31 |
SPY: "The Demon Bowler", Vanity Fair prints published July 13th 1878, 15" x 10" and a volume "Forty Years of Spy" by Leslie Ward, published by Chatto & Windus, 1915 (2) #50-100 | Nil |
|
220 |
| 32 | WILLIAM LIONEL WYLLIE "A Naval Engagement", etching, signed in pencil in the margin, 16.5" x 22.5". See illustration #200-400 | Nil |
|
400 |
| 32A | AFTER H Y MARTENS: Third (Kings Own) Light Gadroons, Ackermans Costumes of the British Army (large series) no. 2, coloured engraving by J Harris, 19.5" x 15.5" and a collection of four prints of Third Light Gadroons Officers (5) #40-80 | Nil |
|
40 |
| 33 | THE THIRD (KINGS OWN) HUSSARS, Thomas Brown, a coloured portrait engraving, 12" x 7.75", and another black and white engraving, and six similar prints (8) #50-100 | Nil |
|
50 |
| 34 | HELEN RUSSELL WILSON Fisherman working on boats, etching, 15.25" x 20" #80-150 | Nil |
|
|
| 35 | AFTER J F HERRING "Fox Hunting - The Find", coloured engraving, 24. 25" x 31.75" and another similar "Fox Hunting - The Death" (unframed) (2) #150-200 | Nil |
|
140 |
| 36 | FRENCH SCHOOL, 18th century Versailles, a masque in progress before the king and queen, engraving, 29" x 21" (unframed) #200-300 | Nil |
|
|
| 37 | AFTER J A COLLINS "The North West Prospect of the Cathedral Church of St Mary, Salisbury", engraving, 19.75" x 24.75", together with a map of Wiltonia (unframed) (2) #150-250 | Nil |
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|
| 38 | PUBLISHED BY J.L. MARKS "Symba. Winner of the Oaks. 1848", engraving, 11" x 18" and two similar prints (unframed) (3) #80-120 | Nil |
|
|
| 39 | AFTER COURVOISIER "Vue de la place des Victores", engraving, 16.5" x 21.25" and seven similar prints (unframed) (8) #250-350 | Nil |
|
|
| 40 | AFTER R AND J OTTENS Map of Duytsland, engraving, 20.5" x 24" (unframed) #200-3000 | Nil |
|
220 |
| 41 | AFTER J HAVERTY "His Majesty's Embarkation at Kingstown on 3rd September 1821", coloured engraving, 18.5" x 25.5" (unframed). See illustration #200-300 | Nil |
|
|
| 42 | AFTER H. BUNBURY "A College Gate", engraving, 13.75" x 20.5" and two other prints (3) (unframed) #150-250 | Nil |
|
|
| 43 | AFTER G MORLAND "Deserter taking leave of his Wife", engraving, 19.5" x 22.5" and companion "Deserter Pardon'd" (2) (unframed) #100-200 | Nil |
|
|
| 44 | AFTER WILLIAM HOGARTH "Cruelty in Perfection", engraving, together with eight further prints after Hogarth and two coloured prints (11) (unframed) £40-60 | Nil |
|
55 |
| 45 | AFTER W HODGES "A view in the Island of Rotterdam", colour engraving, 11.25" x 16.5", and a collection of similar prints of South Seas subjects (unframed) (a lot) #200-300 | Nil |
|
160 |
| 46 | AFTER C.D. BARRAUD "Hokitika River", colour lithograph, 13.75" x 18", together with seven similar prints and four prints of Australia (12) (unframed) #200-300 | Nil |
|
|
| 47 | AFTER I.W. WALLANDER "Kungsholmen Och Riddarholmen I Stockholm", lithograph, 10.25" x 13.25" and five similar prints (6) (unframed) £100-200 | Nil |
|
80 |
| 48 | AFTER BALKE "Parti Fra Mjosen", lithograph, 10.25" x 13" and seven similar prints (8) (unframed) #100-200 | Nil |
|
|
| 49 | AFTER A. D'ORBIGNY "Vue du port du Cobija", lithograph, 10.25" x 13. 5" and three other prints of Bolivia (4) (unframed) #40-60 | Nil |
|
35 |
| 50 | AFTER M GOUCI "Portraits of the two ladies from the Celestial Empire", colour print, 13.25" x 9" and eight Spanish costume prits and one other (10) (unframed) #60-80 | Nil |
|
55 |
| 51 | AFTER F.BATE "General Post Office, London", coloured engraving, 14" x 18.5" and a collection of other prints of London scenes (a lot) (unframed) #100-200 | Nil |
|
110 |
| 52 | AFTER SAM WELLER "The Queen's visit to the City, 1837", coloured engraving, 13.5" x 10.25" and others similar (a lot) (unframed) £60-80 | Nil |
|
65 |
| 53 | AFTER THOMAS J BARKER "Meeting of Wellington and Blucher", engraving, 31.25" x 50" and a companion (unframed) (2) #80-120 | Nil |
|
600 |
| 54 | AFTER BIRKET FOSTER A series of seventeen steel engravings published by Cassell & Co, engravings, 17.5" x 12", with description plates and cloth bound folio #100-200 | Nil |
|
100 |
| 55 | AFTER LUCIANO GUARNIERI "Ponte santa Tirnita", a folio of coloured prints and descriptive plates, 14" x 20" #50-100 | Nil |
|
55 |
| 56 | NICHOLAS HAWKSMOOR Architectural designs for All Souls College, Oxford (title given on pritned label on upper cover of port folio) (no place of publication or publisher, but early 20th century), folio #30-50 | Nil |
|
100 |
| 57 | AFTER JOHN GOULD "Archibuteo Lagopus", hand coloured lithograph, with description to the reverse, 21.5" x 14.25" #150-250 | Nil |
|
180 |
| 58 | AFTER JOHN GOULD "Scops Zorca" hand coloured lithograph with description to the reverse, 21.25" x 14.25" #150-250 | Nil |
|
|
|
59 |
AFTER JOHN GOULD "Circus Cineraceus" hand coloured lithograph, with description to the reverse, 14.5" x 21.5" #150-250 |
Nil |
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