil on canvas, 15.25" x 19" #200-300 | Nil |
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| 265 | HARRY FIDDLER "Feeding the hens", monogrammed, oil on canvas, 9.5" x 12.25". See illustration #1000-2000 | Nil |
950 | |
| 266 | HARRY VAN DER WEYDEN "Pinnacle Rock: Near Old Harry Point, Studland, Dorset", signed and the reverse inscribed with the title, oil on board, 7.25" x 9.25" #100-200 | Nil |
800 | |
| 267 | HARRY VAN DER WEYDEN A foreshore by moonlight, signed, oil on canvas board, 12" x 15". See illustration #200-400 | Nil |
400 | |
| 268 | WILLIAM HENRY BARTLETT "Cologne", signed and titled, oil on panel, 4, 75" x 7.25". See illustration #1500-2500 | Nil |
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| 269 | ERNEST FAIRHURST A nude reclining in a landscape, oil on board, 13. 75" x 19.5" #200-300 | Nil |
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| 270 | WILLIAM HAYDON FUGE A gentleman writing letters in an interior, inscribed on the reverse, oil on canvas, 10.75" x 16.5". See illustration #500-1000 | Nil |
1600 | |
| 271 | MURRAY B. BLADON RBSA A collection of oil and watercolour sketches including an upland track with woodland beyond, monogrammed, oil on board, 10" x 14" (unframed) (a collection) #200-400 | Nil |
170 | |
| 272 | THOMAS M. ASH An upland river with sheep and mountains beyond, signed, oil on board, 5" x 8" #50-100 | Nil |
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| 273 | GARNETT RUSKIN WOLSELEY "National Stadium", inscribed on the reverse, oil on panel, 9.5" x 11.5" #200-300 | Nil |
220 | |
| 274 | BERNARD MENINSKY A reclining figure in a landscape, oil on canvas, 10. 25" x 13.75". See illustration #1000-2000 | Nil |
1200 | |
| 275 | PAUL MAZE "Vase of anemones and basket", signed, oil on board, 13" x 9.75". See illustration #1500-2500 Provenance: Marlborough Fine Art, London. The Collection of Donald Stralem, New York. Exhibited: "A Tribute to Paul Maze. The painter and his time", Marlborough Fine Art, London, May-June 1967. | Nil |
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| 276 | J...WESTALL A river landscape with figures in a boat and a village beyond, signed, oil on board, 6.75" x 12.25" #100-200 | Nil |
260 | |
| 277 | J...MIRO A portrait of a gentleman wearing a tie and a flower in his lapel, signed and inscribed, oil on panel, 10" x 7.75" (unframed) £200-400 | Nil |
320 | |
| 278 | JOHN JAMES HALLS A portrait of Lieutenant Colonel Herries in dress uniform, extensively inscribed on the reverse, half-length, oil on canvas, 12" x 10". See illustration #450-750 Provenance: The sitter and thence by descent. | Nil |
850 | |
| 279 | NAIVE SCHOOL, 19th century A portrait of a young girl wearing a red dress laced at the front, her hair in ringlets, oil on board, 16" x 12" (unframed) #50-100 | Nil |
100 | |
| 280 | ASCRIBED TO JAMES RAMSAY A portrait of a gentleman wearing a dark coat and a white stock, said to be Joseph "Blanco" White, oil on canvas, 24" x 20". See illustration #300-600 | Nil |
420 | |
| 281 | ATTRIBUTED TO HENRY SINGLETON A portrait of a gentleman standing three-quarter length beside a tree, his tricorn hat raised in his right hand, an extensive landscape beyond, inscribed on the reverse, oil on canvas, 20.75" x 16". See illustration #3000-5000 Provenance: Mrs Tanis Guiness, Doves House, Hungerford, Berkshire and thence by descent. | Nil |
6500 | |
| 282 | PHILIP MERCIER A young girl carrying a basket of flowers, said to tbe the daughter of the Governer of Greenwich Hospital, a young girl wearing a bonnet and holding a sprig of cherries beyond, inscribed on the reverse, oil on canvas, 35" x 28" in a carved giltwood frame. Provenance: Victor Cooke, Esq. Athelhampton House, Dorset. Sir Robert Cooke, and thence by descent to Louise Read (nee Cooke). Born in Berlin, Mercier was the son of a Huguenot tapestry worker employed by King Frederick of Prussia. His early patrons in England were mostly aspiring Hanoverian courtiers and in 1729 he was a | Nil |
24000 | |
| 283 | JOHN REID A portrait of a woman wearing a wide brimmed hat trimmed with flowers and tied with a chiffon scarf, inscribed "with love John Reid x" and indistinctly dated 1912 (?), tondo, bust length, oil on canvas, 16.5" dia. in a carved and moulded gilt-gesso frame. See illustration #200-400 | Nil |
1000 | |
|
284 |
JOHAN BARTHOLD JONGKIND "Moonlight Marine", with boats and windmills, probably Rotterdam, signed, oil on canvas, 15" x 18,5". See illustration #2000-4000 Provenance: Purchased at Samuel T. Freeman & Co. Auctioneers, Philadelphia, March 29th 1933 for $60 and thence by descent. A copy of the original invoice is available for inspection on request. |
Nil |
4500 |
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