514 |
TAXIDERMY: A preserved Roach in naturalistic setting, in bow fronted glazed case with paper label F. Saunders, Taxidermist, 69 Highbury Park, London N, 19" wide #400-600 | Nil |
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|
| 515 | AN IVORY MOUNTED CLARINET, stamped Key, London, Charing Cross, 26" £70-90 | Nil |
|
250 |
| 516 | COUTUNE, PARIS: A Clarinet in fitted case, and a volume "Treaties on the Clarinet" by Rudolph Dunbar #100-200 | Nil |
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|
| 517 | AN AMERICAN "JOURNEYS" CARVED AND INSCRIBED WALKING STICK, with notched handle and inscriptions of journeys undertaken, 27.75" £50-100 | Nil |
|
60 |
| 518 | A CAST AND DECORATED GLASS PANEL bearing a coat-of-arms, by Bulliont Sign Co Ltd, 38 Greys Inn Road, London, 13" wide and a similar panel bearing the Prince of Wales feathers (2) #80-150 | Nil |
|
420 |
| 519 | A PAIR OF LIGNUM VITAE CANDLESTICKS in the Heemskirk manner with turned columns and broad circular drip pans, on bell form bases, 16. 25" high (2). See illustration | Nil |
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|
| 520 | AN EMPIRE MANTEL CLOCK the arched gilt and "silvered" case with neo-classical mounts and urn finial, the convex white enamel dial with Roman numerals, inscribed "Galle Rue Vivienne, Paris", the two-train movement with outside countwheel, striking on a bell, 14". See illustration #600-800 | Nil |
|
800 |
| 521 | A WILLIAM IV MAHOGANY "GOTHIC REVIVAL" MANTEL CLOCK, the case with acanthus leaf scroll pediment on a platform base, the foliate engraved silvered dial with Roman numerals and two-train movement with outside countwheel striking on a coiled gong, 17". See illustration #500-800 | Nil |
|
850 |
| 522 | A 19TH CENTURY SWISS ROSEWOOD AND MARQUERTY MUSIC BOX by P V F St Croix (Suisse) no. 1675 playing eight tunes, 20" #200-400 | Nil |
|
380 |
| 523 | A VICTORIAN BRASS SKELETON CLOCK, the dial with Roman numerals, single train fusee movement, anchor escapement, striking on a bell under glass dome on ebonised base, 20". See illustration #500-800 | Nil |
|
700 |
| 524 | AN EDWARDIAN BURR WOOD MANTEL CLOCK with "basket" top and brass carrying handle, the white enamel dial with Roman numerals and timepiece French movement, 7,5" #40-70 | Nil |
|
100 |
| 525 | A LATE VICTORIAN BLACK SLATE AND MARBLE MANTEL CLOCK of architectural form, the white enamel dial with roman numerals and visible brocot escapement with two-train movement, 16" #80-150 | Nil |
|
80 |
| 526 | A LATE GEORGE III MAHOGANY WHEEL BAROMETER by D Fagioli & Son, 11 Baldwin's Gate, Leather Lane, the silvered dial surmounted by a convex mirror, temperature gauge and dry/damp scale with broken arch pediment, 38" #200-400 | Nil |
|
290 |
| 527 | A VICTORIAN "ETRUSCAN REVIVAL" BLACK SLATE MANTEL CLOCK, the hexagonal base with gilt metal anthemian and mask mounts surmounted by a tazza, the dial with Roman numerals and two-train movement, 16" £100-200 | Nil |
|
100 |
| 528 | AN EDWARDIAN OAK LANCET SHAPED MANTEL CLOCK, the white enamel dial with Arabic numerals and two-train movement, striking on a coiled gong, 11.5" #80-150 | Nil |
|
|
| 529 | A MAHOGANY BAROGRAPH inscribed R F Brevette, Paris in glazed case, 11" #200-400 | Nil |
|
|
| 530 | A DRESDEN STYLE PORCELAIN MANTEL CLOCK of rococo design, the cream ground encrusted with flowers and highlighted with gilding, the dial with Arabic numerals and single train movement, 13" #100-200 | Nil |
|
|
| 531 | A FRENCH SEINNA MARBLE CLOCK GARNITURE the lancet shaped clock with a visible mercury compensating pendulum, the white enamel dial with Arabic numerals within a gilt bezel, 16" and a pair of tazzae ensuite (3) #300-500 | Nil |
|
|
| 532 | A RUSSIAN MARINE CHRONOMETER in mahogany case with brass mounts, the chronometer mounted on gimbles with Arabic numerals and subsidiary dials, 8" #400-600 | Nil |
|
|
| 533 | A VICTORIAN TERRESTRIAL GLOBE on a brass mount and turned mahogany stand, 7" #100-200 | Nil |
|
500 |
| 534 | A PAIR OF TERRESTIAL AND CELESTIAL LIBRARY GLOBES, inscribed "The New 12" British Terrestrial Globe... from the discoveries of Captain Cook" manufactured by SS Edkins, sucessors to the late T.M. Bardin, Salisbury Square, London on ebonised turned legs terminating in toupie feet, joined by cross stretchers, 18" high. See illustration Provenance: Mrs Georgina Bronfam, Moulton Hall, Newmarket | Nil |
|
7200 |
| 535 | A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK by S B Gaze, London, the case with canted corners and pierced brass lancet side panels with lion's mask ring handles, the arched pediment surmounted by an urn finial, the white enamel arched dial with Arabic numerals and strike/silent dial to the arch, the double fusee movement striking on a coiled gong, 24" with a mahogany bracket. See illustration £1500-2500 | Nil |
|
1900 |
| 536 | A GEORGE III INLAID MAHOGANY LONGCASE CLOCK by William Lancaster, Plymo. the Sheraton style case with arched door inlaid with a satinwood neo-classical urn, flanked by brass-stop fluted quartered columns above a panelled base on bracket feet, the arched hood with stop-fluted columns, the silvered arched dial engraved with a figure of Neptune with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the two-train eight-day movement striking on a bell, 82". See illustration #1500-2500 | Nil |
|
3200 |
| 537 | A VICTORIAN MAHOGANY AND MARQUETRY LONGCASE CLOCK by Stonehouse, Leeds, the crossbanded case with Tunbridgeware banding, turned columns and swan neck pediment, the arched dial painted with Masonic emblems, Roman numerals to the chapter ring, subsidiary seconds dial and date aperture, the two-train eight-day movenment striking on a bell, 87" high. See illustration #2000-4000 | Nil |
|
|
| 538 | A GEORGE III OAK AND CROSSBANDED MAHOGANY LONGCASE CLOCK by Wm. Carter, Salisbury, the plain case with long door, square hood and fretwork pediment, the square painted dial with Roman numerals, subsidiary seconds dial and date aperture with 30 hour movement, striking on a bell, 80" high #500-800 | Nil |
|
540 |
| 539 | A WUILLIAM IV OAK AND CROSSBANDED MAHOGANY LONGCASE CLOCK, the case with a long door inlaid with a marquetry panel of musical trophies, flanked by canted corners above a square base, surmounted by a hood with swan neck pediment, the painted arched dial with Arabic numerals, subsidiary date aperture and 30 hour movement, 87". See illustration #600-800 | Nil |
|
650 |
| 540 | A WELSH OAK LONGCASE CLOCK early 18th century by Humphrey Morgan of Abergavenny, the slender trunk with a long door above a conforming moulded platform base with a square hood, the 10" brass dial with a silvered chapter ring with Roman numerals and matt centre with single hand and 30 hour movement striking on a bell, 79". See illustration Literature William Linnard, Wales Clocks and Clockmakers photograph page 48 | Nil |
|
|
| 541 | AN EARLY VICTORIAN OAK LONGCASE CLOCK by Serfton Snainton, the plain case with a hood with swan neck pediment and turned columns, the painted arched dial with Arabic numerals and 30 hour movement, 80". See illustration #600-800 | Nil |
|
550 |
| 542 | A SHERATON STYLE INLAID MAHOGANY LONGCASE CLOCK by T Dicke, Ilchester, the slender case with canted corners and long wood crossbanded door surmounted by a hood with turned columns and broken arch pediment, the brass dial with silvered chapter ring, Roman numerals, matt centre and two-train movement striking on a bell, 92" high £500-800 | Nil |
|
1700 |
|
543 |
A LATE GEORGE III OAK LONGCASE CLOCK by David Parry Rigland, the case with canted corners and square door surmounted by a square hood with fretwork "swan-neck" pediment, the square painted dial with Roman and Arabic numerals, subsidiary date apeture and two train movement striking on a bell, 86" high #700-1000 |
Nil |
|
650 |
