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Page design, text and images: Copyright Pacts Auction Systems 2001.
Sale type & date: |
Paintings, Books & Furniture Sale on Thursday 13th March 2003 |
Lot numbers: |
483-531 of 653 |
Lot |
Description & Estimate |
Vat % (Sales Tax) |
Image |
Hammer Price £ |
483 |
A FRENCH "FOUR GLASS" AND ENAMEL MANTEL CLOCK the polychrome tapering columns surmounted by urn finials above a base, with a stepped pediment and floral finial, the gilt dial with Roman numerals, two-train movement striking on a gong with mercury compensating pendulum, 14.5" #300-600 | Nil |
550 | |
| 484 | AN EDWARDIAN INLAID MAHOGANY BALLOON-SHAPED MANTEL CLOCK, the white enamel dial with Arabic numerals and two train movement on brass bracket feet, 12" #70-100 | Nil |
140 | |
| 485 | A LOUIS XV STYLE EBONSIED BRACKET CLOCK of cartouche shape, carved with shells and leafy scrolls, the white enamel dial with Arabic and Roman numerals, the two-train movement with outside countside count wheel striking on a bell, 11.5" #70-100 | Nil |
80 | |
| 486 | A 19TH CENTURY MAHOGANY WALL CLOCK, the white enamel dial with Roman numerals indistinctly inscribed with single train fusee movement, 15" #150-300 | Nil |
320 | |
| 487 | A GEORGE III MAHOGANY COLUMN BAROMETER by Salmone, Oxford the case with chevron stringing and turned cistern to the base surmounted by an engraved brass dial and broken arch pediment, 37". Provenance: The Taylor family of Oxford and thence by descent. See illustration £450-750 | Nil |
1700 | |
| 488 | A JAMAICAN BRACKET CLOCK, 19th century, the rectangular case inlaid with specimen wood veneers including various palms, with twist columns and pierced brass side panels surmounted by an architectural pediment, the white enamel dial with Roman numerals and double fusee movement striking on on a coiled gong, 20". Bearing a label: "From David Mckenzie, Cabinet Maker, Corner of Thames Street and Stevens Lane, Kingston, Jamaica" See illustration #1500-2500 | Nil |
1400 | |
| 489 | A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK by Wm. Cozens, Finsbury, London, the case with brass inlaid canted corners and panels on four gilt ball feet, with brass "fishscale" side panels, the architectural pediment surmounted by a pineapple finial, the silvered dial with Roman numerals with double fusee five pillar movement striking on a bell with pull repeat, 20". See illustration £1500-2500 | Nil |
4800 | |
| 490 | AN 18TH CENTURY OAK LONGCASE CLOCK by Saml. Pearce, Honiton, the plain case with long door and square hood, the square 10" brass dial engraved with a rural landscape to the centre with Roman numerals to the chapter ring and 30 hour movement striking on a bell, 77" £600-1000 | Nil |
700 | |
| 491 | A WILLIAM IV OAK AND MAHOGANY LONGCASE CLOCK the case with a crossbanded gothic door, inlaid with satinwood bird medallion, flanked by turned columns, the hood with turned columns and broken arch pediment, the painted arch dial with Roman numerals to the chapter ring, subsidiary dial, moon phase and spandrels decorated with scenes of childhood, 84" high #500-800 | Nil |
1000 | |
| 492 | A GEORGE III OAK LANCASHIRE LONGCASE CLOCK by Robt. Hampson, Bury, the case with long door flanked by reeded quarter columns surmounted by a square hood with faux verre eglomise panel and broken arch pediment, the brass dial with Roman and Arabic numerals to the chapter ring, rococo spandrels and subsidiary seconds dial engraved with a shepherd and birds, 86". See illustration #1200-1800 | Nil |
1500 | |
| 493 | A GEORGE III MAHOGANY JERSEY LONGCASE CLOCK by Edwd. Renouf, Jersey, the case with long arched door above a rectangular plinth, surmounted by an arched hood with reeded tapering side columns and urn finials, the silvered dial with Roman and arabic numerals to the chapter ring, subsidiary date aperture and seconds dial, the centre engraved with a cottage and seascape, surmounted by a moon phase inscribed "High Water at Jersey", 83" high. See illustration | Nil |
5400 | |
| 494 | A GEORGE III EBONY AND IVORY OCTANT by D. Lowrie with brass mounts and ivory engraved scale, 18". See illustration #400-600 | Nil |
560 | |
| 495 | A GEORGE I STYLE WALNUT LONGCASE CLOCK CASE, the quarter veneered long door above a rectangular plinth surmounted by a hood with turned columns and fretwork stepped pediment with brass finials, 86" high. | Nil |
1200 | |
| 500 | A TEKKE BOKHARA RUG the brick red ground with three rows of "elephant foot" ghuls within tarantula motif outer border and guards, 59" x 48" #100-200 | Nil |
250 | |
| 501 | A NORTH WEST PERSIAN TRIBAL RUG the central pale aubergine panel with a central hooked boteh lozenge within panelled outer borders and guards, 94" x 63" #50-100 | Nil |
80 | |
| 502 | A HAMADAN MEDALLION RUG the central ivory panel with a blue ground hexagonal ghul within floral Herati pattern outer borders and guards, 70" x 40" #100-200 | Nil |
||
| 503 | A MALAYER RUNNER the blue ground worked with numerous floral medallions within hooked boteh outer border and guards, 117" x 36" £200-300 | Nil |
300 | |
| 504 | A PERSIAN ISPHAHAN TYPE RUG the cream ground with a central pale blue floral medallions within red and blue floral and leafy scroll pattern outer borders and guards, 90" x 60" #100-200 | Nil |
190 | |
| 505 | AN "AFGHAN GOLD" TRIBAL RUG, the central panel with four "elephant foot" ghuls within Herati pattern outer border and guards, 60" x 44" £30-50 | Nil |
60 | |
| 506 | A BALUCH RUG the pale beige ground with a blue and red hooked boteh design within borders and guards, 65" x 21" #50-80 | Nil |
110 | |
| 507 | A PERSIAN RUG of Ersarai type the red ground with three rows of ghuls and hooked boteh within outer border and guards, 90" x 50" #50-100 | Nil |
150 | |
| 508 | A MILAS TYPE RUG, the cream and pale lemon ground with an Art Deco style rectangular floral and striped panel within outer borders and guards, 120" x 77" #150-250 | Nil |
150 | |
| 509 | A PERSIAN TRIBAL RUG, the ivory ground worked with a central salmon pink and pale blue pole medallion, 72" x 50" 100-200 | Nil |
220 | |
| 525 | AN EDWARDIAN MAHOGANY AND SATINWOOD STRUNG NARROW BOOKCASE, the rectangular top with moulded edge and raised pierced brass gallery, the open front with three adjustable shelves above a single short drawer with brass ring handle, 24" wide #200-400 | Nil |
520 | |
| 526 | A REGENCY ACACIA WOOD AND SATINWOOD STRUNG WRITING TABLE, the rectangular top with broad crossbanding and satinwood stringing above a central recessed drawer fitted with baize-lined slide between short pen and stationery drawers, on twin trestle ends with scrolling feet and rectanglar cross-stretcher, 28" wide. See illustration £2500-4500 | Nil |
2500 | |
| 527 | A PAIR OF REGENCY MAHOGANY BAR BACK DINING CHAIRS with scrolled backrails, drop-in seat and sabre front legs #40-80 | Nil |
80 | |
| 528 | A PAIR OF REGENCY MAHOGANY BAR BACK DINING CHAIRS with twin cross-rails and roundel decoration below, with drop-in seats and sabre front legs #40-80 | Nil |
80 | |
| 529 | A GEORGE II MAHOGANY SUPPER TABLE with an oval flap top, on club legs terminating in pad feet, 48" #150-300 | Nil |
340 | |
| 530 | A GEORGE III STYLE MAHOGANY WINDOW SEAT, the upholstered seat with outscrolling arms with moulded and fluted decoration on square tapering legs with spade feet #80-150 | Nil |
280 | |
|
531 |
A GILTWOOD VICTORIAN STYLE ARTIST'S EASEL, the scrolling top with shelf decoration above adjustable picture support on traditional style easel frame, 72" high #100-200 |
Nil |
130 |
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