Silver, Jewellery & Furniture Sale
on Thursday 4th & Friday 5th June 2009
1. A PAIR OF OLD SHEFFIELD PLATE CANDLESTICKS with tapering circular stems and urn-shaped capitals, pull-off gadrooned sconces, on spreading circular bases, possibly by Matthew Bolton, 12.5" high
Estimate: 100-200
2. AN EARLY VICTORIAN MEATDISH COVER of oval form, the body engraved with geometric and floral motifs and applied scroll border, with carrying handle, 10" high. See illustration
The crest is that of the Jefferson Family.
Estimate: 80-120
3. A PAIR OF VICTORIAN PLATE ON COPPER CANDLESTICKS with waisted stems and capitals, pull-off embossed sconces, the whole on shaped circular bases, 11.5" high, and a salver with a leaf and floral border (3)
Estimate: 50-100
4. A PAIR OF OLD SHEFFIELD PLATE CANDLESTICKS of corinthian form, with gadrooned pull-off sconces, on square gadrooned bases, 12" high. See illustration
Estimate: 50-100
5. A PAIR OF ELECTRO-PLATED DISHES of circular form with pieces sections, and one large and three small electro-plated bowls, a crumb scoop and a Ronson lighter (8)
Estimate: 40-60
6. A PAIR OF VICTORIAN ENTREE DISHES AND COVERS of cushion form, with detachable carrying handles, beaded and gadrooned decoration, with stag crests. See illustration
Estimate: 50-100
7. A PAIR OF ELECTRO-PLATED STANDARD LAMP BASES of corinthian column form, with light attachments, on stepped square bases, filled, 22.5" high
Estimate: 200-400
8. A PAIR OF WILLIAM IV NEO-ROCOCO STYLE CANDLESTICKS with waisted stems, on shaped circular bases, 9.5" high. See illustration
Estimate: 50-100
9. A PAIR OF EARLY VICTORIAN BOTTLE COASTERS of shaped circular form, with shell and scroll borders and slat-pierced sides, 6.25" dia. See illustration
Estimate: 80-120
10. A PAIR OF EDWARDIAN THREE LIGHT CANDELABRA with fluted arms, flame finials and circular knopped stems, with detachable sections, on spreading circular fluted feet, 18" high. See illustration
Estimate: 100-200
11. FOUR PAIRS OF VICTORIAN PLATED ON COPPER TELESCOPIC CANDLESTICKS (a lot)
Estimate: 100-200
12. A VICTORIAN ELECTRO-PLATED CANDLESTICK with a waisted stem and capital, applied with leaf friezes, on a shaped circular base, filled, 12" high
Estimate: 50-100
13. A SET OF FOUR LATE VICTORIAN CANDLESTICKS, converted to hurricane lamp bases with baluster stems and floral sconces, the whole on hexagonal bases, with etched glass reservoirs, 21" high (when set up). See illustration
Estimate: 200-400
14. AN EDWARDIAN KETTLE ON STAND with part wooden loop handle and part fluted decoration, on down curving legs, by Thomas Bradbury & Sons, 12" high. See illustration
Estimate: 50-100
15. A PAIR OF OLD SHEFFIELD PLATE COASTERS with "egg and dart" borders on wooden bases, and a commemorative coaster with a silver disc insert, and other items (a lot)
Estimate: 50-100
16. AN ELECTRO-PLATED FOUR PIECE TEA/COFFEE SET of circular tapering form, with part fluted decoration and scroll handles
Estimate: 50-100
17. AN ELECTRO-PLATED ROSE BOWL with a gadrooned wavy border, lions mask ring handles and spreading circular base, together with a plate on copper three branch candelabrum, a 19th century coaster and a hip flask (4)
Estimate: 50-100
18. A SET OF SIX MOTHER OF PEARL HANDLED FRUIT EATERS in a fitted case, by Mappin & Webb, together with a selection of plated items including an entree dish and cover, an oval-shaped tray, a sugar basket with blue glass liner and other items (a lot)
Estimate: 50-100
19. A PAIR OF ELECTRO-PLATED ENTREE DISHES of oval form with gadrooned borders, pull-off covers and detachable carrying handles, and a second pair (4)
Estimate: 50-100
20. A GEORGE III OLD SHEFFIELD PLATE TEA POT of oval form, with a wooden scroll handle, navette-shaped finial and tapering spout, monogrammed, and an octagonal tea caddy, a tray, two salvers and a coaster (6)
Estimate: 50-100
21. A COLLECTION OF PLATED WARES comprising a rose bowl with lions-mask and ring handles, a salver, a galleried tray, various dishes and condiment pieces (a lot)
Estimate: 50-100
22. A LATE 19TH/EARLY 20TH CENTURY DETACHABLE HUNTING HORN, with circular mouthpiece and flared end, by Brown & Sons, makers of London, 27" long
Estimate: 100-200
23. A SET OF FOUR SHEFFIELD PLATE TELESCOPIC CANDLESTICKS of circular form, with knopped stems, and applied with shells and scrolls
Estimate: 50-100
24. A VICTORIAN ENTREE DISH AND COVER of rectangular form, the sides embossed with flowers and scrolls, together with two meat dish covers and three plated skewers (a lot)
Estimate: 50-100
30. A LATE VICTORIAN SUGAR BASKET of circular form with a beaded swing handle, the body pierced with circles and a floral frieze, the whole on a circular pedestal foot, with a blue glass liner, by JJ, Chester 1900, 8.25" high (with handle extended). See illustration
Estimate: 150-250
31. A SALVER of shaped circular form with a raised reeded border, the whole on four scroll feet, by James Dixon & Sons, Sheffield 1942, (c.19oz), 10" dia. See illustration
Estimate: 80-120
32. A TABLE BELL of conventional form with a pierced handle, bearing a monogram, by SWS & Co, Birmingham 1924, 3.75" high
Estimate: 50-100
33. A PEDESTAL DISH of shaped circular form with geometric pierced sections, the whole on a circular foot, by Viners, Sheffield 1960, (c.13oz). See illustration
Estimate: 100-200
34. A LATE VICTORIAN CREAM JUG of baluster form with a wavy border and shaped scroll handle, the whole on three down curving legs, crested, Birmingham 1898, with a matching sugar bowl (2)
Estimate: 50-100
35. A PAIR OF TRUMPET VASES with flared rims, on spreading on circular bases, loaded, by William Hutton & Sons, Birmingham 1918, 8" high
Estimate: 80-120
36. A CIGARETTE BOX of rectangular form, with an engine-turned border, the whole on four angular feet, presentation inscribed, by H. Bros., Birmingham 1961.
Estimate: 40-60
37. A LATE VICTORIAN HORS D'OEUVRE DISH of clover-leaf form, with three fluted sections and cast carrying handle, by Mappin & Webb, Sheffield 1895, (c.20oz). See illustration
Estimate: 100-200
38. A FIVE PIECE CONDIMENT SET with blue glass liners, Birmingham 1955 and later
Estimate: 50-100
39. A PAIR OF VICTORIAN CUPS AND SAUCERS with part-fluted decoration and gilt interiors, by Edward Hutton, London 1889. See illustration
Estimate: 100-200
40. A DISH of octagonal form with a floral pierced border, the whole on four down-curving legs, marked Sterling, 10" wide. See illustration
Estimate: 50-100
41. A TWO HANDLED BASKET of shaped rectangular form with cast "D"-shaped carrying handles and pierced border, the whole on a shaped rectangular foot, retailed by Wilson & Gill of London, London, (c.15oz). See illustration
Estimate: 100-200
42. A VICTORIAN PEDESTAL DISH of circular form with a fluted border, with a tapering beaded stem, the whole on an embossed circular foot, bearing a hog armorial, by Martin Hall & Co. London 1883, (c.14oz), 6" high. See illustration
Estimate: 200-400
43. A VICTORIAN (AND LATER) MATCHED THREE PIECE TEA SET of oval tapering form, with part-fluted decoration, one piece crested, with angular handles and finials, by William Hutton & Sons, London/Sheffield, 1900 and later (c.28oz). See illustration
Estimate: 100-200
44. AN EDWARDIAN TEAPOT of circular form with a reeded girdle and scroll handle, the whole on a circular foot, by the Goldsmiths and Silversmiths Company, London 1907, (c.16oz)
Estimate: 50-100
45. A TEAPOT AND MATCHING HOT WATER POT of shaped rectangular form, with gadrooned borders, angular handles and ribbed corner sections, by MH & Co Ltd, Birmingham 1920, (c.24oz)
Estimate: 100-200
46. A HOT WATER POT of circular form with an angular handle, reeded borders, by GH, Sheffield 1929, 6" high
Estimate: 50-100
47. AN EDWARDIAN HOT WATER POT of bellied circular form, the domed hinged lid with a pierced thumbpiece and wicker-bound scroll handle, the whole on a cut-out circular foot, by Mappin & Webb, Sheffield 1902, and a mug bearing a presentation inscription, Sheffield 1954 (c.27oz) (2)
Estimate: 100-200
48. A DISH of shaped circular form, with pierced leaf decoration, the whole on a tucked-in circular foot, Sheffield 1970, 11.5" dia. (c.20oz). See illustration
Estimate: 100-200
49. AN INKWELL of shaped square form, crested, the whole on four compressed ball feet, by J.C.V., Birmingham 1910, (c.18oz), 8.25" wide. See illustration
Estimate: 100-200
50. A BOWL of circular form with a gadrooned border, faceted interior, the whole on down-curving scroll feet, by D & A, Birmingham 1919, 8.5" dia., (c.14oz). See illustration
Estimate: 50-100
51. A PAIR OF CANDLESTICKS of corinthian column form with pull-off beaded sconces, on stepped square bases, loaded, by AS, Birmingham 1964, 9.75" high
Estimate: 100-200
52. AN EDWARDIAN INKWELL of navette form with a gadrooned and pierced border, the whole on tapering triangular feet, by WA, Birmingham 1903, and a flower vase (2)
Estimate: 50-100
53. A PAIR OF EDWARDIAN POSY VASES with wavy borders, on circular feet, by A & J Zimmerman, Birmingham 1901, and a third fluted vase and a circular silver dish (4)
Estimate: 50-100
54. A GOBLET of tapering circular form with a knopped stem, the body engraved and chased in the Carolean style, the base engraved "Armourers and Braziers Company copy of the master's cup. AD1599. Kenneth George Stacy, Halfield, Christmas 1931", by EC, London 1934, (c.4oz), 5.25" high. See illustration
Estimate: 100-200
55. A PEDESTAL DISH of shaped circular form with reeded scroll handles, egg and dart borders, on a spreading circular foot, by T.A.E., Birmingham 1913, (c.10oz), 6" high
Estimate: 80-120
56. AN EDWARDIAN TEAPOT of shaped oval form with a scroll handle, on a spreading pedestal foot, by C.H., Birmingham 1905, 6" high. See illustration
Estimate: 50-100
57. A TROPHY CUP of tapering circular form with a pull-off cover and angular handles, decorated with an acanthus leaf frieze, on a fitted plinth, by Charles Boyton & Sons, Sheffield 1933, 9" high. See illustration
Estimate: 40-60
58. A BRITANNIA STANDARD CHOCOLATE POT of circular tapering form, with a domed hinged cover, bell finial and wooden scroll handle, with reeded borders, by Charles Stewart Harris, London 1906, 7.75" high. See illustration
Estimate: 100-200
59. A TEA POT of bullet form, with wooden disc finial, scroll handle and faceted spout, the whole on a spreading circular foot, retailed by Harman, 177 New Bond Street, London, 1923, (c.12oz). See illustration
Estimate: 200-400
60. A LATE VICTORIAN GUERNSEY MILK CAN of globular form, with a central girdle, pull-off cover and scroll handle, applied with a shield, by WD& S, Birmingham, 1900, and a plated example (2)
Estimate: 80-120
61. A PAIR OF LATE VICTORIAN DISHES of shaped circular form, the bodies embossed with scrolls and swirls, by SF/WS, Sheffield 1894, 8.75" dia., (14oz)
Estimate: 200-400
62. A SET OF FOUR INDIAN SCALLOP SHELL DISHES with gilt interiors, the undersides embossed with elephants, trees, plants and buildings, each on extended hoof feet (4). See illustration
Estimate: 100-200
63. A GEORGE IV MUFFIN DISH AND COVER of circular form, the pull-off cover embossed with flowers and scrolls, the base with a cast floral border, crested, by IW, London 1828, 7.75" dia.
Estimate: 100-200
64. A GEORGE III KITCHEN PEPPER of cylindrical form, with reeded borders, pull-off pierced bun top and reeded scroll handle, makers mark rubbed, London 1773, and an embossed cauldron salt on three hoof feet (2)
Estimate: 100-200
65. A SILVER MOUNTED MIRROR of upright rectangular form, with an engine-turned frame, wooden back, by SI Ltd, Chester 1915, 13.25" high. See llustration
Estimate: 100-200
66. A WAITER of shaped circular form with a raised reeded border, the whole on four hoof feet, initialled, by JS, Sheffield 1925, 7.5" dia. (c.10oz). See illustration
Estimate: 50-100
67. A SALVER of shaped circular form with a raised gadrooned border, the whole on four claw and ball feet, by JR & S, Sheffield 1932, (c.16oz), 10" dia. See illustration
Estimate: 100-200
68. AN EDWARDIAN FRUIT BOWL of shaped circular form, the body cast and pierced with floral scrolls and leaves, the whole on three pierced claw feet, by James Dixon & Sons, Sheffield 1907, (c.94oz), 8.75" wide. See illustration
Estimate: 200-300
69. A PORRINGER of circular form with reeded "S"-shaped handles, with part-fluted decoration, by WS/HS, London 1929, and a small pedestal dish by Mappin & Webb (2)
Estimate: 50-100
70. A GEORGE III CREAM JUG of helmet form with a reeded scroll handle, makers mark rubbed, London circa 1800, and a small sauceboat (2)
Estimate: 50-100
71. A CHRISTENING MUG of circular form with a reeded girdle and scroll handle, a presentation inscription, by the Goldsmiths & Silversmiths Company, London 1923, in a velvet-lined fitted case. See illustration
Estimate: 100-200
72. A VICTORIAN HIP FLASK of shaped rectangular form with a reeded bayonet fitting cap, monogrammed, by S. Mordan & Co., London 1891.
Bearing the crest of the Jameson Family.
Estimate: 100-200
73. AN EARLY 19TH CENTURY TWO HANDLED CUP engraved with a floral on ribbon frieze, one side with a vacant wreath cartouche, the other bearing the inscription "Presented by the Officers of the First Regiment of Forearshire Volunteers to Major William Mill in testimony of their respect, 1st November 1808", the whole on a pedestal foot with a wooden base, gilt interior, apparently unmarked, 1.75" high. See illustration
Estimate: 200-400
74. A VICTORIAN GOBLET of circular form with a knopped stem, spreading circular foot, the body embossed and chased with floral scrolls and swags, engraved for the "First Prize of the Officers Cup by the Kent Rifle Volunteers, 1872", with a gilt interior, by Robert Garrard, London 1870, (c.8oz), 10.5" high
Estimate: 100-200
75. A LATE VICTORIAN PHOTOGRAPH FRAME of rectangular form with embossed floral and scroll decoration to the border, with a velvet back, Birmingham 1898, and a glass and silver plate mounted circular teapot stand, (2)
Estimate: 40-60
76. A LATE 19TH/EARLY 20TH CENTURY FRENCH BEAKER with engine-turned decoration and a leaf frieze, bearing a presentation inscription, 3.25"
Estimate: 50-100
77. A LATE VICTORIAN BUTTER SHELL of shaped circular form with fluted decoration, by JD WD, Sheffield 1898, in a fitted velvet-lined case. See illustration
Estimate: 50-100
78. AN EDWARDIAN HOT WATER POT of shaped baluster form with a domed hinged lid, wooden scroll handle, the whole on four bracket feet, by Elkington & Co, London 1907, (c.16oz), 9.5" high
Estimate: 80-120
79. A VICTORIAN SALVER of shaped circular form with a raised shell and scroll border, crested, the whole on three bracket feet, possibly DH/CH, London 1863, (c.14oz), 10" dia. See illustration
Estimate: 100-200
80. A SALVER of shaped circular form with a raised reeded border, the centre bearing an engraved presentation inscription, the whole on four leaf-cut scroll feet, by S.B. & S. Ltd, Birmingham 1936, also bearing import marks, (c.42oz), 14" dia. See illustration
Estimate: 200-300
81. A GEORGE III WAITER of shaped circular form with a raised gadrooned border, the centre later chased, the whole on three extended hoof feet, by Richard Rugg, London 1770, (c.12oz), 8" dia.
Estimate: 100-200
82. A LATE VICTORIAN CLARET JUG of circular tapering form with a scroll handle and domed hinged lid, monogrammed, by CE/N, Sheffield 1897, 9" high.
Estimate: 200-300
83. A MUG of baluster form with a leaf capped scroll handle, monogrammed, the whole on a spreading foot, by Henry Aitken, Sheffield 1919, and a small christening mug, by Wakely & Wheeler, London 1921, (c.8oz)
Estimate: 50-100
84. A PAIR OF SAUCE BOATS of oval form, with flying scroll handles, the whole on three hoof feet, Birmingham 1959, (c.8oz) (2)
Estimate: 50-100
85. A MATCHED PAIR OF SAUCE BOATS of oval form with wavy borders and flying scroll handles, the whole on three hoof feet, Birmingham 1918, (c.4oz)
Estimate: 50-100
86. A SAUCEBOAT of oval form with a wavy border, scroll handle, the whole on three hoof feet, by C.J. Vander Ltd, Sheffield 1960, and an engine-turned dressing table mirror (2)
Estimate: 50-100
87. A CIGARETTE BOX of rectangular form with engine-turned decoration, initialled, Birmingham 1970, and a silver mounted ivory page-turner (2)
Estimate: 50-100
88. A SILVER MOUNTED TORTOISESHELL DRESSING TABLE BOX of rectangular form, the domed cover applied with embossed silver sections, the centre bearing a vacant oval-shaped cartouche, by Saunders and Shepherd, Chester 1897, 7.5" wide. See illustration
Estimate: 100-200
89. A VICTORIAN THREE PIECE TEA SET of bullet-form, with fluted decoration and scroll handles, the whole on circular feet, by Charles Stewart Harris, London 1886, (c.22oz). See illustration
Estimate: 100-200
90. A PAIR OF EDWARDIAN "CLUCK CLUCK" DECANTERS with silver collars, of waisted circular form, with associated stoppers, possibly by William Comyns, London 1905, each 12" high.
Estimate: 200-400
91. A PLATE of circular form with pierced sections to the border, by William Hutton & Sons, Sheffield 1912, 8.5" dia. and two silver collars (a lot)
Estimate: 50-100
92. CHARLES BOYTON: A MUG of circular tapering form, with a leaf and berry capped scroll handle, lightly planished finish, reeded foot, the base bearing a presentation inscription, also bearing Charles Boyton's facsimile signature, London 1952, (c.14oz), 4.25" high. See illustration
Estimate: 300-500
93. A THREE PIECE TEA/COFFEE SET of elongated circular form with stylised finials, domed covers and scroll handles, the whole on spreading circular feet, by Adie Brothers, Birmngham 1960/1962, (c.48oz). See illustration
Estimate: 300-500
94. A SET OF THREE SILVER MOUNTED CUT-GLASS DECANTERS with graduated circular stoppers, London 1858 (3)
Estimate: 100-200
95. A SILVER MOUNTED LEATHER BOUND STATIONERY BOX of rectangular form, with geometric silver mounts, the hinged lid concealing a green velvet sectioned interior, by JCV, London 1905, 7.75" high
Estimate: 80-120
96. A KETTLE ON STAND of circular bellied form, with a graduated hinged cover, sectioned wooden handle, the whole complete with burner, raised on three pierced hexagonal feet, by Carrington & Co, London 1915, (c.52oz), 13.5" high. See illustration
Estimate: 300-500
97. A LATE VICTORIAN SILVER GILT FRUIT BOWL of shaped oval form, the body profusely pierced and embossed with flowers and scrolls, with a part-beaded border, on a spreading oval foot, by Martin Hall & Co., Sheffield 1900, (c.25oz), 8.5" high. See illustration
Estimate: 300-500
98. A SET OF FOUR COLOGNE BOTTLES with rectangular glass bodies and silver lids, by Finnigans Ltd, London 1926, in a fitted green leather case
Estimate: 100-200
99. A CONDIMENT SET of three pieces, with part-fluted decoration, together with two matching spoons, by C & N, Birmingham 1977, also bearing the Jubilee mark, cased
Estimate: 100-200
100. A FOUR PIECE TEA/COFFEE SET of circular bellied form, the borders applied with shell motifs, with stylised angular handles, domed hinged lids, on tucked-in circular feet, by Walker and Hall, Sheffield 1936, (c.64oz). See illustration
Estimate: 300-500
101. A DRESSING TABLE MIRROR of shaped oval form with a bevelled glass plate, velvet back and strut, the frame embossed with scrolls and flowers, vacant cartouche, marks rubbed, probably late 19th/early 20th century, 12" high
Estimate: 300-500
102. A FIVE PIECE TEA/COFFEE SET of circular tapering form with reeded borders and scroll handles, applied with pierced cut-out work section, domed hinged lids and knop finials, the whole on spreading circular feet, by FH, London 1979, (c.94oz). See illustration
Estimate: 400-800
103. A GEORGE III PAP BOAT of conventional form, makers mark rubbed, London 1773
Estimate: 80-120
104. A GEORGE III MUG of circular tapering form, with a scroll handle, the body engraved with an inscription for the First Wiltshire Rifle Club "Detachment Challenge Cup", the whole on a raised spreading circular foot, possibly by James King, London 1771, (c.11oz), 4.75" high
Estimate: 300-500
105. A GEORGE II SALVER of shaped circular form, with a raised reeded border, bearing an armorial, the whole on four extended hoof feet, by Robert Abercrombie, London 1732, 11" dia., (c.24oz). See illustration
Estimate: 400-600
106. A TWO HANDLED PRESENTATION BOWL of circular tapering form, with a central reeded girdle and fluted scroll handles, bearing a presentation inscription reading "Presented to the Rev. R-H. Cholmondeley N.A. Rector of Hodnet, by his parishioners of all denominations as a parting gift expressive of their great esteem and love, September 27th 1896", the whole on a spreading circular foot, by Elkington & Co., Birmingham 1878, (c.64oz), 11" dia. See illustration
Estimate: 400-600
107. A BRITANNIA STANDARD QUEEN ANNE PORRINGER of circular form, with beaded scroll handles, gadrooned girdle and part-fluted decoration, with an engraved inscription to front and back, the whole on a hooked-in circular foot, makers mark rubbed, London 1709, (c.6oz), 4" high. See illustration
Estimate: 200-400
108. A GEORGE II SALVER of shaped circular form with a raised reeded border, engraved with a crest, the whole on three extended scroll feet, with later chased decoration, by John Tuite, London 1731, (c.18oz)
Estimate: 200-400
109. AN IRISH SALVER of shaped circular form, the border with reeded and shell decoration, the centre engraved with the Jameson crest and with later engraved decoration, the whole on four extended pad feet, bearing Dublin marks only, circa 1740, (c.32oz), 112 dia. See illustration
Estimate: 500-800
110. A GEORGE III IRISH SUGAR BASKET of boat form, with a reeded swing handle, engraved with a frieze of flowerhead motifs and scrolls, bearing two vacant cartouches, on a pedestal stem and spreading oval shaped foot, by WD, Dublin 1802, (c.8oz), 8" high (with handle extended). See illustration
Estimate: 300-500
111. A GEORGE III CHAMBER STICK of circular form with reeded borders, by John Crouch and Thomas Hamman, London 1788, (c.8oz). See illustration
Estimate: 300-500
112. AN IRISH TEAPOT of bullet form, with a flush-hinged cover, wooden disc finial, scroll handle and faceted spout, the whole on a tucked-in circular foot, by WW, Dublin 1918, and a coffee and hot water pot, both of baluster form (3). See illustration
Estimate: 200-400
113. A GEORGE II/III CREAM JUG of tapering circular form with a wavy border, scroll handle and central reeded girdle, the whole on a spreading circular foot, makers mark only, possibly CL surmounted by a crown, 3.5" high
Estimate: 100-200
114. A GEORGE III COFFEE POT of baluster form, with a hinged domed cover, acorn finial and wooden scroll handle, the body possibly later embossed with flowers and scrolls, the whole on a tucked-in circular foot, by IR, London 1787, (c.26oz), 12" high. See illustration
Estimate: 400-600
115. A GEORGE III COFFEE POT of tapering circular form with a wooden scroll handle and a domed hinged lid surmounted by an acorn finial, possibly later embossed with foliate scrolls, the whole on a spreading reeded circular foot, by John Emes, London 1805, (c.26oz), 10" high
Estimate: 200-400
116. A QUEEN ANNE STYLE LIDDED TANKARD with a scroll thumbpiece and handle, terminating in a heart, the body possibly later decorated with fluting and a vacant shaped cartouche, the whole on a reeded raised circular foot, marks rubbed, (c.22oz), 7.5" high
Estimate: 200-300
117. A PROVINCIAL PATEN of circular form with a raised border and waisted stem on a circular foot, showing traces of gilding, possibly by Samuel Todd of Leeds, circa 1702, 4" dia. See illustration.
See Jacksons page 475.
Estimate: 500-800
118. A MATCHED SET OF FOUR CANDLESTICKS of neo-classical design, with tapering square columns, urn-shaped capitals and pull-off circular sconces, with spreading square bases, by Thomas Bradbury & Sons, Sheffield/London 1903/1918, filled, 12" high. See illustration
Estimate: 1500-2500
119. A PAIR OF GEORGE III CANDLESTICKS of neo-classical design, with tapering square columns, urn-shaped capitals and detachable circular sconces, the spreading square bases decorated with swags, by IS, Sheffield 1777, filled, 11.5" high. See illustration
Estimate: 1000-2000
120. A GEORGE III MUG of baluster form, with a scroll handle, with later engraved monograms, the whole on a spreading circular foot, possibly by John Bridge, London 1765, (c.11oz), 5" high. See illustration
Estimate: 300-500
121. AN EDWARDIAN SUGAR CASTOR of circular tapering form, with a pierced bayonet fitting pull-off cover, the wire-work body enclosing a blue glass liner, the whole on a spreading circular foot, by Deakin & Francis, Birmingham 1903, 8" high. See illustration
Estimate: 100-200
122. A MATCHED PAIR OF LATE VICTORIAN CANDLESTICKS of neo-classical design, with square fluted stems and shaped capitals, applied with stiff leaf friezes and swags and festoons, with square bases and reeded borders, makers mark HE Ltd, Sheffield 1899/1903, filled, 11" high
Estimate: 300-500
123. A GEORGE III SILVER MOUNTED COCONUT CUP of circular form, with a spreading reeded circular base, and with a later applied silver rim, London 1900, 5.5" high. See illustration
Estimate: 100-200
124. AN 18TH CENTURY SILVER MOUNTED WOODEN GOBLET with a knopped stem and spreading circular foot, 5" high
"This lot made of timbers of the Royal George, founded on Spithead with the loss of 400 men and 200 women on 29th August 1782. Given to Mrs Joanna Walters"
Estimate: 100-200
124A. A PAIR OF GEORGE I/II SCISSOR ACTION CANDLE SNUFFERS, bearing a makers mark of IWG, London circa 1720, no date letter, 4" long
Estimate: 200-400
124B. AN EARLY 20TH CENTURY RUSSIAN INKWELL of square box form, with a gilt interior, the hinged lid opening to reveal a glass well, with a blue cabochon thumbpiece, the top of the lid bearing a Cyrillic inscription under a coronet, also each side bearing presentation inscription, circa 1910, assay masters mark of H N, possibly Ivan Arkarov 1895-1915, possibly St Petersberg, "L" in Cyrillic, 4.5" high. See illustration
Provenance: His Highness Vsevolod Ivanovitch, Prince of Russia.
Estimate: 300-500
124C. A SET OF SIX RUSSIAN SILVER DINNER PLATES, of circular form with leaf and bud borders, each plate engraved with the initial "A" for Czar Alexander (Alexander III, 1845-1894), with the imperial Crown above*, by Gavril Grachef, St Petersberg, 1883 (6), (c.130oz). See illustration
Gavril Grachef started in St Petersberg in 1866 but upon his death in 1877 it was taken over by one of his sons, Michel and Senen. It received the Imperial Warrant in 1896, and closed at the Revolution in 1917.
*The engraved letter "A" possibly refers to Alexander III (1895-1894) reigned as Emperor of Russia from 1881-1894 (his death).
Provenance: His Highness Vsevolod Ivanovitch, Prince of Russia
Estimate: 10000-15000
125. A TWO HANDLED TROPHY CUP of circular form on a spreading circular foot, for the "Adjacent Hunts Race of 1946", marks rubbed, possibly London circa 1920, on a spreading circular plinth, (c.13oz), 9.5" high
Estimate: 50-100
126. AN ELECTROPLATED PRESENTATION CUP of goblet form with a knopped stem and beaded circular base, for the "New Forest Challenge Cup", the whole on a spreading circular plinth, 11" high.
Estimate: 40-60
127. A VICTORIAN PRESENTATION TROPHY CUP of goblet form, with a knopped stem and beaded circular foot, engraved for the "Portman Hunt Point to Point Farmers Race", the whole on a spreading circular plinth, by Thomas, Walter and Henry Holland, London 1894, (c.12oz), 12" high
Estimate: 100-200
128. A TWO HANDLED PRESENTATION CUP of tapering circular form, with leaf-capped scroll handles, on a circular foot, traces of gilding, bearing a presentation inscription, the whole on a spreading wooden base, by the Goldsmiths and Silversmiths Company, Birmingham 1937, (c.3oz), 7" high
Estimate: 50-100
129. A TWO HANDLED PRESENTATION CUP of plain circular form on a circular foot, the whole on a spreading circular plinth, Birmingham 1922, (c.6oz), 7" high
Estimate: 50-100
130. AN ART DECO TWO HANDLED PRESENTATION CUP with angular handles, engraved for the "Portman Hunt Point to Point 1952", the whole on a spreading circular foot and plinth, London 1928, (c.9oz), 7.5" high
Estimate: 100-200
131. AN ART DECO PRESENTATION TROPHY CUP of tapering circular form with stylised stepped handles, engraved "Green Jacket Club 1937 Farmers Race", the whole on a graduated circular base and spreading circular plinth, by the Goldsmiths and Silversmiths Company, London 1935, (c.13oz), 10" high
Estimate: 100-200
132. A PRESENTATION TROPHY CUP of shallow goblet form, with stylised angular handles, engraved for the "The Portman Hunt Point to Point Farmers Race 1954" on a knopped stem and spreading circular foot and plinth, makers mark rubbed, Birmingham 1938, (c.11oz), 9" high
Estimate: 100-200
133. A PRESENTATION TROPHY CUP AND COVER of tapering circular form, the cover surmounted by an urn finial with curving handles, engraved for the "Portman Hunt Races 1932 Adjacent Hunts Farmers Race", the whole on a spreading circular foot and plinth, by Henry Wilkinson, Sheffield 1930, (c.32oz), 16" high
Estimate: 200-300
134. A PRESENTATION TROPHY CUP AND COVER of tapering circular form, the cover with an urn finial with curved handles, engraved for the "Portman Hunt Races, Farmers Welter Race", on a spreading circular foot and plinth, by Henry Wilkinson, Sheffield 1924, (c.28oz), 16" high
Estimate: 200-300
135. A PRESENTATION TROPHY CUP of circular form with a reeded girdle and scroll handles on a spreading circular foot and plinth, engraved for the "Portman Hunt Races 1936 The Portman Farmers Welter Weight Race", by Henry Wilkinson, Sheffield 1935, (c.32oz), 10.5" high
Estimate: 200-300
136. A PRESENTATION TROPHY CUP of shallow circular form, with stylised handles, knopped pedestal stem and spreading circular foot, engraved for "The Mendip hunt Point to Point, Nomination Open Race", bearing an additional Jubilee Hallmark for Birmingham 1935, (c.23oz), 11" high
Estimate: 100-200
137. A PRESENTATION TROPHY CUP AND COVER of tapering circular form, the domed pull-off cover with a knopped finial and scroll handles, engraved for the "Portman Hunt 1951 Farmers Welter Race", the whole on a spreading circular foot and plinth, by Henry Wilkinson, Sheffield 1928", (c.36oz), 15" high
Estimate: 200-300
138. AN ART DECO PRESENTATION TROPHY CUP AND COVER of tapering circular form, the faceted pull-off cover with knopped finial and stylised handles, engraved for the "Wincanton Races, the Dick Hunt ?????? Cup", the whole on a stylised circular foot, on spreading plinth, by Mappin & Webb, Sheffield 1937, (c.38oz), 14" high
Estimate: 200-300
139. A LIDDED TANKARD of circular form with reeded borders, scroll thumbpiece and handle, engraved for "Stock Exchange Point to Point Club, Farmers Nomination Race of 1937", by Mappin & Webb, London 1936, (c.21oz), 5" high
Estimate: 200-300
140. A SALVER of shaped circular form with a raised reeded border, engraved for the "Cattistock Hunt Races of 1956, Open Race", the whole on three scroll feet, by Walker and Hall, Sheffield 1955, (c.18oz)
Estimate: 100-200
146. A PAIR OF LATE VICTORIAN NOVELTY SALTS modelled in the form of thistles, Birmingham 1893/1894, together with a pair of electroplated novelty salts in the form of curling pucks (4)
Estimate: 50-100
147. AN ASH TRAY of circular form by the Goldsmiths and Silversmiths Company, London 1918, together with a small Dutch ashtray, and three circular eastern dishes (5)
Estimate: 40-60
148. A PAIR OF LATE VICTORIAN SALTS in the form of scallop shells, the whole on three ball feet, Sheffield 1900, together with two pepper pots of baluster form, and two further condiments (6)
Estimate: 40-60
149. AN EDWARDIAN TRINKET BOX of navette form, the top inlaid with tortoiseshell, Birmingham 1907, together with two further tortoiseshell mounted boxes and a circular box with a micro-mosaic top (4)
Estimate: 100-200
150. A LATE VICTORIAN DOUBLE SOVEREIGN CASE of oval form, with a suspension ring, Birmingham 1896, together with two cylindrical propelling pencils (3)
Estimate: 50-100
151. A SMALL COLLECTION OF SILVER comprising a miniature chamber stick of circular form with a beaded border, Chester 1909 and an ashtray/match striker, heart-shaped trinket dish, small quaiche, anointing spoon and a Dutch peppermint box (6)
Estimate: 100-200
152. AN EDWARDIAN MINIATURE CANDLESTICK of corinthian column form, Chester 1904, and a continental miniature candlestick, a Victorian silver mounted bottle stopper and three caddy spoons (6)
Estimate: 50-100
153. A PAIR OF GEORGE III SAUCE LABELS of shaped rectangular form, with a reeded border, incised "Anchovy" and "Harvy", makers mark only of IR, together with a third wine label with canted corners for "Curascao" (3)
Estimate: 100-200
154. A PAIR OF MODERN CADDY SPOONS with waisted handles and oval shaped bowls, both initialled, with a hammered finish, by Paul Baxendale, London 1974 (2)
Estimate: 40-60
155. A VICTORIAN CONDIMENT SET of cauldron form, London 1890 and later, together with a Dutch ashtray, miniature trophy cup, sovereign case and other items (a lot)
Estimate: 50-100
156. A COMMEMORATIVE MATCH BOX of rectangular form, the cover bearing an inset gold crown, also bearing a presentation inscription by "Asprey & Co, London 1939", and three various continental snuff/match boxes (4)
Estimate: 100-200
157. A SNUFF BOX of rectangular form with a raised floral border and thumbpiece, with engine-turned decoration, gilt interior, by GUS & L, Birmingham 1929, 2.5" wide. See illustration
Estimate: 50-100
158. A TABLE LIGHTER of circular form with detachable flame-shaped wick, by William Hutton & Sons, Birmingham 1937, 3.25" high
Estimate: 50-100
159. A CONTINENTAL MINIATURE MODEL OF A SETTEE and two salon chairs, marked 925 and JGP (3)
Estimate: 50-100
160. A 19TH/EARLY 20TH CENTURY DUTCH MODEL OF A WASHERWOMAN and a decorative German spoon by Berthold Muller marked 925, (2)
Estimate: 40-60
161. A NOVELTY CADDY SPOON in the form of a jockey's cap, by SF, Sheffield 1962
Estimate: 40-60
162. A PAIR OF NOVELTY CONDIMENTS in the form of penguins, with pull-off heads and textured bodies, by RC, London, date letter rubbed. See illustration
Estimate: 100-200
163. AN INDIAN SNUFF BOX of oval form with a flush hinged lid, decorated with leaves and scrolls, together with a white metal belt and a pair of knife rests in the form of lizards (4)
Estimate: 100-200
164. A PAIR OF EDWARDIAN MENU CARD HOLDERS of scroll pierced form, by Jackson and Fullerton, London 1906, three base metal menu card holders in the form of lions and an engine-turned lady's evening purse (6)
Estimate: 50-100
165. AN EDWARDIAN PIN DISH in the form of a heart, by A & J Zimmerman, Birmingham 1906, a pair of salts with blue glass liners, a mustard pot, a pair of peppers, two associated bead pattern spoons and a set of six cased teaspoons (a lot)
Estimate: 50-100
166. A CIGARETTE CASE of oval form, bearing an engraved armorial and with a gilt interior, by Mappin & Webb, Birmingham 1928
Estimate: 50-100
167. AN EDWARDIAN CIGARETTE CASE, the cover embossed with a sprig of flowers, monogrammed, Birmingham 1909, an engine-turned wallet/aide memoire in a case, monogrammed, Chester 1903 and a visiting card case, in case, Birmingham 1912 (3)
Estimate: 50-100
168. A MINIATURE FIVE PIECE TEA/COFFEE SET with part fluted decoration and matching tray, by JR, Birmingham 1949
Estimate: 80-120
169. A MATCHBOX HOLDER of rectangular form with a pull-out compartment, initialled, by L & P Ltd, Birmingham 1925, 2.5" long
Estimate: 40-60
170. A VICTORIAN VESTA CASE of rectangular form, with a suspension ring, the cover enamelled with a scene from "The Mikado", makers mark rubbed, Birmingham 1886, 1.5" wide
Estimate: 100-200
171. A GEORGE III CADDY SPOON of Old English pattern, monogrammed, by Hester Bateman, London 1786, 3" long
Estimate: 100-200
172. A SMALL COLLECTION OF BOXES comprising a late Victorian squeeze action tobacco box of oval form, Birmingham 1899, and a rectangular-shaped snuff box by Nathaniel Mills, a continental snuff box and two further boxes (5)
Estimate: 100-200
173. A CASED THREE PIECE CHRISTENING SET comprising spoon, fork and napkin ring, by Mappin & Webb, London 1929, and a double cased set of napkin rings, a cased single napkin ring and a small circular compact (a lot)
Estimate: 50-100
174. A SILVER MOUNTED CASED DRESSING TABLE SET, Birmingham 1908 and four mesh lady's evening purses, a circular tortoiseshell trinket box, a seal in the form of a hatching chick and a small kitchen pepper (a lot)
Estimate: 100-200
175. A PAIR OF EDWARDIAN NOVELTY MENU CARD HOLDERS in the form of owls standing on circular bases, by Mordan & Co. Ltd, in a fitted case, Chester 1908/1909
Estimate: 150-250
176. AN EARLY 19TH CENTURY SCOTTISH VINAIGRETTE of rectangular form with a raised scroll and floral border, initialled, the base with engine-turned decoration and reeded sides, the hinged lid revealing a pierced and engraved floral grille, with traces of gilding, by J.L., Edinburgh, circa 1820, 1.5" long
Estimate: 100-200
177. A GEORGE III MINIATURE STICK of circular form with a loop handle and reeded border, on a circular tucked-in foot, scratch initialled I.R., no makers mark, London 1790, 2" dia. See illustration
Estimate: 100-200
178. AN ART DECO CIGARETTE CASE of rectangular form, the cover with a yellow guilloche enamelled panel, by WW Ltd, Birmingham 1933, 3" wide, an engine-turned swizzle stick and an engine-turned pencil (3)
Estimate: 50-100
179. A CONTINENTAL COMPACT of octagonal form, the cover and base decorated with orange guilloche enamel, the inside with traces of gilding, marked "Sterling, 935" and bearing a control mark, 3.25" wide. See illustration
Estimate: 80-120
180. A FINNISH CIGARETTE CASE of rectangular form, decorated in the Russian style, with fluted decoration, cabochon thumbpiece and gilt interior, bearing marks for Johann Aarne, also bearing the Finnish Crown Mark for fineness, 4" long.
Johann Victor Aarne was born in 1863 in Viipuri. He served his apprenticeship in St. Petersburg but became workmaster in Tempere, Finland in 1891. He later returned to St. Petersburg to join Fabergé. His speciality was gold and enamel of the highest quality.
Estimate: 300-500
181. A LATE 19TH/EARLY 20TH CENTURY FRENCH SNUFFBOX of oval form, with engine-turned decoration, and a small fruit knife/file, marked 925 (2)
Estimate: 50-100
182. A VICTORIAN CASTLE TOP CARD CASE of shaped rectangular form, embossed with an unidentified Abbey/Church scene, also embossed with foliate scrolls, apparently unmarked, circa 1845, 3.5" long. See illustration
Estimate: 300-500
183. ROYAL ASSOCIATION: A PHOTOGRAPH FRAME of rectangular form applied with a coronet on the top, the bottom engraved "Xmas 1916", containing a black and white photograph of Princess Alexandria, with a wooden back and strut, 8" long, Birmingham 1916. See illustration.
This is part of the Queen Mary Memorabilia Collection.
Estimate: 200-400
184. A MIXED LOT OF SMALL SILVER comprising: a novelty pepper pot in the form of a milk can, by Saunders and Shepherd, Chester 1894, and a pair of pedestal condiments and a ribbed vesta case (4)
Estimate: 50-100
185. A THREE PIECE CONDIMENT SET, Birmingham 1961, an egg cup, a cheroot case and a scent funnel (a lot)
Estimate: 100-200
186. A SMALL COLLECTION OF MINIATURE DOLLS HOUSE FURNITURE comprising a table and four chairs, of mixed makers and dates (a lot)
Estimate: 80-120
187. AN EDWARDIAN NOVELTY BUTTON HOOK in the form of Mr Punch, Birmingham 1905, 4.5" long
Estimate: 50-100
188. A MINIATURE FOUR PIECE TEA/COFFEE SET of part fluted decoration, with a matching tray, Birmingham 1974
Estimate: 50-100
189. A VICTORIAN "TEAR DROP" SCENT BOTTLE with fluted decoration, retailed by Thornhill of New Bond Street, Birmingham 1890, 4" long
Estimate: 100-200
190. A VICTORIAN RUBY GLASS DOUBLE ENDED SCENT BOTTLE with white metal mounts and a gilt metal mounted ruby glass scent bottle of cylindrical form (2)
Estimate: 50-100
191. A GILT METAL MOUNTED MOTHER OF PEARL SCENT FLASK with chain attachment and two striped glass scent bottles (3)
Estimate: 40-60
192. A SMALL COLLECTION OF SCENT BOTTLES AND DRESSING TABLE POTS, one with the top embossed with cherubs, with mixed makers and dates (5)
Estimate: 50-100
193. A SMALL COLLECTION OF COLOURED GLASS SCENT BOTTLES, two decorated with floral sprays and one of plain green glass (3)
Estimate: 80-120
194. A COLLECTION OF GLASS SCENT BOTTLES AND STOPPERS with silver collars, of mixed makers and dates (5)
Estimate: 50-100
195. AN EDWARDIAN CIRCULAR HOB-NAIL CUT-GLASS SCENT BOTTLE, Birmingham 1903 and a late Victorian tapering cylindrical cut-glass scent bottle and another (3)
Estimate: 80-120
196. A NAPKIN RING of plain circular form, London 1942 and four others (5)
Estimate: 40-60
197. AN EARLY 20TH CENTURY GERMAN TRINKET BOX of circular form, the cover embossed with warriors and with a horse, also marked 830, and a Georgian wine label for Whisky, two plated wine labels, two sovereign cases, two fruit knives and other items (a lot)
Estimate: 100-200
198. A MUSTARD POT of oval form, with a domed hinged cover, shell front piece, Chester 1924, with a pair of matching salts with blue glass liners, also two ashtrays (5)
Estimate: 50-100
199. A GEORGE III SNUFF BOX of curved rectangular form, the body engraved with flowers and scrolls with prick-dot engraving, makers mark TM, Birmingham, 1810
Estimate: 80-120
200. A VICTORIAN VINAIGRETTE of rectangular form with cushion borders, florally pierced grill, by Joseph Wilmore, Birmingham circa 1837, 1.5" long
Estimate: 50-100
201. A GEORGE III SILVER GILT VINAIGRETTE, the cover mounted with an agate panel, with fleur-de-lis clasps, stylised border decoration, the lid opening to reveal a drilled grill, marks rubbed, 2" long
Estimate: 100-200
202. A WHITE METAL NOVELTY CORKSCREW, the handled modelled in the form of a wolf, 5" long
Estimate: 50-100
203. AN EDWARDIAN NOVELTY PIN CUSHION in the form of a duck, by Adie & Lovekin Ltd, Birmingham 1909 and a small example of the same date (2)
Estimate: 100-200
204. A CIGARETTE CASE of rectangular form, with engine-turned decoration, applied with a monogram to the front, Birmingham 1928, together with a engine-turned silver and possibly rose gold mounted compact (2)
Estimate: 50-100
205. A 19TH CENTURY NIELLO SNUFF BOX of oval form, the body decorated with trails of flowers, the underside with geometric motifs, 4" long
Estimate: 100-200
206. A CONTINENTAL CIGARETTE BOX of rectangular form, the body decorated with a town scene amongst foliate scrolls, 1.25" long
Estimate: 100-200
207. A CIGARETTE CASE of rectangular form with engine-turned decoration, the cover bearing a map of Europe, and inset with semi-precious stones, apparently unmarked.
Provenance: His Highness Vsevolod Ivanovitch, Prince of Russia.
Estimate: 100-200
208. A RUSSIAN PHOTOGRAPH FRAME of circular form, with a blue guilloche enamel border, ivory back and wirework strut, bearing two assay masters marks one on the strut possibly of Sorokin, 1898, possibly Kostroma, the frame bearing unidentified Cyrillic assay masters mark, 3" high. See illustration
Provenance: His Highness Vsevolod Ivanovitch Prince of Russia
Estimate: 300-500
209. A RUSSIAN SILVER GILT MOUNTED WOODEN SNUFF BOX of rectangular form, with flush hinges, two compartments, the wirework mount with a figure of a swan, apparently bearing the Faberge mark, 4.5" long
Estimate: 300-500
209A. A GEORGE III NUTMEG GRATER of canted oblong form, with pull-off sections, the top prick-dot engraved with a narrow border and a central shield shape cartouche, on a ground with reeded borders, makers mark only, partially obscured, circa 1810, 1.5" long
Estimate: 200-400
209B. A WILLIAM IV SHAVING BRUSH of tubular form, with a pull-off reeded crested cover and detachable reeded brush, by GR, London 1836, 3.5" long
Estimate: 50-100
209C. A BABY'S RATTLE of tapering square form, with embossed sections, mother-of-pearl teether and five bells, by C & N Birmingham 1913
Estimate: 50-100
209D. AN EDWARDIAN TABLE BELL of conventional form, London 1909, together with an Edwardian curling tongs box with an embossed cover by William Comyns London 1903 (2)
Estimate: 50-100
209E. A LADY'S LARGE EVENING PURSE, the mesh body bearing marks for London 1915, and two further purses (3)
Estimate: 50-100
209F. A VICTORIAN CANE HANDLE in the form of classical heads, London 1894
Estimate: 50-100
209G. A GEORGE III SNUFF BOX of circular form, with embossed foliate scroll decoration, inset with a coin, London 1773
Estimate: 50-100
209H. A VICTORIAN EMBOSSED CASTLE TOP CARD CASE with a view of Windsor Castle by Nathaniel Mills, Birmingham 1844. See illustration
Estimate: 500-800
209I. A PAIR OF VICTORIAN SALTS in the form of scallop shells, the whole on dolphin feet, by Henry Aitken, Sheffield 1888 (2)
Estimate: 50-100
210. A GEORGE III MEAT SKEWER of tapering form, by Peter and William Bateman, London 1790, 10.25" long
Estimate: 80-120
211. A GEORGE III RING-END MEAT SKEWER of tapering form, by Hester Bateman, London 1780, 7.5" long
Estimate: 100-200
212. A HARLEQUIN SET OF GEORGE II BOTTOM MARKED RAT-TAIL DESSERT SPOONS, by WC, marks partially distorted, circa 1740 and later (8)
Estimate: 100-200
213. A PAIR OF GEORGE III DESSERT FORKS of Old English pattern, makers mark rubbed, London 1792, and a set of five rat-tail teaspoons, marks rubbed (a lot)
Estimate: 50-100
214. A GEORGE II BASTING SPOON of Hanoverian pattern, the reverse of the stem scratch initialled W/I*E, by M.E?, London 1741, 13.5" long. See illustration
Estimate: 300-500
215. AN EARLY 18TH CENTURY HASH SPOON of Hanoverian pattern, the reverse of the stem initialled J.D/C.J, maker's mark of AS conjoined struck twice, possibly provincial, 13" long
Estimate: 300-500
216. A CHARLES II TREFID SPOON with a decorated rat-tail to the reverse of the bowl, by IK/*, London 1678, 7.5" long. See illustration
Estimate: 300-500
217. A LATE 17TH/EARLY 18TH CENTURY TREFID SPOON with a reeded rat-tail, the front of the stem scratch engraved KF/KP, the reverse of the stem scratch engraved A/R*M, possibly by Lawrence Coles, London, circa 1705, 7" long. See illustration.
Estimate: 200-400
218. A QUEEN ANNE TREFID SPOON, the reverse of the stem scratch initialled E*O, with a ribbed rat-tail, possibly by Lawrence Coles, London circa 1706, 7" long. See illustration
Estimate: 200-400
219. A PAIR OF LATE 17TH/EARLY 18TH CENTURY TREFID SPOONS with ribbed rat-tails, possibly by Lawrence Coles, London circa 1700, each 7.5" long
Estimate: 400-600
220. A QUEEN ANNE TREFID SPOON, the terminal scratch initialled M with traces of further engraving, with a ribbed rat-tail, makers mark in a shield-shaped punch of R and one other letter over a star?, London circa 1705, 7" long. See illustration
Estimate: 200-400
221. A SET OF SIX GEORGE II DOG-NOSE TABLESPOONS, the reverse of the bowls with rat-tails, by Marmaduke Daintry, London 1750 (6). See illustration
Estimate: 300-500
222. A SMALL COLLECTION OF GERMAN/DUTCH DECORATIVE SPOONS comprising two with galleon terminals, two with figural terminals and one with a windmill terminal, on mixed makers and dates, mainly late 19th century (5)
Estimate: 50-100
223. TWO VICTORIAN POULTRY SKEWERS, London 1868, and a George III poultry skewer, London 18, and a sucket spoon with a wirework stem (4)
Estimate: 50-100
224. PAUL DE LAMERIE: A SET OF SIX QUEEN ANNE THREE PRONG TABLEFORKS, the reverse of the stem bearing a crest of three lions within a shield, Britannia Standard, London 1713, (c.14oz), each 7.75" long. See illustration
Estimate: 2000-4000
225. A SET OF SIX QUEEN ANNE BRITANNIA STANDARD THREE PRONG DESSERT FORKS with dog-nose terminals, the reverse of each bearing the crest of a running stag, makers mark stretched, possibly by Lawrence Jones, London 1709, (c.6oz) 6.5" . See illustration
Estimate: 400-600
226. AN ELIZABETH I SEAL TOP SPOON showing traces of gilding, marked with a crescent enclosing a mullet, London 1591, 6" long. See illustration
See Jacksons "Silver and Gold Marks of England, Scotland and Ireland" edited by M. Pickford, pg. 102 for a similar mark.
Estimate: 400-600
227. A CHARLES II TREFID SPOON, with ribbed rattail, the front of the stem engraved with inscription "Ex dono Edmundi Garforth" probably by Thomas Mangy, of York, probably 1675, 7" long. See illustration
For the makers mark see Jackson's page 462 Silver and Gold Marks of England, Scotland and Ireland, edited by Ian Pickford.
Estimate: 300-500
228. A SCANDINAVIAN SPOON with cherub finial, the reverse of the bowl scratch initialled MRS, probably Norwegian, 17th century, 5.5" long
Estimate: 100-200
229. A SCANDINAVIAN SPOON with cherub finial, the top of the bowl with engraved decoration, probably Norwegian, 17th century,, 6" long
Estimate: 100-200
230. A CHARLES I SEAL-TOP SPOON showing traces of gilding to the seal, makers mark rubbed, possibly a tree in a wavy punch, London 1634, 7" long. See illustration
Estimate: 600-800
231. A WEST COUNTRY APOSTLE SPOON, the reverse of the bowl with prick dot engraving of R.C/1664, also HI/C to the bottom of the reverse of the bowl, marked with a quatrefoil mark, circa 1650, 8" long. See illustration
For this mark see Jacksons "Silver and Gold Marks of England, Scotland and Ireland" edited by Ian Pickford, page 324.
Estimate: 800-1200
232. A GEORGE III SCOTTISH GRAVY SPOON of Old English pointed end pattern, bearing a monogram, by W & P Cunningham, Edinburgh 1802, 13" long. See illustration
Estimate: 100-200
233. A PAIR OF GEORGE III SCOTTISH TABLESPOONS of Old English pattern, monogrammed, by William Howden, Edinburgh 1804, together with two further tablespoons (a lot)
Estimate: 50-100
234. A HARLEQUIN SET OF SIX GEORGE IV SCOTTISH DESSERT SPOONS of fiddle pattern, initialled, Glasgow 1825/1831, (c.7oz)
Estimate: 80-120
235. A PAIR OF SOUP SPOONS of Old English pattern, Birmingham 1860 and a set of five teaspoons, Birmingham 1950 (a lot)
Estimate: 40-60
236. A SMALL COLLECTION OF FLATWARE comprising two salt spoons, two teaspoons, two dessert forks, a pair of sugar tongs and a mother of pearl handled butter knife, of mixed makers and dates (a lot)
Estimate: 40-60
237. A GEORGE III SCOTTISH TODDY LADLE of Old English pattern, monogrammed by W.P. Cunningham, circa 1805, a Queens pattern dessert fork, London 1841, a dessert spoon and three various fiddle pattern teaspoons (6)
Estimate: 50-100
238. FOUR VARIOUS CASED FRUIT KNIVES of mixed makers and dates, a Birmingham made caddy shovel with mother of pearl handle, a Scottish pickle fork with Celtic decoration, two further pickle forks and a child's pusher (a lot)
Estimate: 50-100
239. A SET OF FIVE VICTORIAN DESSERT FORKS of Albert pattern, initialled, London 1845, (c.8oz)
Estimate: 50-100
240. A SET OF SIX DESSERT KNIVES AND FORKS, the handles embossed with grapes and flowers, by E & S, with base metal florally chased blades
Estimate: 80-120
241. A PAIR OF GEORGE III TABLESPOONS of Old English pattern, the stems scratch-initialled P/D.K, by Hester Bateman, London 1786, 8.5" long
Estimate: 80-120
242. A PAIR OF GEORGE III IRISH TABLESPOONS of Old English pattern, bright-engraved with ribbons and stars, with a feather edge, each crested, by MS, Dublin 1799, and a third similar spoon, Dublin 1812, 9" long (3)
Estimate: 200-300
243. A GEORGE II SOUP LADLE of Old English pattern, by JC, London 1757, 10" long
Estimate: 100-200
244. A LATE VICTORIAN SIFTER LADLE with a gadrooned border, London 1896, and a continental example (2)
Estimate: 50-100
245. A GEORGE III MARROW SCOOP of double-ended feather edge form, engraved with a coronet crest and monogram, later initialled, possibly by Thomas Chawner, hallmarks rubbed, 9" long
Estimate: 80-120
246. A SET OF TWELVE TEASPOONS of fiddle pattern, by IW, Newcastle 1859, (c.5oz)
Estimate: 50-100
247. A SET OF FOUR IRISH TEASPOONS of fiddle pattern, crested, Dublin 1813, and nine other examples, mixed makers and dates
Estimate: 50-100
248. A QUANTITY OF PREDOMINANTLY IRISH HANOVERIAN PATTERN 18TH CENTURY TABLESPOONS, Dublin made, all crested, mixed makers and dates, (c.26oz)
Estimate: 300-500
249. A SET OF SEVEN EDWARDIAN TABLEFORKS of Old English pattern, crested, by W & S, London 1907, (c.16oz)
Estimate: 100-200
250. A SET OF TWELVE OLD ENGLISH AND THREAD PATTERN TABLEKNIVES, by S.S. Sheffield 1966, with stainless steel blades (12)
Estimate: 150-250
251. A SET OF TWELVE OLD ENGLISH AND THREAD PATTERN DESSERT KNIVES, by S.S. Sheffield 1966, with steel blades (12)
Estimate: 150-250
252. A HARLEQUIN SET OF SIX TABLESPOONS of Old English pattern, crested, four by WS, London 1808, (c.10oz)
Estimate: 50-100
253. A HARLEQUIN SET OF FIVE GEORGE III DESSERT SPOONS of Old English pattern with shoulders, crested, predominantly by Thomas and William Chawner, London, circa 1760 or later (5)
Estimate: 50-100
254. A SMALL COLLECTION OF IRISH LADLES comprising a George III bright-cut example, Dublin 1786, and a fiddle pattern example, Dublin 1835 and an example with a whale bone twist handle (3)
Estimate: 100-200
255. A GEORGE III RING END MEAT SKEWER of plain tapering form, initialled, by Peter, Anne and William Bateman, London 1799, 8.5" long
Estimate: 100-200
256. A MIXED COLLECTION OF TEASPOONS comprising four Exeter examples and four Old English pattern examples, of mixed makers and dates, and a quantity of plated teaspoons (a lot)
Estimate: 40-60
257. A SET OF ELEVEN GEORGE III TABLEFORKS of Old English pattern, bearing a crest, by Richard Crossley and George Smith, London 1807 (c.20oz) (11)
Estimate: 150-250
258. A SET OF TEN EDWARDIAN DESSERT FORKS of Old English pattern, crested, London 1907 (c.16oz), (10)
Estimate: 100-200
259. A SET OF FIVE FIDDLE PATTERN TEASPOONS with shell terminals, all Newcastle made, together with a harlequin set of six Old English pattern teaspoons, crested (11)
Estimate: 50-100
260. A PAIR OF GEORGE III TABLEFORKS of Old English pattern, crested, by George Smith and William Fern, London 1796, and two further Old English pattern tableforks (4)
Estimate: 50-100
261. A MIXED LOT OF CUTLERY comprising four butter knives, a pair of salt spoons, two plated dessert forks and two pairs of sugar tongs (a lot)
Estimate: 40-60
262. A GEORGE III SCOTTISH PROVINCIAL TEASPOON of fiddle pattern, initialled, by William Mill of Montrose, circa 1815, 7.5" long.
Estimate: 50-100
263. AN AMERICAN TEASPOON, late 18th/early 19th century, with a shaped fiddle terminal, monogrammed, the reverse of the stem punched "Stewart", and an American christening spoon, cased (2)
Estimate: 40-60
264. A 19TH CENTURY PUNCH LADLE with a whale bone twist handle, the bowl inset with a coin, and a plated fiddle pattern basting spoon, sauce ladle and a pair of WMF tongs (4)
Estimate: 50-100
265. A GEORGE III BASTING SPOON of fiddle pattern, by William Woodman, Exeter 1805, 11.5" long
Estimate: 80-120
266. A GEORGE III SOUP LADLE of extended fiddle pattern, monogrammed, by EP/BG, Exeter 1806, 13" long
Estimate: 100-200
267. A GEORGE III BASTING SPOON of Old English pattern, monogrammed, by William Woodman, Exeter 1806, 12" long
Estimate: 80-120
268. A PAIR OF VICTORIAN SAUCE LADLES of fiddle pattern, by ES, Exeter 1854, 7" long
Estimate: 50-100
269. A SET OF SIX VICTORIAN DESSERT SPOONS later embossed as berry spoons, of Old English pattern, with gilt bowls, monogrammed, Exeter 1876, 7" long. See illustration
Estimate: 200-300
270. A MIXED LOT OF CUTLERY comprising two fiddle pattern tablespoons, two Old English pattern tablespoons, a quantity of plated and silver fiddle pattern dessert spoons and other items, mixed makers and dates (a lot)
Estimate: 50-100
271. A SET OF THREE SCOTTISH PROVINCIAL OLD ENGLISH PATTERN TABLESPOONS, initialled, by Robert Key of Perth (3)
Estimate: 50-100
272. A GEORGE III SAUCE LADLE of Old English pattern, the stem with a rococo style decoration, crested, with a fluted scallop shell bowl, by Michael Keating, Dublin circa 1790, 7" long
Estimate: 80-120
273. A HARLEQUIN SET OF FOUR GEORGE III BERRY SPOONS with later embossed decoration, two London 1804, and a set of five electroplated berry spoons (a lot)
Estimate: 50-100
274. A PAIR OF RUSSIAN SILVER AND ENAMEL SPOONS with part spiral-twist stems and knopped finials, the reverse of the bowl and stems decorated in polychrome enamels of pink, green, blue and yellow, Kokoshnik mark and 84 for fineness, 8" long. See illustration
Estimate: 100-200
275. A SET OF SIX COFFEE SPOONS by James Dixon & Sons, Sheffield 1926 (cased)
Estimate: 40-60
276. A SET OF SIX PICTURE BACK TEASPOONS by Thomas Bradbury & Sons, Sheffield 1944, in an associated case
Estimate: 40-60
277. A GEORGE III PUNCH LADLE with pouring lip, punched-out border and crested, unmarked, and a second example, also unmarked (2). See illustration
Estimate: 50-100
278. A SET OF SIX VICTORIAN FIDDLE PATTERN DESSERT FORKS, initialled, London 1877, (c.10oz)
Estimate: 50-100
279. A GEORGE III RING END MEAT SKEWER, monogrammed, by IP/GP, London 1816, 11" long
Estimate: 80-120
280. A HARLEQUIN SET OF DESSERT SPOONS of Sandringham pattern, by EV, Sheffield 1938, and four matching tablespoons and a quantity of teaspoons (c.23oz) (a lot)
Estimate: 100-200
281. A SET OF SIX DESSERT SPOONS of fiddle pattern, London 1904, (c.9oz)
Estimate: 50-100
282. A COLLECTION OF FIDDLE PATTERN CUTLERY comprising a set of four Victorian tablespoons, by George Adams, London 1871, three tableforks, two dessert forks and six dessert spoons, mixed makers and dates (c.29oz) (a lot)
Estimate: 100-200
283. A MIXED COLLECTION OF CUTLERY comprising a George III sifter ladle by Hester Bateman, London 1785 also three George III table spoons, a quantity of continental table forks and other items, (a lot)
Estimate: 50-100
284. A QUANTITY OF EXETER MADE FLATWARE of Fiddle pattern, comprising four table forks and one dessert fork, mixed makers and dates
Estimate: 50-100
285. A SMALL COLLECTION OF EXETER MADE FLATWARE, comprising a sifter ladle of Fiddle pattern, initialed all by John Stone, Exeter 1859, and a sauce ladle, salt spoons, pair of sugar tongs and a sugar spoon
Estimate: 80-120
286. A MIXED COLLECTION OF 19TH CENTURY EXETER MADE TEASPOONS of Fiddle pattern, mostly monogrammed, mixed makers and dates, (10)
Estimate: 50-100
287. A COLLECTION OF EXETER MADE DESSERT SPOONS, of Fiddle pattern, monogrammed, of mixed makers and dates (11)
Estimate: 100-200
288. A HARLEQUIN SET OF EIGHT SANDRINGHAM PATTERN TABLE FORKS, Sheffield 1838 and later, and four cake forks, and a quantity of dessert forks (c.28oz) (a lot)
Estimate: 150-250
289. A SMALL COLLECTION OF TEA AND SALT SPOONS, including ?? examples (a lot)
Estimate: 50-100
290. A QUANTITY OF KINGS PATTERN CUTLERY, comprising a set of six dessert forks, a set of eight dessert spoons, two table forks and two table spoons, by Henry Aiken, Sheffield, circa 1919, (c.44oz) (a lot)
Estimate: 200-300
291. A SET OF SEVEN SCOTTISH TABLE SPOONS of Old English pattern, initialed, Glasgow 1900, together with further items of Old English pattern cutlery and other items (a lot)
Estimate: 200-300
292. A VICTORIAN STRAINING SPOON of Fiddle pattern by George Adams, London 1856, 12" long. See illustration
Estimate: 100-200
293. A GEORGE III BASTING SPOON of Fiddle and Thread pattern, initialled, London 1801, 11" long
Estimate: 80-120
294. A GEORGE III SOUP LADLE of Old English Feather Edge pattern, initialed, makers marks overstruck, London 1782, 12" long
Estimate: 100-200
295. A BRITANNIA STANDARD MARROW SCOOP of double-ended form, by Charles Jackson, London 1717, 9" long
Estimate: 100-200
296. AN EARLY 19TH CENTURY PUNCH LADLE, with a whalebone twist handle, the bowl inset with a gilt coin, 14.5" long
Estimate: 50-100
297. A 19TH CENTURY DESSERT SPOON of Fiddle pattern, crested, Jersey by Jacques Quesnel, and a pair of serving spoons (3)
Estimate: 50-100
298. A WILLIAM IV CHEESE SCOOP, with a turned ivory handle, hallmark London 1833, 8" long
Estimate: 100-200
299. A PAIR OF FISH SERVERS with bone handles, by The Goldsmiths & Silversmiths Co Ltd, London 1916, in a fitted case
Estimate: 80-120
299A. A PART SET OF MOTHER OF PEARL HANDLED FRUIT EATERS, Sheffield Assay, mixed makers and dates, in a fitted case
Estimate: 100-200
299B. A PAIR OF APOSTLE SPOONS, by Mappin & Webb, London 1896, in a fitted case
Estimate: 50-100
299C. A CONTINENTAL SERVING SPOON, with an engraved stem, possibly 19th century, the finial surmounted by a lion holding a shield, and a pair of Georgian pierced sugar tongs and a pair of wishbone sugar tongs (3)
Estimate: 50-100
299D. A SET OF FIVE VICTORIAN DESSERT FORKS of Fiddle pattern, monogrammed, by George Adams, 1862 and later and a set of three Scottish tablespoons, a pair of tablespoons and two Fiddle pattern tablespoons by George Adams (c.23oz) (a lot)
Estimate: 100-200
299E. A COLLECTION OF 19TH CENTURY FIDDLE PATTERN TABLE FORKS, including three Irish examples, Dublin 1820 and a set of six tableforks , London 1844 (c.32oz) (a lot)
Estimate: 200-300
299F. A HARLEQUIN SET OF SIX VICTORIAN DESSERT FORKS of Fiddle pattern, monogrammed, by George Adams, London circa 1863, (6)
Estimate: 50-100
299G. A SET OF SIX DESSERT SPOONS of Fiddle pattern, makers mark of WB, London 1822 and nine other examples, of mixed makes and dates, (c.20oz)
Estimate: 100-200
299H. A PAIR OF GEORGE III TABLE SPOONS by Peter and William Bateman, London 1805, and four further Old English pattern table spoons, one with bright-cut decoration, two Fiddle pattern table spoons and a quantity of Old English pattern dessert spoons, some crested (c. 23oz) (a lot)
Estimate: 200-300
299I. A SET OF SIX FIDDLE PATTERN TABLE FORKS, Sheffield 1898, and a harlequin set of six Newcastle made dessert spoons, a butter knife and a quantity of bone handled fish eaters (a lot)
Estimate: 100-200
299J. A SET OF SIX EARLY 20TH CENTURY FISH KNIVES AND FORKS with loaded handles, by John Round, Sheffield 1900, in a fitted case
Estimate: 100-200
299K. A CONTINENTAL SERVING SPOON of pointed Old English pattern, the stem initialed "A" beneath a crown (for tje Czar Alexander III), the reverse of the stem monogrammed, bearing a second coronet, bearing makers mark of Kompff, 12" long
Estimate: 200-300
299L. A CONTINENTAL SILVER GILT PART DESSERT SET, comprising six knives, six forks and five spoons all bearing the royal coronet, struck three times on each piece, and initials A D and monogrammed, by Spiecker, the reverse of the bowls and fork tines with shell decoration, (17). See illustration
Estimate: 400-600
299M. A SET OF SIX CONTINENTAL TABLE FORKS, engraved with two royal coronets, initialed CA and monogrammed, punched to the front of the stem Seetmaler, and five matching table spoons, (c.24oz)
Estimate: 200-400
299N. A SET OF TEN CONTINENTAL TEASPOONS with applied crowns to the back of stems, bearing control marks, makers mark JCK, possibly German, together with a part set of four teaspoons engraved with royal coronets and initials, also various English Fiddle pattern teaspoons and coffee spoons (a lot)
Estimate: 100-200
300. ENGLISH SCHOOL, 18th century A portrait miniature of Mrs Henry Gosse wearing a lace cap and shawl, oval, on ivory, 2.5" x 2", the reverse inscribed "Mrs Henry Gosse (Mary, daughter of John Lyne of Burly Manor) born 1670, died February 4th 1733"
Estimate: 70-100
301. ENGLISH SCHOOL, 19th century A portrait miniature of Mr George Kemp of Canada, wearing a black coat and white stock in a library, on ivory, 4" x 3.5", the reverse inscribed "Son of Mr George Kemp and Mrs Kemp/Sarah Gosse of Poole"
Estimate: 80-150
302. W.T. GOSSE A portrait miniature of Henry Hyde, son of the Reverend Hyde, Rector of Wareham, Dorset, on ivory, 3" x 2.25", inscribed to the reverse, and three similar family portraits: Mrs Thomas Bell of Selborne and Susan, her only child; Mrs Roberts of Rotherhide, London, mother of Mr Thomas Bell; Jane Sarah Roberts, afterwards Mrs Thomas Bell, born 1799 died 1873 (4). See illustration
Estimate: 200-400
303. ENGLISH SCHOOL, 18th century A portrait miniature of Fanny Josephine Hanwell Salter, born April 21st 1817, died March 28th 1818, aged 11 months one week, 3" x 2.25". See illustration
Estimate: 100-200
304. ENGLISH SCHOOL, 19th century A portrait miniature of a young gentleman wearing a black coat and white stock, 4" x 3.5"
Estimate: 50-100
305. ENGLISH SCHOOL, circa 1800 A portrait miniature of Thomas Bell Junior of Selborne, Hants, oval, on ivory, 2.5" x 2", the reverse inscribed ".... brother of Eliza Bell who marries Thomas Salter of Poole approx 1800", and one other "miniature" (2)
Estimate: 50-100
306. E.R. HUGHES A portrait miniature of a young pre-Raphaelite style lady wearing a blue/green dress, her hair in ringlets holding a flower, oval, signed and dated 1879, 5.25" x 4". See illustration
Estimate: 500-1000
307. ENGLISH SCHOOL, circa 1820 A portrait miniature of Eliza Perceval, Lady Denys, oval, on ivory, 3.25" x 2.5", inscribed to the reverse, in gilt surround and red leather folding case. See illustration
Estimate: 100-200
308. A PAIR OF "BELLE EPOQUE" MINIATURE PORTRAITS of ladies with plumed headdresses, oval, in gilt ribbon-tie frames, 3.5" x 2.75", another smaller example and a miniature in gilt rococo frame (4)
Estimate: 50-100
309. ENGLISH SCHOOL, late 19th century A portrait miniature of a lady wearing a black lace dress and spectacles, oval, on ivory, in ribbon-tied gilt frame and brown leather case, 3" x 2.25" and an oval porcelain portrait miniature of Napoleon (2)
Estimate: 100-200
310. ENGLISH SCHOOL, 19th century A portrait of Miss Harriet Ann Mayne wearing a black dress with lace collar seated in a landscape, 5" x 3.5" and the companion portrait (a pair) inscribed to the reverse "Daughter of General John Mayne CB (2)
Estimate: 100-200
311. A GILT METAL BRACELET with a rectangular portrait miniature to the clasp, and an oval Indian miniature of a temple (2)
Estimate: 100-200
312. RUSSIAN SCHOOL A pair of miniature icons of Saints within enamel and silver borders, stamped 84, 1.5", and three other small objects (5)
Estimate: 50-100
313. ENGLISH SCHOOL, early 18th century A group of family portrait miniatures comprising parents and six children, wearing formal clothing and wigs, the majority on pale blue grounds, oval, 2.75" x 2" (8) within an oval fruitwood and "sanded" frame, 14" x 12". See illustration
Estimate: 2000-4000
314. MANNER OF GEORGE ENGELHEART A portrait miniature of a gentleman wearing a brown jacket and white stock, oval on ivory, 2.5"
Estimate: 150-250
315. AN IVORY CYLINDRICAL BOX AND COVER set with an oval portrait miniature of a gentleman, wearing a blue coat and white stock, within a gold coloured metal surround, 2.25"
Estimate: 100-200
316. AN IVORY CIRCULAR BOX AND COVER set with a portrait miniature of a lady wearing a cream gown and straw hat, with gold coloured metal mounts, 2.75"
Estimate: 150-250
317. ENGLISH SCHOOL, circa 1660 A portrait of a gentleman wearing a full bottomed wig and a lace jabot, against a blue ground, oval on copper, 3" x 2.25", and the companion portrait of a lady, her hair in ringlets, both in 19th century gilt-gesso frames. See illustration HP across top of both
Estimate: 1000-2000
318. MANNER OF RICHARD COSWAY A portrait of a lady wearing a head-band, oval on ivory, 3" x 2.5", the reverse with plaited hairwork in a blue enamel border and another miniature portrait of a lady, with a plaited hairwork reverse (2). See illustration
Estimate: 200-400
318A. ENGLISH SCHOOL, 19th century A portrait of a lady seated cradling a dove in her lap, another perched on a ledge, oval on ivory, 3" x 2.5" and another portrait miniature of a lady monogrammed "PH" (2)
Estimate: 150-300
319. ENGLISH SCHOOL, circa 1800 A portrait of a gentleman wearing a dark blue coat, oval on ivory, 3" x 2.5", and another portrait miniature of a gentleman wearing a blue coat, 2.25" x 2", the reverse with plaited hairwork. See illustration
Estimate: 150-300
319A. CONTINENTAL SCHOOL, 18th century a portrait of a young gentleman wearing an ermine stole, oval, on mother of pearl, 1.75" x 1.25", in an engraved and chased gilt metal frame, and another portrait miniature of a young girl with flowers in her hair, oval, on copper (2)
Estimate: 100-200
320. Estimate: 300-600
320A. ENGLISH SCHOOL, 19th century A portrait miniature of a young lady wearing a wide-brimmed hat over a lace bonnet, oval on ivory, 2.75" x 2" and two other portrait miniatures of young ladies (3)
Estimate: 150-300
321. ENGLISH SCHOOL, circa 1760 (?) A portrait of a young girl wearing a pink dress and a flower-trimmed bonnet, oval on ivory, in a paste-set frame with a glazed back, 1.5" x 1.25". See illustration
Estimate: 200-400
321A. ENGLISH SCHOOL, circa 1815 A portrait miniature of Major Nicholas Bird (born 30th January 1795, died 18th January 1862) in uniform, oval, 2.25" x 2", inscribed on a label on the reverse, in an ebonised frame with an engraved gilt metal inner border and two other portrait miniatures of ladies in 18th century costume (3)
Estimate: 150-250
322. FRENCH SCHOOL, late 18th century(?) A young lady wearing a blue ribbon in her hair, oval, 2.75" x 2.25", in a gilt metal frame with a bright-cut guilloche border. See illustration
Estimate: 150-300
322A. ENGLISH SCHOOL, circa 1800 A portrait of a young gentleman wearing a green coat with a black collar, oval on ivory, 2" x 1.5" and three other portrait miniatures of gentlemen (4)
Estimate: 100-200
323. ENGLISH SCHOOL, circa 1785 A portrait of a dandy wearing a wide-brimmed hat with a rosette, in profile, tondo, 2.5" dia., in a gilt metal frame with a chased "fleur de lis" border. See illustration
Estimate: 150-300
324. ATTRIBUTED TO GEORGE ENGLEHEART, A portrait of gentleman wearing a brown coat and a white jabot, oval on ivory, 1.5" x 1.25", in a blue enamel border and a gilt metal frame with a plaited hairwork reverse. See illustration
Provenance: The reverse bears a Christie's lot number (340) inscribed in pen "Duckworth, Orchardleigh Sale".
Estimate: 300-600
325. AN IVORY DESK SEAL carved with a winged griffin and intaglio to base, 4", a pair of spectacles in mother of pearl folding case and a pair of opera glasses (3).
Estimate: 50-100
326. A FRENCH IVORY AND GILT NECESSAIRE, the oval hinged cover monogrammed "CM" with a fitted interior, 4.5", a small collection of carved ivory and other objects and oriental mother of pearl fish counters (a collection).
Estimate: 70-100
327. A 19TH CENTURY CONTINENTAL SCENT PHIAL of flattened lozenge form with a gilt arabesque engraved mount and stopper set with cabochon "jewels", 5.5"
Estimate: 100-200
328. A MEERSCHAUM PIPE, the terminal carved with a lady's head, in case, 3.5"
Estimate: 80-150
329. A MEERSCHAUM PIPE, the bowl carved with a male Arab head, in fitted case
Estimate: 80-150
330. AN INDO-PORTUGUESE IVORY TWO PRONG FORK, the terminal carved as a female figure with bird and anchor, 6", and a similar spoon, the terminal engraved with a star (2)
Estimate: 200-400
331. A PAIR OF INDO-PORTUGUESE IVORY CUTLERY HANDLES, 17th century, carved as a gentleman and his female companion, 3.5". See illustration
Estimate: 800-1500
332. A GOANESE CARVED IVORY FIGURE OF THE VIRGIN AND CHILD wearing a coronet on turned socle, 7" and two similar carved figures (3). See illustration
Estimate: 300-600
333. A RENAISSANCE STYLE CARVED IVORY PANEL of the coronation of The Virgin, 3.5". See illustration
Estimate: 700-900
334. A GEORGE III SHAGREEN INSTRUMENT CASE of tapering form with hinged cover and silver mounts, the interior fittings including a folding rule, 5". See illustration
Estimate: 500-1000
335. A VICTORIAN CUT-GLASS DOUBLE ENDED SCENT BOTTLE with a cylindrical hob-cut body and gilt hinged terminals, engraved with a monogram, 5.5", in fitted case, inscribed "Mr Streeter, Diamond Merchant, Goldsmiths to the Royal Family, 80 New Bond Street, London"
Estimate: 100-200
336. A CONTINENTAL FACETED GLASS AND SILVER GILT "CAGEWORK" SCENT BOTTLE, 18th century, pierced with foliate scrolls set with garnets and precious stones in gold mounts, with a hinged cover, 5.5". See illustration
Estimate: 500-1000
337. A VICTORIAN CUT-GLASS SCENT BOTTLE with an engraved silver top, 3"
Estimate: 80-150
338. A STERLING SILVER SNUFF BOX in the form of a dog's head, the base stamped "Sterling", 1.5"
Estimate: 100-200
339. A VICTORIAN "BIRDS EGG" SCENT BOTTLE, 1.5", and a continental porcelain scent bottle with a silver mount (2)
Estimate: 80-150
340. A MINIATURE CUT-GLASS SCENT BOTTLE with a gold mount and "cage-work" base set with fleur-de-lis garnets, 2". See illustration
Estimate: 500-1000
341. A CONTINENTAL SILVER AND CREAM ENAMEL BOX, the hinged cover with a vignette of a "Gibson Girl" with parcel gilt interior, 3"
Estimate: 150-250
342. A MEISSEN STYLE ENAMEL ETUI CASE, the hinged cover with a silver mount, the pink ground painted in rococo reserves with cherubs and flowers, on a "bianco sopra bianco" ground, 4.5"
Estimate: 200-400
343. A VIENNESE ENAMEL EWER AND SAUCER, the ewer of circular form on pedestal foot, the red ground painted with classical figures in reserves and highlighted with gilding, 4". See illustration
Estimate: 300-500
344. A CONTINENTAL ENAMEL EGG-SHAPED NUTMEG GRATER with a screw dome cover, the pale blue ground painted with flowers within "bianco sopra bianco" borders, 2"
Estimate: 100-200
345. A RUSSIAN CHAMPLEVE ENAMEL "EGG" with domed covers and parcel gilt interior, with polychrome floral and scroll decoration and "jade" cabochon terminal, marked '84, 4". See illustration
Estimate: 500-1000
346. AN ART DECO STYLE SILVER AND ENAMEL LADY'S POWDER COMPACT set with an "opal" panel, 2.75", and another pale blue enamel lady's cigarette case (2)
Estimate: 50-80
347. A HALLMARKED 9CT YELLOW GOLD CIGARETTE CASE, engine-turned with a circular initialled cartouche
348. A CONTINENTAL BLOODSTONE AND THREE COLOURED GOLD SNUFF BOX of bombe rectangular form, the hinged cover with three coloured gold floral and trailing foliate border, 3". See illustration
Estimate: 800-1500
349. A REGENCY GOLD MOUNTED RECTANGULAR BOX AND COVER, with a two coloured gold shell clasp and a scrolling foliate border, the inside of the cover inset with a portrait miniature of "Elizabeth Lind afterwards Lady Denys", 3.5". See illustration
Estimate: 300-500
350. A GERMAN IVORY PAPER KNIFE with gold mount, inscribed "Demuth Berlin" and a fountain pen with ivory terminal and "malachite" collar (2)
Estimate: 50-100
351. A VICTORIAN PAPIER MACHE CIRCULAR BOX AND COVER transfer printed with a cock fighting scene, 3.5" and another with a transfer print of a boar hunting scene (2)
Estimate: 30-60
352. A BLONDE TORTOISESHELL CARD CASE, 4" and two similar pieces (3)
Estimate: 30-60
353. A 9CT GOLD "BAKERS POINTER PENCIL" monogrammed MW and an elliptical amethyst pendant on fine link bracelet (2)
Estimate: 100-200
354. A 9CT GOLD WATERMAN'S IDEAL FOUNTAIN PEN and three other pens (4)
Estimate: 100-200
355. A 9CT GOLD ENGINE-TURNED VESTA CASE with a hinged cover, 1.5"
Estimate: 80-150
356. A 9CT YELLOW GOLD GOLDSMITHS AND SILVERSMITHS COMPANY CIGARETTE CASE with engine-turned decoration, 3"
Estimate: 70-100
357. A 9CT GOLD ENGINE-TURNED CIGARETTE CASE monogrammed "BM"
Estimate: 100-200
358. A CONTINENTAL IVORY PAPER KNIFE, the terminal carved with flowers, buds and leafage, 11"
Estimate: 40-70
359. A VICTORIAN EBONISED WALKING CANE, the terminal carved as a hand holding a ball with a silver collar, and two other walking sticks (3)
Estimate: 50-100
360. AN ART DECO GERMAN GROUP OF TWO COLD PAINTED BUDGERIGARS on a rectangular onyx plinth, 12"
Estimate: 100-200
361. A LATE GEORGE III COMPASS with printed papers and French inscriptions, in a circular fruitwood case, 2.5". See illustration
Estimate: 100-200
362. A FRENCH PAPIER MACHE SNUFF BOX, the lid decorated with a cock covering a hen and inscribed "Gratis", 19th century, 2.5" wide, a horn snuff box with a tortoiseshell and ivory veneered lid decorated with wave-scrolls and a circular silver coloured metal pill box with green enamel decoration (3)
Estimate: 100-200
363. A GEORGE III SNUFFBOX, the lid with a circular gilt metal plaque inscribed "Part of the Royal George sunk on 20th August 1782, "4" wide and a black enamel box with mother of pearl decoration, of flowers in fenced gardens and classical ruins, 18th century, 3.75" wide (2). See illustration
Estimate: 150-250
364. A GEORGE III IVORY CIRCULAR PILL BOX, the lid with an oval glazed panel containing an arrangement of flowers on a blue ground, 2" dia., and a similar box (2). See illustration
Estimate: 150-300
365. A REGENCY CIRCULAR TREEN SNUFF BOX, the lid with a glazed panel containing a gilt metal repoussé panel of flowers in a basket, highlighted in polychrome, 2.5" dia. and a burr-wood snuff box of rounded rectangular form, 3.75" (2). See illustration
Estimate: 100-200
366. A GEORGE III IVORY AND GOLD NEEDLECASE in the form of a flute, 4.25", an ivory cigarette holder, a tortoiseshell and mother of pearl model of a mandolin and three boxes (6)
Estimate: 60-120
367. DUNHILL: A SILVER PLATED DUNHILL LIGHTER with engine-turned decoration and a spreading base of rounded rectangular form, 4" high
Estimate: 80-150
368. DUNHILL: A GOLD PLATED CIGARETTE LIGHTER with a "bark-work" finish, in the original box, and a similar cigarette lighter of rounded rectangular form (2). See illustration
Estimate: 80-160
369. A PAIR OF GEORGE III CUT-THROAT RAZORS, each with a "refined steel" blade and an ivory handle with silver plique decoration and a plaque inscribed "J. Woore" flanked by acorns, 9.5" long, retaining the original red morocco envelope case, 6.75" wide. See illustration
Estimate: 150-300
369A. A RENAISSANCE STYLE TABLE ALTAR of architectural design, the interior inset with reverse paintings on glass of the crucifixion, with rock crystal, coloured stone, agates and intaglio mounts, 18" high. See illustration
Estimate: 300-600
370. A COLLECTION OF "FOOD FOR ALL" MOUNTED COINS, Series One 1971, as the development of its' Food for all Money; Series Two 1975 "International Woman's Year"; Series Three 1971 "Our First Food" and one loose gold coin (a lot)
Estimate: 1000-2000
371. A VICTORIAN GOLD HALF SOVEREIGN 1887 and two other gold half sovereign 1895 and 1906 (3)
Estimate: 150-300
372. A GOLD SOVEREIGN DATED 1904, a half sovereign dated 1913 and a Moidore Portuguese gold coin and a collection of coins (7)
Estimate: 150-300
373. A COLLECTION OF THREE GOLD SOVEREIGNS dated 1864, 1896, 1910 and two half sovereigns dated 1897 and 1912 (5)
Estimate: 200-400
374. A GOLD MOUNTED SOVEREIGN dated 1887, another mounted sovereign dated 1912 and a gold half sovereign, mounted as a ring, dated 1906 (3)
Estimate: 200-400
375. A GOLD SOVEREIGN dated 1914 and a gold half sovereign dated 1906 (2)
Estimate: 60-120
376. AN EDWARD IV "ROSE-NOBLE", possibly a 16th century Flemish imitation, attached to a chain
Estimate: 100-200
377. A QUEEN VICTORIA SILVER MEDAL celebrating the sixty year reign, and two other coins (3)
Estimate: 50-100
378. A COLLECTION OF CROWNS dated 1668, 1679, 1696 and 1821 (4)
Estimate: 50-100
379. A WILLIAM AND MARY HALF CROWN dated 1693 and a collection of half crowns (9)
Estimate: 100-200
380. A GEORGE I SHILLING dated 1723 and a collection of shillings (10)
Estimate: 80-160
381. A COLLECTION OF ROMAN DENARIUS COINS (a lot). See illustration
Estimate: 300-500
382. A COLLECTION OF ENGLISH HAMMERED COINS including English Maundy coinage (a lot)
Estimate: 100-200
383. A COLLECTION OF ENGLISH MILLED COINS (a lot)
Estimate: 40-80
384. TWO ROMAN BRONZE AES GRAVE COINS, circa BC250 (2)
Estimate: 40-80
385. A COLLECTION OF ROMAN REPUBLICAN DENARIUS COINS (a lot). See illustration
Estimate: 200-400
386. A GEORGE III COUNTERMARKED DOLLAR and a collection of foreign coins (a lot) See illustration
Estimate: 100-200
387. A COLLECTION OF ROMAN FESTERTIUS COINS including two of Claudius (a lot). See illustration
Estimate: 200-400
388. A JAMES II CROWN dated 1688
Estimate: 50-100
389. A COLLECTION OF GREEK, ROMAN AND OTHER COINS (a lot)
Estimate: 100-200
390. A COLLECTION OF GREEK, ROMAN AND OTHER COINS (a lot)
Estimate: 100-200
391. A MONMOUTHSHIRE FIVE GUINEA WHITE BANK NOTE dated the 8th Day of June 1792. See illustration
Estimate: 300-600
392. AN AMERICAN HAND-WRITTEN IOU dated January 13th1837 for $150 to Jacob Little (Jacob Little was famous as a shrewd investor in the Stock Market in the early 19th century) and one other IOU dated 1833 (2)
Estimate: 50-100
393. A NATIONAL PROVINCIAL BANK LTD CHEQUE dated 24th May 1938, made payable to Her Majesty Queen Mary for £5.5.0, the reverse countersigned Mary R and three other cheques dated 1939, 1941 and 1943 (4). See illustration.
Estimate: 200-400
400. A GROUP OF SECOND WORLD WAR MEDALS, including 1939-45 Star, The Africa Star, The Defence Medal and Medals with bar for Palestine and regular army, presented to Company Sgt. Major J Bone, Coldstream Guards and other associated militaria (a lot)
Estimate: 100-200
401. A 9CT GOLD GREAT WESTERN RAILWAYS 25 YEARS FIRST AID EFFICIENCY MEDAL and two others (3)
Estimate: 50-100
402. A BAR OF SEVEN 1939-45 WAR MEDALS including the Defence Medal and stars for Africa, Italy, France and Germany. Presented to Captain W. Stewart, Royal Signals, and dress medals ensuite (a lot)
Estimate: 200-400
403. HIS HIGHNESS VSEVOLOD IVANOVITCH, PRINCE OF RUSSIA: A BAR MINIATURE OF DRESS MEDALS, enamel, gold and silver with ribbons awarded to Prince Ivanovitch 1914-1973 (10) and his cricket ball with a silver presentation tablet inscribed "Prince Sevelode House Cricket 59 Not Out" . See illustration
Estimate: 200-400
404. A GROUP OF FIRST WORLD WAR 1914-1918 MEDALS including: George V "For Distinguished Conduct in the Field" medal awarded to Sgt. Albert Charles Walters 295th Railway Company of the Royal Engineers, Regimental no. WR250294, together with associated documentation and the account book of Private William Chaplain, 2nd Battalion of the Royal Berkshire Regiment, Regimental no. 127 dated 1881 (two medals replacements) (a collection)
Estimate: 200-400
405. A GROUP OF MEDALS including The Sultans Medal for Egypt with bar, the Crimea 1855 medal, other medals and militaria including a portrait of an officer wearing a Sultan's medal, oil on canvas, 34" x 27" (a collection)
Estimate: 100-200
406. AN ORIENTAL LACQUER SHIELD of circular domed form with brass mask studs, 17.5"
Estimate: 80-160
407. A PAIR OF FRENCH CAVALRY BAYONET/SWORDS with brass hilts, length of blade 22", and two eastern daggers (4)
Estimate: 100-200
408. AN EARLY 19TH CENTURY PISTOL by Brander and Pots with octagonal barrel and walnut chequered grip, 14.5" overall
Estimate: 100-200
409. A PAIR OF 18TH CENTURY DUELLING PISTOLS with brass barrels, inscribed "London" the walnut terminals inlaid with silver wire and silver mask bosses, with a ramrod, overall length 12". See illustration
Estimate: 500-1000
410. A 19TH CENTURY PISTOL with an octagonal silvered barrel and foliate engraved lockplate with walnut stock, overall length 11"
Estimate: 40-70
411. AN INDIAN DAGGER with silver coloured metal, floral and foliate engraved hilt, in leather scabbard, 15" and four other daggers (5)
Estimate: 50-100
412. AN 18TH CENTURY NAVAL BLUNDERBUSS by Rimes, London, the barrel with ramrod, flintlock action and walnut stock, 31". See illustration
Estimate: 1000-2000
413. A GEORGE VI OFFICERS DRESS SWORD by P.C. Plumb, 117 Victoria Street, Westminster, the pierced guard with shagreen grip, in leather scabbard
Estimate: 100-200
414. A WW GREENER SINGLE BARREL SHOTGUN with walnut chequered stock, inscribed "WW Greener, Maker, Birmingham, England", length of barrel 29", in fitted case, and a Russian single barrelled shotgun (2)
Estimate: 150-300
425. AN 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial inscribed "J.W. Benson, London", with 24 hour Arabic numerals and subsidiary seconds dial with chronometer movement and lever escapement. The back plate also inscribed "J.W. Benson, 62 & 64 Ludgate Hill, London", no. 17052. See illustration
Estimate: 1000-2000
426. AN EARLY 19TH CENTURY SILVER POCKET WATCH with polychrome enamelled dial of a church scene, the clock tower with Roman numerals, the engraved back plate inscribed "Nelson, London" no. 1008. See illustration
Estimate: 200-400
427. A LADY'S 18CT GOLD POCKET WATCH, the engine-turned dial with Roman numerals and a lady's 14k gold cased fob watch, in a fitted case (2)
Estimate: 100-200
428. AN AMERICAN OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals, inscribed "Howard" with subsidiary seconds dial, the movement with lever escapement, inscribed "E. Howard Watch Company, Boston, USA", no. 1133307, attached to a 9ct gold fob chain, in original Howard travelling case
Estimate: 200-400
429. AN 18CT GOLD POCKET WATCH, the engine turned dial with black Roman numerals, the centre engraved with scrolls
Estimate: 100-200
430. AN 18CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement inscribed "E.E. Emmanuel, Burlington Gardens, London"
Estimate: 200-400
431. A LADY'S 18CT GOLD QUARTER REPEATING POCKET WATCH, the white enamel dial with subsidiary seconds dial, inscribed "Golay Sils and Stahl", the movement with lever escapement, also inscribed "A. Golay Leresche and Fils, Geneva 23007". See illustration
Estimate: 500-1000
432. AN 18K GOLD HUNTER POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement with lever escapement. The back plate inscribed "Klastenberger, no. 12118", attached to a gilt metal chain. See illustration
Estimate: 300-500
433. A 9CT GOLD OPEN FACED POCKET WATCH, the two tone cream dial with Arabic numerals and subsidiary seconds dial
Estimate: 50-100
434. AN 18CT GOLD HALF HUNTER POCKET WATCH, the white enamel dial with Roman numerals, inscribed "John Hall & Co., Manchester, 11363", with subsidiary seconds dial, the movement with lever escapement, the back plate also inscribed and numbered
Estimate: 200-400
435. AN 18CT GOLD AMERICAN HALF HUNTER POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement with lever escapement, inscribed "American Watch Company, Waltham, Mass. 6500774". See illustration
Estimate: 150-300
436. A SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals, inscribed "Remark Watch" with subsidiary seconds dial, a Negretti & Zambra pocket barometer, and a tortoiseshell pocket watch case (3)
Estimate: 100-200
437. AN 18CT GOLD HALF HUNTER POCKET WATCH, the white enamel dial with Roman numerals, with outer Arabic seconds numerals, with sweep seconds hand, the movement with lever escapement
Estimate: 200-400
438. AN 18CT GOLD OPEN FACED POCKET WATCH, the gilt engine-turned dial with Roman numerals, the movement with lever escapement, the cover inscribed "Webster, Cornhill, London 13319", the engraved case with dark blue enamel strap decoration surrounding a cartouche dated 15th Jan. 1864, in original Webster case
Estimate: 200-400
439. AN 18K GOLD OPEN FACED POCKET WATCH, the silver engine-turned dial with Roman numerals and subsidiary seconds dial and another gold pocket watch (2)
Estimate: 60-120
440. AN 18TH CENTURY SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals, the movement inscribed "John Paxton, St. Neots" and another silver pair-cased pocket watch, the white enamel dial with Arabic numerals, the movement inscribed "JA Upsall, Sherborne", both watches attached to a silver fob chain (2)
Estimate: 200-400
441. A LADY'S SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and two similar lady's pocket watches (3)
Estimate: 50-100
442. A 9CT GOLD OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, the movement with lever escapement
Estimate: 100-200
443. AN 18TH CENTURY GOLD PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals, the movement inscribed "Edward Howard, Kirby Street, London 9457", the movement dust cover also inscribed and numbered, and a gilt metal tripod style watch stand. See illustration
Estimate: 300-500
444. A LARGE RUSSIAN OPEN FACED POCKET WATCH, the white enamel dial with gilt Arabic numerals and subsidiary seconds dial, the movement with lever escapement
Estimate: 50-100
445. A GENTLEMAN'S 18CT GOLD GIRARD-PERREGAUX AUTOMATIC WRISTWATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the reverse of the watch with visible movement, inscribed "Girard-Perregaux", attached to a brown leather strap, in original leatherette case and outer box. See illustration
Estimate: 1000-2000
446. A GENTLEMAN'S 9CT GOLD OMEGA WRISTWATCH, the dial with raised Arabic numerals and centre seconds hand, inscribed "Omega, Geneva", attached to a 9ct gold bracelet, in an Omega leatherette case
Estimate: 150-300
447. A GENTLEMAN'S GILT METAL OMEGA SEAMASTER COSMIC 2000 WRISTWATCH, the gilt coloured dial with raised baton numerals, sweep seconds hand and date aperture, attached to a gilt metal bracelet
Estimate: 100-200
448. A GENTLEMAN'S GILT METAL OMEGA AUTOMATIC SEAMASTER, the black dial with raised gilt baton numerals, with sweep seconds hand attached to a gilt metal bracelet
Estimate: 100-200
449. A LADY'S 9CT GOLD OMEGA WRISTWATCH, the dial with raised gilt baton numerals, inscribed "Omega Ladymatic" attached to a 9ct gold bracelet
Estimate: 80-160
449A. A 9CT WHITE GOLD LADY'S WRISTWATCH, the rectangular dial marked "Beuche Girod", on a textured link 9ct white gold bracelet with hallmarks.
Estimate: 200-400
450. A LADY'S JEAN RENET WRISTWATCH, the square dial with raised black baton numerals, inscribed "Jean Renet" attached to a 9ct gold bracelet, in original Jean Renet carrying case. See illustration
Estimate: 200-400
451. A LADY'S 18CT GOLD WRISTWATCH, the oblong dial inscribed "Astin 17 Jewel" with raised baton and Arabic numerals, the dial with a mesh outer cover and attached to an 18ct gold bangle
Estimate: 150-300
452. A LADY'S 9CT GOLD COCKTAIL WATCH, the cream enamelled dial with gilt Arabic numerals enclosed by a 9ct gold fretwork cover encrusted with diamonds and rubies, with baguette ruby shoulders attached to a 9ct gold bracelet. See illustration
Estimate: 200-400
453. A 19TH CENTURY FRENCH BRASS CASED MINIATURE CARRIAGE CLOCK, the white enamel dial with black Roman numerals in a plain case with swing handles, the movement with lever escapement in original leatherette carrying case, 2.5" high
Estimate: 100-200
454. A 19TH CENTURY FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, inscribed "Vieyres and Repingon, Paris", the movement with cylinder escapement striking on a bell, 4.75" high
Estimate: 250-350
455. A 19TH CENTURY FRENCH BRASS CASED STRIKING CARRIAGE CLOCK, the white enamel dial with Roman numerals, the movement with cylinder escapement striking on a gong, 4.5" high
Estimate: 100-200
456. A 19TH CENTURY FRENCH GILT BRASS CASED REPEATING CARRIAGE CLOCK, the silvered dial inscribed "P. Garnier" with painted black Roman numerals above a small alarm dial with Arabic numerals, the movement striking on a bell with alarm bell to the base. See illustration
Estimate: 1000-2000
457. A 19TH CENTURY FRENCH BRASS "GORGE" CASED REPEATING CARRIAGE CLOCK, the enamelled dial decorated with a castle scene with Arabic numerals, overlaid with gilt floral decoration, the movement with lever escapement striking on a gong. See illustration
Estimate: 400-800
458. A 19TH CENTURY FRENCH BRASS CASE REPEATING CARRIAGE CLOCK striking on a gong, the gilt metal dial with Arabic numerals surrounded by beaded gilt decoration, in a corinthian column case, with scroll swing handle, in leather covered travelling case, 6" high
Estimate: 150-300
459. A 19TH CENTURY CHAMPLEVE ENAMEL REPEATING CARRIAGE CLOCK, the silvered engine-turned dial with Arabic numerals enclosed in a gilt frame, the movement with lever escapement striking the hour and half hour on a gong, with repeat button, the gilt brass case decorated with enamelled corinthian corner columns with swing handle, with Couaillet Paris mark above the hand setter, 6.5" high
Estimate: 800-1200
600. AN ANCIENT EGYPTIAN GOLD EARRING of coiled form with a ram's head terminal
Estimate: 200-400
601. AN "IRANIAN" "GOLD" ROPE-TWIST BANGLE with overlapping terminals
Estimate: 200-400
602. A "ROMAN" LADY'S GOLD RING set with a worn blue chalcedony stone engraved with "Minerva", possibly on a later reeded shank with scroll shoulders
Estimate: 700-1400
603. A PAIR OF "ROMAN" GOLD EARRINGS of pyramid form with fish-hook attachments
Estimate: 350-450
604. A LATE "ROMAN" GOLD PENDANT of quatrefoil design with a cabochon red stone to the centre within a granulated border with a reeded pendant loop
Estimate: 200-400
605. A "GREEK HELLENISTIC" GOLD RING of twist design, terminating in two portrait medallions depicting heads of gods, in niello, with a wriggle-work design to the shoulders
Estimate: 450-550
606. A PAIR OF "ROMAN" GOLD EARRINGS of loop design with moving discs
Estimate: 250-350
607. A "ROMAN" RING with blue glass engraved intaglio in a rhombus-shaped setting
Estimate: 550-650
608. A "ROMAN" GENTLEMAN'S LARGE RING inset with a red Cornelian intaglio
Estimate: 900-1800
609. A GOLD "ROMAN" RING with a banded agate cabochon engraved with a deity. See illustration
Estimate: 1000-1500
610. A "ROMAN" GOLD RING set to the centre with an engraved Cornelian surrounded by a rope-twist and beaded border
Estimate: 750-950
611. A LARGE HEAVY GAUGE "ROMAN" GOLD RING with a Cornelian intaglio carved with a god and raised above the main shank of the ring. See illustration
Estimate: 1200-1800
615. A VICTORIAN GARNET-SET BRACELET, the yellow metal snake-link bracelet with a scrolling slider, set to the centre with a cabochon garnet, surrounded by a paste border, the end of the bracelet terminating in a flame-shaped mount set with a further cabochon garnet, in a fitted case. See illustration
Estimate: 250-450
616. AN EARLY 19TH CENTURY MOURNING BROOCH, the oval painted porcelain panel with hair-work depicting a tree design and inscribed "In Memory of JM" with a rose-cut diamond flower spray within a royal blue guilloche enamel border with gilt metal scroll, the reverse with plaited hair-work bezel and a blue glass and white metal bullet-shaped scent bottle (2)
Estimate: 200-400
617. A VICTORIAN GARNET-SET BROOCH, the central carbuncle garnet surrounded by chased gilt metal scrolls and surmounted by seed pearls and old-cut diamonds, with a train of two further graduated carbuncle garnets with seed pearls, diamonds and gilt metal scrolls, in a closed back setting
Estimate: 100-200
618. A RIVIERE NECKLACE, the yellow metal fancy link chain with box clasp and set with 21 various claw-set cushion-cut stones including amethyst, garnet, citrine and peridot, 16". See illustration
Estimate: 150-300
619. AN AMETHYST AND WHITE SAPPHIRE DEMI-PARURE, the necklace comprising five oval cushion-cut amethysts surrounded by a cluster border of round-cut white sapphires with a further amethyst and white sapphire cluster drop, in an ornate pierced setting, a pair of screw-back earrings and a bracelet ensuite (3)
Estimate: 200-400
620. AN INDIAN EMERALD PENDANT formed from marquise-cut emeralds clustered together into a triple flowerhead design, in a gilt metal open back setting (without chain)
Estimate: 150-300
621. A 19TH CENTURY BROOCH, the open halo cross design set overall with emeralds, rubies and rose-cut diamonds, the centre set with an old cushion-cut diamond surrounded by a cluster border of emeralds with three claw-set pearl, ruby, emerald and diamond drops, the reverse with a bar attachment, possibly by Garrards. See illustration.
Estimate: 1200-1800
622. A VICTORIAN AMETHYST AND SEED PEARL DEMI-PARURE, the necklace set with a central round-cut amethyst target with a seed pearl and black enamel border to the centre, with a black enamel and seed pearl fringed drop, on a fancy link pearl-set chain, a pair of pierced earrings and a dress ring ensuite (3). See illustration
Estimate: 500-1000
623. A 15CT YELLOW GOLD BANGLE of rope-twist design and set with an openwork heart centred with a round brilliant claw-set diamond, with concealed clasp and safety chain, in a fitted case
Estimate: 150-300
624. A YELLOW METAL BELCHER LINK NECKLACE set with various precious stone pendants, including diamonds, amethysts and pearls, with a rope-twist stone-set target style clasp, 17"
Estimate: 700-900
625. AN EDWARDIAN AQUAMARINE AND PEARL BROOCH of open wreath form, the round-cut aquamarines in a collet setting and flanked on either side by a pearl in a flowerhead setting, in a fitted case
Estimate: 150-300
626. A 9CT YELLOW GOLD BAR BROOCH illusion-set to the centre with a round old-cut diamond, with safety chain
Estimate: 300-500
627. A PAIR OF VICTORIAN EMERALD DROP EARRINGS, the three cushion-cut emeralds in large yellow metal open claw settings and set as a train with collet-set diamond spacers, fish-hook attachments
Estimate: 150-300
628. AN AQUAMARINE AND DIAMOND-SET BANGLE, the nine oval cushion-cut aquamarines flanked by small rose-cut diamonds, in a yellow metal rub-over setting
Estimate: 300-600
629. A PAIR OF DIAMOND SOLITAIRE EARRINGS, the central round brilliant-cut diamonds, each circa 0.25cts, claw-set and surrounded by an open border of round, brilliant-cut diamonds in a rub-over unmarked platinum setting
Estimate: 1000-2000
630. A DIAMOND AND PEARL BAR BROOCH, the five round old-cut diamonds collet-set and flanked by graduated pearls on a white metal bar with safety catch
Estimate: 100-200
631. A PAIR OF DIAMOND SOLITAIRE EARRINGS, the round brilliant-cut diamonds, each circa. 0.65cts, in an 18ct hallmarked white gold rub-over setting, with fitted box. See illustration
Estimate: 1000-2000
632. A PAIR OF SAPPHIRE, DIAMOND AND PEARL EAR STUD, each earring with a large cultured white pearl below three graduated round brilliant-cut diamonds and three marquise-cut sapphires, set in 18ct yellow gold, with original receipt for Mappin & Webb
Estimate: 150-300
633. A MODERN 9CT WHITE GOLD FANCY TRACE CHAIN NECKLACE partly set with graduating illusion-set diamonds, marked to the clasp, 16"
Estimate: 300-600
634. A PAIR OF DIAMOND SOLITAIRE EAR STUDS, each diamond circa 0.2cts, in 18ct yellow gold rub-over settings
Estimate: 250-500
635. A 9CT WHITE GOLD BRACELET, illusion-set overall with round briliant-cut diamonds, with safety clasp. See illustration
Estimate: 300-600
636. A PAIR OF ART DECO STYLE DIAMOND CLUSTER EARRINGS, the central princess-cut diamonds, each circa 0.5cts, surrounded by a border of round brilliant-cut diamonds, in rub-over 18ct white gold settings
Estimate: 800-1600
637. A 19TH CENTURY ITALIAN MICRO-MOSAIC PENDANT of rectangular form, the black ground inset with a micro-mosaic depiction of Roman ruins, within a yellow metal frame with pendant loop. See illustration
Estimate: 200-400
638. A PAIR OF EARLY 19TH CENTURY GARNET CUFF BRACELETS, the polished dodecahedron garnets worked into an open trellis design with gilt metal beads, the gilt metal clasp set with pink stones. See illustration
Estimate: 150-300
639. A GRADUATED CULTURED PEARL NECKLACE, knotted, with a plain jump ring clasp, 18"
Estimate: 50-100
640. A FIVE STONE DIAMOND DRESS RING, the five round old-cut graduated diamonds in a platinum claw setting, to an 18ct yellow gold shank
Estimate: 100-200
641. A THREE STONE DIAMOND AND RUBY DRESS RING, the central round-cut ruby flanked on either side by round-cut diamonds, in a platinum claw setting to an 18ct yellow gold shank
Estimate: 100-200
642. A PERIDOT AND DIAMOND ART DECO STYLE DRESS RING, the central cushion-cut peridot in a raised claw setting and surrounded by a rub-over border of round brilliant-cut diamonds, the 18ct white gold shank set to each shoulder with four diamonds. See illustration
Estimate: 400-800
642A. A DIAMOND HALF ETERNITY BAND set with a row of baguette-cut diamonds and flanked by rows of round brilliant and baguette-cut diamonds, on an 18ct white gold shank
Estimate: 800-1600
643. A DIAMOND CLUSTER DRESS RING, the central round old-cut diamond in a raised claw setting and surrounded by a border of further smaller round old-cut diamonds, on a yellow metal shank with open shoulders
Estimate: 300-600
644. A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond, circa 0.5cts, in a raised platinum claw setting, on a hallmarked platinum and yellow gold twisted shank
Estimate: 300-600
645. AN EDWARDIAN STYLE RUBY AND DIAMOND DRESS RING, the four round-cut rubies centred to form a quatrefoil and surrounded by two graduated borders of pave-set diamonds in a rub-over setting, on a 15ct yellow gold shank
Estimate: 300-600
646. A SOLITAIRE DIAMOND RING, the round brilliant-cut diamond, circa 0.5cts, in a platinum claw setting on an 18ct yellow gold shank
Estimate: 250-500
646A. A RUBY AND DIAMOND CLUSTER RING of flowerhead design on an 18ct yellow gold shank
Estimate: 500-1000
647. A MODERN DIAMOND AND SAPPHIRE DRESS RING, the central oval cushion-cut sapphire, possibly synthetic, in a raised claw setting surrounded by a border of calibre-cut sapphires, the 18ct yellow gold shank set to the shoulders with graduated diamonds and a row of princess-cut sapphires intersecting the central stone
Estimate: 150-300
647A. A DIAMOND SOLITAIRE RING, the round brilliant-cut diamond claw-set on a 9ct yellow gold shank with open shoulders
Estimate: 100-200
648. A DIAMOND SOLITAIRE RING, the central princess-cut diamond circa 1.01cts, in an 18ct white gold four claw setting, on an 18ct white gold shank. See illustration
Estimate: 1500-3000
649. A THREE STONE DIAMOND AND RUBY DRESS RING, the central cushion-cut ruby claw-set and flanked on either side by a round brilliant-cut diamond, on a platinum shank
Estimate: 400-600
650. AN EMERALD AND DIAMOND DRESS RING, the five round-cut emeralds in line formation and surrounded by a cluster border of round brilliant-cut diamonds in a rub-over setting, on an 18ct yellow gold shank, with open shoulders. See illustration
Estimate: 300-500
651. AN ART DECO STYLE AQUAMARINE AND DIAMOND DRESS RING, the central baguette-cut aquamarine with four corner claw settings, on an 18ct white gold shank, with two graduated baguette-cut diamonds to the stepped shoulders
Estimate: 300-600
652. A 1960'S DIAMOND CLUSTER RING, the central round brilliant-cut diamond, circa 0.33cts, in a raised claw setting and surrounded by a scattered border of round brilliant-cut diamonds, on a 15ct yellow gold shank
Estimate: 200-400
653. A DIAMOND SOLITAIRE RING, the central round old-cut diamond in a raised platinum claw and illusion setting, on an 18ct yellow gold shank with open chased platinum shoulders
Estimate: 150-300
654. A SAPPHIRE AND DIAMOND DRESS RING, the central round sapphire of a lavender colour and flanked on either side by a round brilliant-cut diamond, on an 18ct yellow gold shank with twisted shoulders.
Estimate: 80-160
655. A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond circa 0.4cts, in an 18ct white gold square four claw setting, on an 18ct yellow gold shank with open shoulders
Estimate: 150-300
656. A MODERN DIAMOND CLUSTER RING, the central round brilliant-cut diamond circa 0.33cts, in a rub-over setting and surrounded by a border of smaller round brilliant-cut diamonds forming a flowerhead design, the 18ct white gold shank with three diamonds set to each shoulder
Estimate: 450-850
657. AN INDIAN DIAMOND-SET DRESS RING, the central primitive-cut white stone collet-set in a closed back setting and surrounded by stylised diamond-set leaves, on an unmarked yellow metal shank
Estimate: 100-200
658. A SAPPHIRE AND DIAMOND DRESS RING, the three graduated oval cushion-cut sapphires flanked by four round old-cut diamonds with an 18ct yellow gold scrolling claw setting and shank
Estimate: 250-500
659. AN ART NOUVEAU STYLE PERIDOT AND DIAMOND DRESS RING, the central baguette-cut peridot in a rub-over setting and surrounded by two pave-set diamond borders forming a wavy outline, on a 15ct yellow gold shank
Estimate: 250-500
660. A THREE STONE DIAMOND RING, the three graduated round-cut diamonds in a claw setting, on an 18ct yellow gold shank
Estimate: 200-400
661. A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond in a claw and illusion setting, on an 18ct yellow gold shank with open shoulders.
Estimate: 150-300
662. A RUBY AND DIAMOND CLUSTER DRESS RING, the central oval cushion-cut pink ruby claw-set and flanked either side by a baguette-cut diamond and half-moon of five round brilliant-cut diamonds forming a cluster design, on an 18ct yellow gold shank. See illustration
Estimate: 450-850
663. A DIAMOND SOLITAIRE RING, the central brilliant-cut diamond circa 0.5cts, in a raised double claw setting, on an 18ct yellow gold shank with open shoulders
Estimate: 150-300
664. AN EARLY 19TH CENTURY DRESS RING, the reeded shank claw-set with a pearl and flanked by a double loop design, the interior engraved with initials, in a fitted case
Estimate: 50-100
665. A FIVE STONE DIAMOND DRESS RING, the five graduated princess-cut diamonds totalling circa 1.70cts, in an 18ct white gold rub-over setting and shank. See illustration
Estimate: 1300-1600
666. A MODERN DIAMOND CLUSTER RING, the central round brilliant-cut diamond surrounded by two borders of graduated round brilliant-cut diamonds in a tiered setting, on an 18ct yellow gold shank with open shoulders
Estimate: 200-400
667. A SAPPHIRE AND DIAMOND DRESS RING pave-set in a rhombus-shape overall with four princess-cut sapphires and round brilliant-cut diamonds, on an 18ct yellow gold shank
Estimate: 250-500
668. A THREE STONE DIAMOND DRESS RING, the three round graduated brilliant-cut diamonds totalling circa 1.0cts, in a raised platinum claw setting, on an 18ct yellow gold shank with twisted shoulders. See illustration
Estimate: 1000-2000
669. AN EDWARDIAN STYLE DIAMOND DRESS RING, the centre set with a round old-cut diamond circa 0.40cts, surrounded by a square border of graduated round old-cut diamonds, on an 18ct yellow gold shank with a diamond to either shoulder
Estimate: 500-800
670. A FULL DIAMOND ETERNITY RING set overall with round old-cut diamonds in an unmarked white metal setting
Estimate: 200-400
671. AN ART DECO STYLE DIAMOND AND SAPPHIRE DRESS RING, the central emerald-cut sapphire surrounded by a pave-set border of round brilliant-cut diamonds, on an 18ct white gold shank with two graduated baguette-cut diamonds to either shoulder intersecting the main design
Estimate: 500-1000
672. A DIAMOND SOLITAIRE RING, the round old-cut diamond circa 0.80cts, in a double claw setting, on an unmarked white metal shank with raised shoulders
Estimate: 300-500
673. AN ENAMELLED MOURNING RING, the central circular panel set with a row of seed pearls and flanked on either side by scrolling shoulders, the reverse with plaited hairwork bezel, black and gold enamel overall, the shank with inscription "In Memoriam" and further inscription to the interior "Dear Kathleen 7.7.02"
Estimate: 50-100
673A. AN ENAMEL AND SEED PEARL DRESS RING, the central turquoise enamelled cabochon set to the centre with a pearl and rose diamonds forming a star design, with gilt scrolling and surrounded by a cluster border of seed pearls, on an 18ct yellow gold shank
Estimate: 400-800
674. A LATE 18TH CENTURY MOURNING RING, the oval bezel painted and detailed with hairwork to form a scull and cross-bow design on a tomb, the yellow metal shank with white enamel inscribed "Ann Staneway OB 18 MAR 1780 AE 20". See illustration
Estimate: 200-400
675. A 19TH CENTURY "SWEETHEART" DRESS RING of heart form pave-set overall with graduated old-cut diamonds, within a royal blue enamel scalloped border, on an unmarked yellow metal shank with chased leaf-shaped shoulders. See illustration
Estimate: 1000-2000
676. A GENTLEMAN'S RUBY SOLITAIRE DRESS RING, the central cushion-cut pink ruby circa 7.0cts, in an 18ct yellow gold rub-over claw and scroll setting. See illustration
Estimate: 300-600
677. A DIAMOND SOLITAIRE RING, the round-cut diamond circa 0.8cts, in a claw setting, on an unmarked white metal shank with narrowing shoulders , probably platinum
Estimate: 500-1000
678. A LARGE RUBY AND DIAMOND COCKTAIL RING, the central oval cushion-cut ruby claw-set and surrounded by scattered borders of round brilliant-cut diamonds, round-cut rubies and graduating baguette-cut diamonds, on an 18ct white gold reeded shank. See illustration
Estimate: 2000-4000
679. AN EDWARDIAN SAPPHIRE AND DIAMOND DRESS RING, the central cushion-cut sapphire surrounded by two stepped borders of pave-set rose-cut diamonds, on an unmarked white metal shank. See illustration
Estimate: 1000-2000
680. A DIAMOND SOLITAIRE RING, the central round old-cut diamond circa 0.68cts, in a claw setting, on a platinum shank with open shoulders
Estimate: 800-1600
681. A FIVE STONE DIAMOND RING, the five graduated old-cut diamonds in a scroll and heart claw setting, on an unmarked yellow metal shank. See illustration
Estimate: 400-800
682. AN ART DECO DIAMOND DRESS RING, the central geometric design formed from two triangular-shaped diamonds and a bridge of baguette-cut diamonds, surrounded by pave-set borders of graduated round old-cut diamonds, on an unmarked white metal shank with open shoulders. See illustration
Estimate: 600-1200
683. A MODERN DIAMOND HALF ETERNITY BAND, the band of rub-over set baguette-cut diamonds flanked on either side by rows of claw-set round brilliant-cut diamonds, on an 18ct white gold shank. See illustration
Estimate: 1500-3000
684. A PLATINUM AND DIAMOND DRESS RING of twist design, each shoulder rub-over set with calibre-cut diamonds and surrounded by borders of round brilliant-cut diamonds, hallmarked to the shank. See illustration
Estimate: 600-1200
685. AN AQUAMARINE AND DIAMOND CLUSTER RING, the large oval cushion-cut aquamarine collet-set and surrounded by a cluster border of round brilliant-cut diamonds, on an 18ct yellow gold shank with open shoulders. See illustration
Estimate: 800-1600
686. A DIAMOND SOLITAIRE DRESS RING, the central oval cushion-cut diamond (possibly showing signs of treatment/alteration), in a raised coronet claw setting, on an 18ct yellow gold and platinum shank with diamonds to the shoulders, hallmarked to the shank. See illustration
Estimate: 2000-4000
687. A LARGE MARQUISE DIAMOND SOLITAIRE RING, the central marquise-cut diamond circa 1.5cts, claw-set on an unmarked white metal shank, probably platinum, each shoulder with a baguette-cut diamond and further rose-cut diamonds. See illustration.
Provenance: This ring was made for the mother of the current owner by her father, H.W. Goddard, during the 1940's. Mr Goddard worked for Shackman & Sons and carried out work on the crown jewels.
Estimate: 1500-3000
688. A THREE STONE DIAMOND RING, the three round brilliant-cut diamonds totalling circa 2.0cts, claw-set on an 18ct yellow gold shank with open shoulders. See illustration
Estimate: 2000-4000
689. A MARQUISE-CUT DIAMOND CLUSTER DRESS RING, the central marquise-cut diamond circa 1.25cts, claw set and surrounded by a claw-set border of round old-cut diamonds, on an 18ct yellow gold shank with scrolling shoulders. See illustration
Estimate: 1000-2000
690. A LARGE DIAMOND CLUSTER RING in George III style, the central round old-cut diamond in a rub-over claw setting surrounded by an open cluster border of round old-cut diamonds, on an unmarked white metal reeded shank with open shoulders, each set with a trefoil of old-cut diamonds. See illustration (HP)
Estimate: 3500-4500
691. A LARGE EDWARDIAN STYLE DIAMOND CLUSTER RING, the central round brilliant-cut diamond circa 2.93cts, claw-set and surrounded by a pierced millegrain border set with smaller round-cut diamonds, on an unmarked white metal shank with scrolling open shoulders and a diamond to either side. See illustration
This ring is accompanied by a certificate for insurance replacement purposes and certifies the ring as having a clarity of VVS2/VS1.
Estimate: 8000-10000
692. AN EARLY 20TH CENTURY DIAMOND-SET BRACELET, each square link millegrain-set with graduated round-cut diamonds with pierced decoration and set to the centre with a round brilliant-cut diamond. See illustration
Estimate: 1000-2000
693. A PAIR OF DIAMOND DROP EARRINGS of stylised leaf-shape millegrain-set overall with various round brilliant-cut diamonds, a solitaire round old-cut diamond forming a terminal with a further round old-cut collet-set diamond drop, with fish-hook attachments. See illustration
Estimate: 1200-1800
694. A THREE STONE DIAMOND BAR BROOCH, the 18ct white gold bar with safety catch and claw-set with three round graduated old-cut diamonds, circa 3.0cts. See illustration
Estimate: 1000-2000
695. AN AQUAMARINE AND DIAMOND CLUSTER PENDANT, the central pear-cut aquamarine surrounded by a cluster border of round brilliant-cut diamonds below a train of collet-set diamonds, set in 18ct white gold on an 18ct white gold trace link chain, 18.5". See illustration
Estimate: 1000-2000
696. A PAIR OF DIAMOND-SET CHANDELIER EARRINGS millegrain-set overall with graduated round old-cut diamonds, in a white and yellow metal setting with fish-hook attachments. See illustration
Estimate: 700-1400
697. AN EARLY 20TH CENTURY DIAMOND-SET PLAQUE BROOCH of rectangular open form with two fan-shaped sprays, millegrain-set overall with graduated round old-cut diamonds, in an unmarked white metal setting. See illustration
Estimate: 1000-2000
698. A PAIR OF DIAMOND-SET CLUSTER EAR STUDS of flowerhead design, the central round brilliant-cut diamond collet-set and surrounded by a border of smaller round brilliant-cut diamonds, in an 18ct white gold setting. See illustration
Estimate: 1200-1800
699. FREDERIC DE VERNON: AN EARLY 20TH CENTURY FRENCH MEDALLION PENDANT of oval form, moulded in relief to the centre with the praying Madonna, a row of rose-cut diamonds forming her halo, against a graduating blue translucent plique a jour enamel background and enclosed by 31 calibre-cut sapphires, signed "F. Vernon" and numbered 629, with a diamond-set pendant hanger, 2.5", and a 9ct yellow gold curb chain, 24". See illustration
Provenance: H.S.H. The Princess Romanov and Vsevolode.
Frederic de Vernon (1858-1912) is most known as a French medallist. He produced the French Olympic bronze medals in 1900. When Cartier set up their design studio in 1906 in Rue de la Paix, Paris, Alfred Cartier purchased a number of religious medallions made by Frederic de Vernon and produced by Felix du Val. This may be one such example. The most famous of his works is a thimble offered to Queen Wilhelmine by President Kruger of South Africa for her wedding.
Estimate: 5000-10000
700. A 19TH CENTURY BEE BROOCH pave-set overall with graduated round old-cut diamonds, the body with three bands of calibre-cut emeralds, with ruby eyes and set overall in yellow and white metal. See illustration
Provenance: HSH The Princess Romanov and Vsevolode.
Estimate: 3000-4000
701. AN EARLY 20TH CENTURY DIAMOND AND TURQUOISE-SET PENDANT of navette-shape, set to the centre with a pear-shaped cabochon turquoise and surrounded by borders of graduated round old-cut diamonds and calibre-cut turquoise and sapphires, with a pear-cut and round-cut diamond drop, in hallmarked white metal setting on a white metal trace chain, in a fitted case for Mare & Sons, Glasgow. See illustration (HP)
Estimate: 2500-3500
702. AN ART DECO EMERALD AND DIAMOND BRACELET in the manner of Van Cleef and Arpels, each open link set with graduated baguette brilliant and calibre-cut diamonds, with three cabochon emeralds set overall with a concealed clasp, terminating in a brilliant baguette and marquise-cut diamond tassel with emerald border. See illustration FP
For a similar Van Cleef and Arpels bracelet see "Van Cleef and Arpels" by Sylvie Raulet, page 163.
703. A LARGE VICTORIAN DIAMOND BROOCH of half sun-burst design, the centre set with an old-cut diamond, circa 1.25cts and surrounded by a border of smaller old-cut diamonds, each shaped ray set overall with graduated old-cut diamonds, eight rays terminating with claw-set old-cut solitaire diamonds, in an unmarked yellow and white metal setting with curb brooch bar and fitment for a pin to convert into an aigrette (pins not present), 3" wide. See illustration FP
Estimate: 5000-10000
704. GARRARD & CO: AN EDWARDIAN DIAMOND BROOCH of open form, set to the centre with a round old-cut diamond and flanked on either side with graduated rows of round old-cut diamonds within pave-set borders, in a fitted Garrards case. See illustration
This brooch was purchased from Garrards in 1957 by the vendor's Great Aunt. A copy of the original Garrard's valuation is available to view on request.
Estimate: 500-1000
705. GARRARD & CO: AN ART DECO DIAMOND BROOCH of open, geometric buckle form, set overall with graduated old-cut diamonds, in a fitted Garrard's case. See illustration
This brooch was purchased from Garrards in 1957 by the vendor's Great Aunt. A copy of the original Garrard's valuation is available to view on request.
Estimate: 250-450
705A. A 19TH CENTURY "CITRINE" NECKLACE, each link collet-set in rose metal with a graduated oval cushion-cut stone, with concealed clasp, 16", and a pair of screw earrings ensuite (2). See illustration
Estimate: 200-400
706. A TRI-COLOUR 18CT GOLD NECKLACE, each link formed as either a brushed rose or white gold heart interspersed with yellow gold polished cross-links, with a concealed clasp and markers mark "S", 14", in a fitted case for H. Stern. See illustration
Estimate: 400-800
707. AN 18CT YELLOW GOLD CURB LINK FOB CHAIN, each link with a hallmark, with a carabeener clasp at either end and a hallmarked "T"-bar to the centre, 14.5", (c.36.7g)
Estimate: 200-400
708. A LARGE 9CT ROSE GOLD CURB LINK BRACELET some links chased, with various 9ct gold and other charms including a 1902 sovereign, with padlock clasp and safety chain, (c.86.3g all in)
Estimate: 200-400
709. AN 18CT YELLOW GOLD FANCY LINK BRACELET with jump ring clasp, and another similar with a gem-set sputnik charm (2)
Estimate: 100-200
710. A 9CT YELLOW GOLD GENTLEMAN'S SIGNET RING with hallmarks, five other various gold rings, (c.31.3g), and a three stone diamond ring (a lot)
Estimate: 100-200
711. AN 18CT YELLOW GOLD FANCY LINK NECKLACE, one side of the shaped links polished, the other side brushed, with a concealed clasp with hallmarked safety catch, (c.39.9g) 12"
Estimate: 300-600
712. A VICTORIAN YELLOW GOLD BRACELET formed from four rope-twist and fancy pierced strands, with chased spacers, and a three stone diamond cluster bar brooch (2)
Estimate: 100-200
713. A 9CT YELLOW GOLD GENTLEMAN'S SOVEREIGN RING set with a 1911 half sovereign, (c.18.2g)
Estimate: 50-100
714. A 9CT YELLOW GOLD FANCY BARREL LINK BRACELET, with concealed clasp and a 9ct rose gold child's curb bracelet with heart padlock clasp(c.27.4g) (2)
Estimate: 80-160
715. AN 18CT YELLOW GOLD WATCH CHAIN of rectangular and circular open link form, most links hallmarked with a carabena and loop clasp, 17" and an 18ct yellow gold curb bracelet with concealed clasp and safety chain (c.60.5g total) (2)
Estimate: 300-600
716. A ROSE METAL SEAL, the quartz intaglio depicting a woman with a yellow metal fancy link box chain, together with two further seals, a magnifying glass and other items (a lot)
Estimate: 100-200
717. A 9CT YELLOW GOLD GATELINK BRACELET of open form with some twisted links with safety chain and hallmarked heart padlock clasp, (c.17.4g)
Estimate: 100-200
718. A VICTORIAN YELLOW GOLD BELCHER LINK GUARD CHAIN, 55" with a 9ct rose gold circular locket with initials and a similar chased heart-shaped example (c.38.9g all in) (3)
Estimate: 150-300
719. A 9CT YELLOW GOLD CURB LINK BRACELET, set with four gold charms including an 1887 half sovereign with safety chain and padlock clasp (c.43.3g)
Estimate: 300-600
720. AN 18CT YELLOW GOLD GENTLEMAN'S SIGNET RING with inset red hardstone intaglio, depicting a Roman gentleman and a 22ct gold wedding band (2)
Estimate: 100-200
721. A 15CT GOLD FANCY LINK WATCH CHAIN, with lobster clasp and "T"-bar, 15" (c.32.3g)
Estimate: 150-300
722. THREE 18CT YELLOW GOLD TIFFANY & CO WEDDING BANDS, (c.8.1g) (3)
Estimate: 50-100
723. A 14CT YELLOW GOLD HOLLOW CURB LINK BRACELET with concealed clasp and safety chain (c.16g)
Estimate: 150-300
724. A 9CT YELLOW GOLD FOB WATCH CHAIN of open elongated and knot links, with double hallmark lobster clasp and a hallmarked "T"-bar, 15" long, with a 9ct yellow gold Samuel Mordan & Co pencil (c.52.6g all in) (2). See illustration
Estimate: 300-600
725. A PEARL-SET YELLOW METAL DRESS RING and three further yellow and white gold wedding bands (4)
Estimate: 50-100
726. A 9CT YELLOW GOLD BELCHER LINK CHARM BRACELET, with 17 9ct gold charms, with safety chain, (c.29g) (all in)
Estimate: 100-200
727. A CASED SET OF 9CT YELLOW GOLD CUFF LINKS AND DRESS STUDS
Estimate: 50-100
728. A 9CT YELLOW GOLD HALLMARKED BRACELET, each link formed as a snaffle bit and another 9ct yellow gold fancy link bracelet, (c.31.8g total) (2)
Estimate: 150-300
729. A VICTORIAN SILVER GILT BANGLE with granulated decoration and safety chain and a Victorian yellow metal fancy belcher link bracelet with a pearl-set heart-shaped padlock clasp with hairwork bezel (2)
Estimate: 80-160
730. A 15CT YELLOW GOLD TEXTURED CURB LINK FOB CHAIN,(c.18.1g), with double carabena clasps, 14.5" and a chased yellow metal and quartz watch key, (2)
Estimate: 100-200
731. A VICTORIAN GILT METAL BRACELET formed from four ornate belcher link strands, with a chased gilt metal clasp with safety chain
Estimate: 50-100
732. AN 18CT YELLOW GOLD FOB WATCH CHAIN with elongated rectangular and knot links, with large jump ring and lobster clasp, 14" and two pairs of engine-turned 9ct yellow gold cuff links, a chased gilt metal compact and other items (a lot)
Estimate: 150-300
733. AN 18CT YELLOW GOLD CURB LINK BRACELET of textured double link form, with concealed clasp and maker's mark S & S, (c.63.3g)
Estimate: 600-1200
734. A 9CT YELLOW GOLD CURB LINK GUARD CHAIN, 46.5" together with a 9ct yellow gold rope twist necklace (damaged) and a hallmarked 9ct yellow gold charm in the form of an ice skate (c.64.1g total) (3)
Estimate: 400-800
735. A 9CT YELLOW GOLD LONG GUARD CHAIN, each link formed from overlapping polished and textured circles and rectangles, 50" (c.102g). See illustration
Estimate: 800-1600
736. AN 18CT YELLOW GOLD HALLMARKED FOB WATCH CHAIN, each open elongated rectangular link hallmarked, with a carabeener clasp at either end, 16.5" long, and attached rolled gold sovereign case (c.51.2g) (2)
Estimate: 200-400
737. A PAIR OF HALLMARKED 18CT YELLOW GOLD OVAL CUFFLINKS with initials and chased scrolls, in a fitted case
Estimate: 50-100
738. A RUSSIAN HALLMARKED CHATELAINE, the central heart-shaped citrine surrounded by a scrolling carved border, the central train with a large oval cushions-cut citrine and two other trains carved with putti, scrolls and hands, hallmarked to the clip
Estimate: 500-1000
741. A PAIR OF GREEN JADEITE CIRCULAR EARRINGS with yellow metal fish hook mounts and a similar carved jade pendant and ring ensuite (3)
Estimate: 50-100
742. A HOLLOW SILVER BANGLE, the gilt metal terminal set with a cabochon amethyst and inscribed "Kulicke Jamieson, 1983"
Robert Kulicke (1924-2007), an American artist, created many jewellery designs alongside Bessie Jamieson his apprentice. Kulicke is noted for reviving ancient goldsmithing techniques
Estimate: 100-200
743. A PAIR OF "MATRIX JADE" EARRINGS with marcasite leaf mounts and drops, with screw backs, and a Chinese jadite pendant (2)
Estimate: 50-100
744. A SILVER CURB LINK BRACELET with circular reverse crystal intaglio charm depicting a dog, the reverse inscribed "M Samuel, 21 South Street, W1". See illustration
Estimate: 200-400
745. A PAIR OF 18CT YELLOW GOLD OVAL BANDED AGATE CUFF LINKS , and three dress studs ensuite (a lot)
Estimate: 150-300
746. A LAPIS LAZULI BEAD NECKLACE, knotted with a 14ct yellow gold oval clasp, 20" and a green jadeite ring (2)
Estimate: 50-100
747. A GRADUATED ROW OF DYED JADEITE BEADS, 26" and another dyed jadeite double row necklace with silver clasp and triangular drop pendant (2)
Estimate: 80-160
748. A COLLECTION OF FOUR PORTRAIT CAMEO BROOCHES and various silver and gilt metal frames, and another similar depicting a woman and her dog beside a river (5)
Estimate: 80-160
749. A CASED SET OF 18CT YELLOW AND WHITE GOLD CIRCULAR CUFF LINKS AND DRESS STUDS, each with mother-of-pearl faces and set a princess-cut sapphire, in a fitted Harrods case. See illustration
Estimate: 200-400
750. A VICTORIAN PEARL SET DOUBLE TARGET OPEN WORK BROOCH, engraved to the back "From H M Queen Victoria, December 1890" and a turquoise and seed pearl bar brooch and a pair of cased Harrods pearl and diamond screw back earrings (3). See illustration
Estimate: 150-300
751. AN 18CT WHITE GOLD BAR BROOCH set with pearls, round-cut rubies and two diamonds, and two further stick pins and a large turquoise and glass brooch (4)
Estimate: 50-100
752. A BLACK SILK BRACELET with continental hallmarked gilt metal large jump ring clasp and armorial decoration, an initialled fob seal and pair of lorgnettes, a pietra dura brooch and various other stick pins (a lot)
Estimate: 80-160
753. A 9CT ROSE GOLD HALLMARKED SOVEREIGN CASE with a hallmarked 9ct rose, white and yellow gold chased fob chain, an RAF badge and other items (a lot)
Estimate: 100-200
754. SIX LOOSE OVAL CUSHION-CUT SAPPHIRES with five rubies of various different cuts and other gem-set jewellery (a lot)
Estimate: 100-200
755. AN INDIAN SILVER FILIGREE CUFF BRACELET each link designed with graduated flowers and grapes, a carved ivory picture, forming the central panel, a gilt metal Indian bracelet moulded in a relief and an ivory ring (3)
Estimate: 50-100
756. A SET OF 9CT WHITE GOLD AND MOTHER-OF-PEARL CUFF LINKS AND DRESS STUDS each with a rose diamond to the centre in a fitted case for Mappin & Webb Ltd and a cased set of 18ct yellow gold engraved cuff links and dress studs (2)
Estimate: 250-500
757. A SILVER CHATELAINE CLIP pierced with scrolling foliage and a depiction of a deity, with three chains and a hallmarked silver scent flask, a pierced silver-coloured and ivory aide memoire and a Victorian French jet chatelaine clip (3). See illustration
Estimate: 100-200
758. A PAIR OF LARGE GEORGE III BUCKLES, the open silver frames with duty marks and cut with three beaded borders, with a steel attachment marked "Le Eleys Patent 2602" (2). See illustration
Estimate: 150-300
759. A LARGE COLLECTION OF BEADED HAT PINS including a reverse crystal intaglio example of a dog (a lot)
Estimate: 100-200
760. AN UNMARKED YELLOW METAL FLORAL CHASED PENCIL with bloodstone seal to the terminal, an engine-turned yellow metal pencil and an 18ct yellow gold fob watch chain, all contained in a green leather bound jewellery case with a number of other jewellery items (a lot). See illustration
Estimate: 200-400
761. A VENETIAN GLASS GILT METAL BEADED SAUTOIR with tassels to either end, 48"
Estimate: 80-160
762. A 9CT YELLOW GOLD CURB BRACELET with alternating chased links, with a chased 9ct hallmarked heart padlock clasp and safety chain, in a brown leather box with various other items of jewellery including a fob watch, a coral bead necklace and brooches (a lot)
Estimate: 100-200
763. AN ORNATE WHITE METAL WATCH CHAIN with rope-twist and snake form with a ball and coin charm, 9.5" and other silver items (a lot)
Estimate: 50-100
900. A SIGNED PHOTOGRAPH OF QUEEN MARY dated 1910, enclosed in a green silk mount, embroidered throughout with flowers, thistles and foliage, in a gilt thread work frame, 18" x 15". See illustration
The Queen Mary Memorabilia Collection.
Estimate: 300-500
901. A COLLECTION OF CORRESPONDENCE, CARDS AND PHOTOGRAPHS relating to the friendship between Queen Mary, Mrs Rube and Mrs Rube's daughter, Lady Elizabeth Gillman, who carried on the friendship in later years with Queen Mary (a lot). See illustration
The Queen Mary Memorabilia Collection
Estimate: 300-500
902. AN AUTOGRAPHED PHOTOGRAPH of King George V and Queen Mary, the reverse facsimile "With our best wishes for Christmas 1914. May God protect you and bring you home safe. Mary R. George RI", mounted in a silver frame engraved on the front "Presented to Lieutenant V.S. Butler RN. H.M.S. Leopard, 7th Destroyer Flotilla" on the lower edge of the silver frame "By Their Majesties King George V and Queen Mary, December 25th 1914", 4.5" high. See illustration
Estimate: 100-200
903. A THREE FOLD GILTWOOD MINIATURE DISPLAY STAND in the Louis XVI style with folding hinged side panels, the lower edge with a paper label, printed "V.M. Princess of Wales, 21" high. See illustration
Estimate: 150-300
904. Spare lot
Estimate: 1000-2000
910. AN EARLY VICTORIAN CALAMANDER WOOD AND GILT BRASS MOUNTED TEA CASKET, the domed top with pierced "arabesque" mounts and twin side handles enclosing a red velvet lined interior with cut glass blending bowl and two hinged lidded compartments for green and black tea with a Mordan & Co lock, 13". See illustration
Estimate: 300-500
911. AN OAK AND BRASS "COUNTRY HOUSE" LETTER BOX, the sloping front engraved with a coronet with a single panelled door, 10" wide. See illustration
Provenance: Penybont Hall, Llandrindod, Wales, Powys
Estimate: 100-200
912. AN EARLY VICTORIAN MAHOGANY "APPRENTICE PIECE" CHEST OF DRAWERS, the crossbanded top above three long graduated drawers with bone key escutcheons and turned knobs, above a shaped apron, 12"
Estimate: 50-100
913. A REGENCY "TOLE PEINTRE" RECTANGULAR SERVING TRAY, the central panel painted with a classical view within a floral and leaf surround, 26.5" wide
Estimate: 100-200
914. A LOUIS XV STYLE MARQUETRY AND GILT METAL MOUNTED TEA TRAY, the rectangular surface inlaid with a central vase and sceptre against a rosewood ground, within a scrolling border, the tray with a raised pierced gallery, cast carrying handles and scrolling feet, 26" wide
Estimate: 150-250
915. A GEORGE III MAHOGANY KNIFE BOX, the sloping fall inlaid with a central satinwood fan motif, the shaped front enclosing a fitted interior, 15" high
Estimate: 50-100
916. AN EARLY VICTORIAN PAPIER MACHE SERVING TRAY, the cartouche shaped central panel painted with a Scottish stag hunting scene, within a black ground and gilt border, 25". See illustration
Estimate: 100-200
917. A LIGHT OAK "COUNTRY HOUSE" HEXAGONAL LETTER BOX, with a brass "Letters" flap and a glazed panel inscribed "Box Cleared", on a plinth base, 20" high. See illustration
Estimate: 300-500
918. A PAIR OF VICTORIAN MAHOGANY FRETWORK WALL BRACKETS of "D"-shape with pierced scroll backs and pendant finials, 13"
Estimate: 70-100
919. A GEORGE III MAHOGANY KNIFE BOX, the sloping top with a central inlaid shell motif above a shaped front, with all over chequered stringing and fitted interior, 9.5" wide
Estimate: 100-200
920. A GEORGE III STYLE MAHOGANY CHEESE COASTER with two divisions and shaped roundels, on rectangular plinth base, with brass roll castors, 16"
Estimate: 100-200
921. A REGENCY ROSEWOOD AND BRASS BOUND WRITING BOX opening to a fitted interior, with writing slope, ink vessels and other compartments, 20"
Estimate: 100-200
922. AN EDWARDIAN INLAID MAHOGANY SHERATON REVIVAL STATIONERY BOX, the sloping front inlaid with satinwood and olive wood paterae, opening to a silk lined fitted interior, 8.75"
Estimate: 80-150
923. A VICTORIAN ROSEWOOD PIN CUSHION AND COTTON REEL HOLDER of turned form, the top with a pin cushion, on a vase turned mount, the base with a central turned column surrounded by six reel holders, 10" high
Estimate: 70-100
924. A VICTORIAN EBONISED AND "TUNBRIDGEWARE" STATIONERY BOX, with a domed casket top opening to a fitted interior, 9"
Estimate: 70-100
925. A VICTORIAN SAND PICTURE of Osborne House, Isle of Wight, within a birds-eye maple frame, 7" x 9.5"
Estimate: 150-250
926. A GEORGE III OAK BOX with a fitted interior and a single drawer, apparently retaining the original brass swan-neck handles, 22" wide
Estimate: 50-100
927. ITALIAN SCHOOL A pressed canvas relief of the Virgin and Child, possibly Tuscan, 15th century, in moulded frame, 18" x 13"
930. A VICTORIAN COPPER JELLY MOULD with circular base, 6", another inscribed "Jones Brothers, Piccadilly, London, Portman Rooms" and two others (4). See illustration
Estimate: 150-250
931. A VICTORIAN JELLY MOULD, the base inscribed "Belgrave Registered Mould", 5", and three others (4). See illustration
Estimate: 150-250
932. A VICTORIAN COPPER JELLY MOULD, the circular base inscribed "R & G", 4.5", another inscribed "R & G" and two others (4). See illustration
Estimate: 150-250
933. A FRENCH COPPER JELLY MOULD, the base inscribed "Trottier, Paris", 4", a Dublin mould, a mould inscribed "R & G" and another (4)
Estimate: 150-250
934. AN 18TH CENTURY STYLE BRASS LIDDED TANKARD of tapering form with domed cover inscribed "Ye Olde, Bull Tavern, Bradford", 6"
Estimate: 40-70
935. A PAIR OF GEORGE III BRASS CANDLESTICKS with pricket baluster columns on rectangular domed bases, 8", a brass skimmer and chestnut roaster (4)
Estimate: 50-100
936. A COPPER AND BRASS COACHMAN'S HORN, decorated with a crest and inscribed "Grand Hotel, Brighton, 39"
Estimate: 40-70
937. A GRADUATED MIXED SET OF EIGHT VICTORIAN COPPER "HAYSTACK" MEASURES of tapering form, on pedestal bases, with loop handles, 10.5" - 3" (8). See illustration
Estimate: 200-400
938. A VICTORIAN GALLON COPPER "HAYSTACK" MEASURE, 15" another similar Haystack measure and two copper preserving pans (4)
Estimate: 100-200
939. AFTER GIAMBOLAGNA: A BRONZE MERCURY on a marble socle, 18". See illustration
Estimate: 200-400
940. A PAIR OF LOUIS VX STYLE GILT METAL AND "SEVRES PORCELAIN" CANDELABRA, the oval bases with porcelain panels, surmounted by cherub columns and twin candle branches, terminating in flambeau finials, the arms hung with cut prismatic drops, 14", and a similar chamber candlestick (3)
Estimate: 100-200
941. A SET OF FOUR 18TH CENTURY STYLE "ORMOLU" CHERUB TABLE CANDLESTICKS, the pierced leafy scroll "rocaille" bases surmounted by cherubs holding aloft campana shaped candle holders, with detachable sconces, 9.5". See illustration
Estimate: 200-400
942. A PAIR OF FRENCH GILT METAL TABLE CANDLESTICKS, with naturalistic leaf cast bases, with three silver plated ducks and lily flower columns and candle holders, 9.5"
Estimate: 70-100
943. LA LOUETTE: A BRONZE OF A WINGED MAIDEN, holding a torchere aloft, the base inscribed "La Louette" on a rouge marble plinth, 16". See illustration
Estimate: 400-600
944. AFTER THE ANTIQUE: A "GILT AND BRONZED" "WARWICK VASE", of campana shape, the frieze cast with masks, with entwined side handles on gadrooned pedestal foot, 7" high. See illustration
Estimate: 300-500
945. A CAST BRONZE BUST OF DANTE, signed to the reverse "Sabatino Napoli, 1886" on wooden base, 15" high
Estimate: 50-100
946. A FRENCH ROCOCO GILT METAL FIRE SCREEN of cartouche shape, with a wire mesh panel, mounted with flowers, leafy scrolls and ribbon tie, 31" and a Regency brass fire fender, with pierced border, 43"
Estimate: 100-200
947. A "BELLE EPOQUE" GILT BRONZE OF A CLASSICAL LADY, seated wearing long flowing gown, 10"
Estimate: 200-400
955. AN EARLY 19TH CENTURY NEEDLEWORK PANEL worked with a house, birds and flowers, in coloured thread, 30" x 16", within rosewood frame
Estimate: 200-400
956. A PAIR OF GEORGE III OVAL SILK ON SARCENET PANELS worked in coloured thread with "The Elopement" and the companion panel, 10" x 8" (a pair)
Estimate: 100-200
957. A NEEDLEWORK COPE probably German late 15th century, worked in coloured thread with "St. Martin & The Beggar", within a "gilt wire" border, 17" x 17". See illustration
958. AN EARLY VICTORIAN SAMPLER worked by Susanna Carter aged 14 years, April 14th 1837, with a verse and inscribed "To my ever honourd parents" within a floral and leaf meandering border, 15" x 10.5"
Estimate: 150-300
959. A GEORGE IV SAMPLER worked by Elizabeth Gibson aged 10 years, York, November 25th 1824, with verse, alphabet, numerals and a rural vignette within a key pattern border, 18" x 17"
Estimate: 200-400
960. A VICTORIAN ALPHABETICAL AND NUMERICAL SAMPLER worked in coloured thread by Lilias White Cumnock, with a verse within floral border, 17" x 13"
Estimate: 100-200
961. A GEORGE IV SAMPLER by Harriot Farr aged 10 years 1829, worked in coloured thread with a verse, red country house, trees, birds and baskets of flowers within a floral meandering border, 16" x 21". See illustration
Estimate: 300-500
962. A GEORGE III SAMPLER by Anne Wigginton aged 9 years, Werrington, Northamptonshire, December, worked in coloured thread with a country house, stags, topiary, verse, numerals and alphabet within a floral meandering border, 19" x 16". See illustration
Estimate: 150-300
963. A GEORGE IV SAMPLER by Mary Lacey aged 11, 1820, worked in coloured thread with a vase of flowers, verse, stylised trees and a country house, within a floral meandering border, 19" x 12". See illustration
Estimate: 200-400
964. A PANEL OF SILKWORK worked with flowers and heart-shaped motifs in polychrome, bullion and sequins, probably from the Dutch East Indies, 18th century, 72" x 40.5"
Estimate: 150-300
970. A SHERATON STYLE INLAID MAHOGANY "BANJO" BAROMETER by A. Rival, the case inlaid with satinwood shell paterae with an engraved dial and thermometer gauge surmounted by a broken arch pediment, 38"
Estimate: 150-250
971. A GEORGE III MAHOGANY COLUMN BAROMETER, the brass dial inscribed "Barrett, Blandford" flanked by turned columns with shaped pediment, the column with concave corners, the reverse with a paper label printed "J. Somalvico & Co. Makers, London", 36"
Estimate: 450-750
972. A 19TH CENTURY MAHOGANY MARINE BAROMETER, the engraved ivory scale inscribed "Fabrica de G Somalvico & Co. Londra", the twist column with acanthus leaf carved base above a brass cistern surmounted by a coronet finial, on a brass mount and gimbal, 38". See illustration
Estimate: 1000-2000
973. A GEORGE III MAHOGANY COLUMN BAROMETER by R. Clare, Great Droug, the rectangular crossbanded case with an arched glazed hood and turned ivory finials, with an engraved and inscribed silvered dial, 38". See illustration
Estimate: 800-1500
974. A LOUIS XV STYLE "ORMOLU" AND "SEVRES PORCELAIN" MANTEL CLOCK, the case with two cherubs supporting an urn with rams masks and foliate swags, with floral finial, the porcelain dial with a "bleu celeste" chapter ring with gilt Roman numerals flanked by oval porcelain panels painted with a quiver of arrows with a conforming porcelain panel painted with a winged cherub to the base, the two train movement striking on a bell, 12"
Estimate: 200-400
975. A FRENCH EMPIRE STYLE "ORMOLU" MANTEL CLOCK, the white enamel dial with Arabic numerals painted with floral swags, the case with an urn finial on marble plinth, the two train movement with outside count wheel striking on a bell, by Samuel Marti Medaille d'or Paris 1900, 11"
Estimate: 150-250
976. A MINIATURE LONGCASE CLOCK, the white enamel dial with Arabic numerals in an inlaid Georgian style case with triangular pediment, 17.5" high
Estimate: 100-200
977. A LOUIS XV STYLE BOULLE CARTOUCHE-SHAPED MANTEL CLOCK, the gilt repoussé dial with blue Roman numerals on enamel tablets, within a rococo case with gilt metal shell and acanthus leaf mounts, on animal mask feet surmounted by a cherub and shell, the two train movement with outside count wheel striking on a bell, 26.5". See illustration
Estimate: 500-1000
978. A GEORGE III MAHOGANY LONGCASE CLOCK, the case with long arched door flanked by quarter fluted columns above a plinth with canted corners on ogee bracket feet, the blind fretwork carved hood with corinthian columns and arched shaped pediment with brass ball and spear finials, the circular brass dial engraved with masonic emblem, Roman and Arabic numerals to the chapter ring with two train movement striking on a bell, c.90" high. See illustration
Estimate: 2500-3500
979. A BIEDERMEYER STYLE WALNUT AND EBONISED "VIENNA REGULATOR", the glazed case with turned columns surmounted by a broken arch pediment, the white enamel dial with Roman numerals and single train movement with visible brass pendulum, 46"
Estimate: 200-400
980. A 19TH CENTURY "RENAISSANCE REVIVAL" BRASS MANTEL CLOCK, the pierced case with an ivorine chapter ring with Arabic numerals and two train movement striking on a coiled gong, 12"
Estimate: 100-200
981. A WILLIAM IV OAK AND CROSSBANDED MAHOGANY LONGCASE CLOCK by Adams, Birmingham, the case with lozenge inlaid door flanked by quarter fluted columns with brass capitals, the hood with swan-neck pediment and painted arched dial with moonphase, subsidiary seconds and date dials with two train eight day movement striking on a bell, 84" high. See illustration
Estimate: 500-1000
982. FRODSHAM: AN EMPIRE STYLE BURR WOOD MANTEL CLOCK with gilt metal mounts, the circular white enamel convex dial with Arabic numerals, with key-wound movement, inscribed "Frodsham by Appointment to HM The King", 10". See illustration
Estimate: 400-600
983. A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK by TL Taylor, Pontefract, the inlaid panel flanked by ebonised columns with domed foliate carved pediment and gadrooned and brass acorn finial, the sides with fish scale panels, the white enamel dial with Roman numerals and double fusee movement striking on a bell, 20". See illustration
Estimate: 500-1000
1000. A GEORGE II WALNUT CHEST OF DRAWERS with a quarter veneered rectangular crossbanded top inlaid with herringbone banding over two short and three long drawers, apparently retaining the original brass handles and escutcheons, flanked by moulded angles, on ogee bracket feet, 31" wide. See illustration
Provenance: Purchased from Carson Booth Antiques, 28 Lowndes Street, London SW1 on 4th November 1981.
Private Collection, Cadogan Place, London SW1.
Estimate: 2000-4000
1001. A REGENCY MAHOGANY SIDEBOARD with a shaped front incorporating two central drawers flanked by deep cellarette drawers, on turned legs, 54.25". See illustration
Estimate: 300-600
1002. A LATE GEORGE III MAHOGANY "PEMBROKE" DINING TABLE in the manner of Thomas Sheraton, the folding rectangular top with rounded corners and satinwood borders edged with chequered stringing, on square tapering legs terminating in spade feet, 46.5" x 49" extended.
Estimate: 200-400
1003. A PAIR OF REGENCY SIMULATED ROSEWOOD DINING CHAIRS with caned seats and cut-brass inlay, on sabre legs (2)
Estimate: 100-200
1004. A PAIR OF REGENCY BRASS INLAID DINING CHAIRS, the reeded top rails carved with lotus leaves, with drop-in seats on sabre legs (2). See illustration
Estimate: 100-200
1005. A REGENCY SIMULATED ROSEWOOD AND BRASS-MOUNTED CHAIR with a rope-twist top rail and a padded seat, on sabre legs
Estimate: 50-100
1006. A LATE GEORGE III MAHOGANY TEA TABLE of Sheraton design, with a folding demi-lune top over a plain frieze, on square tapering legs headed with oval marquetry panels, 36.25" wide
Estimate: 150-250
1007. A GEORGE II STYLE WALNUT CARD TABLE, the eared top with a baize-lined interior and guinea-wells, with a frieze drawer and on turned club legs and pad feet, 30.5" wide
Estimate: 120-200
1008. A PAIR OF VICTORIAN WALNUT ARMCHAIRS with buttoned spoon-shaped backs and floral-carved frames, on cabriole legs and ceramic castors (2). See illustration
Estimate: 300-600
1009. A VICTORIAN WALNUT AND MARQUETRY COMBINED WORK AND GAMES TABLE with an octagonal top, on a carved shaft and a conforming tripod base, 17.75" wide
Estimate: 150-300
1010. A GEORGE III MAHOGANY CHEST ON CHEST with a dentiled cornice over an arrangement of two short and six long drawers, apparently retaining the original gilded rococo handles, the upper section with a moulded and dentiled cornice and canted and fluted angles, 44" wide. See illustration
Estimate: 1000-2000
1011. A GEORGE III "LANCASHIRE" DRESSER BASE in oak with walnut banding, fitted with an arrangement of six drawers and two cupboards flanked by turned columns, on ogee bracket feet, 60" wide. See illustration
Estimate: 400-700
1012. A WILLIAM AND MARY OAK CHEST ON STAND, the upper section with a moulded cornice over two short and three long drawers, the sides with recessed panels, the stand with a single drawer and cup and cover legs united by undulating stretchers, 29.75" wide. See illustration
Estimate: 2000-4000
1013. A GEORGE III MAHOGANY HANGING CORNER CUPBOARD with an astragal glazed door flanked by canted angles, 34.75" wide.
Estimate: 200-400
1014. A GEORGE II MAHOGANY KETTLE STAND with a dished circular top on a baluster shaft and a tripod base, 11.5" dia. See illustration
Estimate: 300-600
1015. A LOUIS XV STYLE VERNIS MARTIN VITRINE with gilt metal mounts and three painted panels, on shaped legs, 29" wide x 68.75" high. See illustration
Estimate: 300-600
1016. A GOTHIC REVIVAL MAHOGANY BREAKFRONT LIBRARY BOOKCASE in the manner of AWN Pugin, the upper section with a moulded cornice over four glazed doors and the base with three drawers over arched-panel cupboards, on a plinth base, 19th century, 70" wide x 86.5" high. See illustration
Estimate: 3000-6000
1017. A GEORGE II MAHOGANY AND PARCEL-GILT FRETWORK WALL MIRROR, apparently retaining the original bevelled plate with re-entrant upper corners, 37.5" high. See illustration
Estimate: 150-300
1018. A PAIR OF BAROQUE STYLE GILT METAL WALL MIRRORS, each with a bevelled central plate surrounded by a mirrored border, the cresting centred by a flower-charged urn against a mirrored background, 25.25" high (2)
Estimate: 300-500
1019. A GEORGE III MAHOGANY TRAY-TOP BEDSIDE TABLE with a cupboard inlaid with oval panels over a converted drawer with a double simulated front, 19.75" wide.
Estimate: 100-200
1020. A REGENCY MAHOGANY LINEN PRESS with a moulded and reeded cornice over a pair of panelled doors enclosing hanging space, the base with two short and two long drawers, on bracket feet, 48.75" wide. See illustration
Estimate: 300-600
1021. A GEORGE III MAHOGANY OCCASIONAL TABLE of Sheraton design, incorporating a sliding screen set with pleated fabric, with an inset leather writing surface over a single frieze drawer, on square tapering legs, 18.75" wide. See illustration
Estimate: 250-450
1022. A PAIR OF VICTORIAN ROSEWOOD BALLOON-BACK DINING CHAIRS with serpentine seats and cabriole legs and another (3)
Estimate: 50-100
1023. A QUEEN ANNE OAK GATELEG DINING TABLE with an oval flap top on plain turned legs united by squared stretchers, early 18th century and later, 59" x 49" extended. See illustration
Estimate: 200-400
1024. A REGENCY MAHOGANY CANTERBURY with curved slats and a drawer, on turned legs ending in brass toe caps and castors, 19.25" wide. See illustration
Provenance: Acquired from David Pettifer Antiques, 296, Kings Road, Chelsea, London SW3 on 18th March 1982.
Private Collection, Cadogan Place, London SW1.
Estimate: 300-500
1025. A VICTORIAN BURR-WALNUT AND MARQUETRY CENTRE WRITING TABLE in the manner of Holland & Sons, with ormolu mounts throughout, the shaped rectangular top with a central diaper cartouche over a single frieze drawer with a conforming panel, on turned legs inlaid to simulate fluting and with gilt metal mounts headed by masks, 43.5" wide x 24". See illustration
Provenance: The auction of the contents of Fryermayne Manor, Broadmayne, Dorchester, DorseT, September, 1980.
Estimate: 1000-2000
1026. A GEORGE II MAHOGANY SUPPER TABLE of good colour with an oval flap top, on turned front legs and pad feet, 37" x 39.25". See illustration
Estimate: 200-400
1027. AN ITALIAN CEDAR CASSONE with incised and pen-work decoration of figures, animals and birds, the ends with iron carrying handles, 17th century, 75" wide. See illustration
Estimate: 500-1000
1028. A GEORGE III MAHOGANY SERPENTINE SIDEBOARD of Sheraton design, inlaid with boxwood stringing, with a crossbanded serpentine top over an arrangement of five drawers, on square tapering legs, 66.25" wide. See illustration
Provenance: According to a label on the inside of the central drawer dated 1905, this table (a Sheraton sideboard) was bought by Mrs Money-Coutts at the "North House" sale of furniture on 27th April 1905 in the presence of W & Mrs A. Chalk - price paid £20.0.0
Estimate: 400-700
1029. A GEORGE III MAHOGANY DRESSING MIRROR of Hepplewhite design with an oval swing plate on a serpentine base fitted with three drawers, on ogee bracket feet, 17.75" wide
Estimate: 100-200
1030. A LOUIS XV STYLE GILTWOOD LOVE SEAT with caned back panels and seat, in a floral carved frame, on shaped legs terminating in knurled toes, 52" wide. See illustration
Estimate: 200-400
1031. A LOUIS XVI STYLE KINGWOOD AND MARQUETRY BUREAU A CYLINDRE with a marble top enclosed by a gilt metal gallery over a cylinder enclosing a fitted interior and a pull-out writing surface lined in embossed leather, with four exterior drawers over an undulating apron, on swept legs with gilt metal sabots, 35" wide. See illustration HP
Provenance: The auction of the contents of Leigh Court, Angersleigh, Taunton, Somerset, 2nd July, 1985.
Estimate: 500-1000
1032. A PAIR OF LOUIS XV STYLE GILTWOOD BERGERES with moulded and floral-carved frames and serpentine seats, on cabriole legs joined by a swept apron (2)
Provenance: Auction on the premises at Tiverton Castle, Devon, 9th June 1896.
Estimate: 400-700
1033. A LOUIS XV STYLE GILTWOOD STOOL with a shaped serpentine seat and a floral carved frame, on cabriole legs ending in knurled toes, 26" wide
Estimate: 80-150
1034. A REGENCY MAHOGANY CHEST OF DRAWERS with a caddy top over four drawers with oval pressed brass handles, on bracket feet, 36" wide
Estimate: 100-200
1035. A MAHOGANY CENTRE WRITING TABLE of Sheraton design with a leather-lined writing surface enclosed by a reeded edge over an arrangement of drawers flanked by "quill" drawers, the reverse with simulated drawers, on "cannon-barrel" standard end supports with sabre legs ending in brass toe caps and castors, 38.5" x 24". See illustration
Provenance: Acquired from C. Fredericks & Son, 92 Fulham Road, London SW3 on 22nd September 1981.
Private Collection, Cadogan Place, London SW1
Estimate: 500-1000
1036. A GEORGE III MAHOGANY ARTIST'S TABLE, the adjustable top with flaps over a single frieze drawer, apparently retaining the original beaded gilt ring drop handles, on square chamfered legs, 40" wide x 17.75" deep. See illustration
Provenance: Private Collection, Cadogan Place, London SW1
Estimate: 500-1000
1037. A PAIR OF REGENCY OAK "CORACLE" BERGERE CHAIRS with caned backs and seats and associated buttoned green leather squab cushions, on "panelled" sabre legs headed by turned roundels and ending in brass toe caps and castors (2). See illustration
Provenance: Acquired from David Pettifer, 269, Kings Road, Chelsea, London SW3 on 31st July 1982.
Private Collection, Cadogan Place, London SW1
Estimate: 1000-2000
1038. A LATE GEORGE III MAHOGANY DRESSING TABLE with a folding top enclosing a fitted interior with a mirror, on moulded and canted legs joined by a pierced cross-over stretcher with a central vase stand, 22" wide (closed). See illustration
Provenance: Private Collection, Cadogan Place, London SW1
Estimate: 300-600
1039. A REGENCY MAHOGANY DAVENPORT stamped Gillows, the upper part sliding forward and with a leather-lined writing slope enclosing a fitted interior, the front with three drawers and the sides with plain rectangular panels, on a plinth base, 20" wide. See illustration
Estimate: 1200-1800
1040. A GEORGE III MAHOGANY SERPENTINE SECRETAIRE CHEST in the manner of Gillows, with a fitted writing drawer over three further drawers flanked by canted panels inlaid to simulate fluting, on a plinth base, 42.5" wide. See illustration
Estimate: 800-1600
1041. A GEORGE II STYLE MAHOGANY FRETWORK WALL MIRROR with a bevelled rectangular plate, the cresting centred by a gilt ho-ho bird, 28.5" high
Estimate: 80-150
1042. AN EDWARDIAN MAHOGANY AND MARQUETRY BIJOUTERIE TABLE of Sheraton design with square tapering legs united by shaped cross-over stretchers, 24.25" wide
Estimate: 200-400
1043. A WILLIAM IV MAHOGANY TEA TABLE of good colour, the folding rectangular top with rounded corners over a plain frieze with a central tablet, on an hexagonal shaft and a quadriform base with castors, 36" wide
Estimate: 200-400
1044. AN OAK BOARDED COFFER, the hinged lid with a moulded edge and the front with the initials "TW" flanking the lock plate, the sides continuing to form supports, 18th century, 40.5" wide
Estimate: 100-200
1045. A REGENCY STYLE ROSEWOOD LIBRARY BOOKCASE with reel-mouldings throughout, the upper section with a moulded cornice over a pair of astragal glazed doors and the projecting base with two drawers over two panelled cupboards, on bracket feet, 49.75" wide. See illustration
Estimate: 500-1000
1046. A GEORGE II MAHOGANY "ENVELOPE" TABLE with a folding triangular top over a plain frieze, on club legs and pad feet, basically 18th century, 44" wide
Estimate: 150-300
1047. A CHINESE HARDWOOD DISPLAY CABINET extensively carved with flowers and scrolling leafage, with a shaped and pierced cresting and two drawers beneath the glazed door, on shaped legs, 46" wide x 77.5" high. See illustration
Estimate: 300-500
1048. A PAIR OF EARLY VICTORIAN CREAM AND PARCEL-GILT POLE SCREENS with oval raised-work banners depicting birds amidst summer foliage, 53.25" high (2). See illustration
Estimate: 400-700
1049. A GEORGE III MAHOGANY BUREAU inlaid with chequered stringing with a fall flap enclosing a fitted interior over four drawers, on shaped bracket feet, 38" wide
Estimate: 200-400
1050. A GEORGE II MAHOGANY CARD TABLE with an eared serpentine top enclosing a baize-lined interior with candle-stands in the corners, on cabochon-carved cabriole legs terminating in knurled toes, with repairs, 36" wide. See illustration.
Provenance: Westbrook House, Upwey, Weymouth, Dorset.
Estimate: 800-1200
1051. A LATE REGENCY MAHOGANY AND PARCEL-GILT SOFA in the manner of George Bullock, with a padded back and downswept arms over a convex seat rail, on turned and cabochon-carved legs headed by rectangular panels containing foliate paterae and ending in brass toe caps and castors, stamped "Cope & Collinson", 76" wide. See illustration.
Estimate: 500-1000
1052. A PAIR OF GEORGE IV BURR-OAK PILLAR TABLES, each with a well-figured circular tip-up top on an octagonal shaft and a triform base with lotus-carved scroll feet, 21" dia. (2). See illustration
Provenance: Private Collection, Cadogan Place, London SW1
Estimate: 2000-3000
1053. A REGENCY MAHOGANY BREAKFAST TABLE, the well-figured rectangular top with a moulded edge and rounded corners, on faceted and lotus-carved shaft and a quadriform base with hipped sabre legs ending in brass claw toe caps and castors, 49.5" x 41.25". See illustration
Estimate: 300-600
1054. A SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS of Sheraton design with carved and reeded backs over padded seats, on square moulded legs joined by stretchers. Comprising an elbow chair and five single chairs (6). See illustration
Estimate: 300-600
1055. A REGENCY MAHOGANY BREAKFAST TABLE, the rectangular top with flaps and a moulded edge with rounded corners, on a turned shaft and four hipped and moulded sabre legs ending in brass claw toe caps and castors, 41" x 40.75"
Estimate: 200-400
1056. A LATE GEORGE III OAK CUPBOARD, the upper section with a moulded cornice over two doors and three drawers and the base with three graduated drawers, on shaped bracket feet, 42.5" wide x 67.75" high
Estimate: 200-400
1057. AN EDWARDIAN MAHOGANY DISPLAY CABINET of Sheraton design with a swan-neck pediment, the base fitted with two drawers, on square tapering legs ending in spade feet, 37" wide x 73.75" high
Estimate: 200-400
1058. A PAIR OF "BLACKAMOOR" TORCHERES, each modelled as a figure sitting on a fluted column supporting a cornucopia from which emanates five scrolling branches hung with faceted glass drops, fitted for electricity, 71" high (2)
Estimate: 500-800
1059. A CONTINENTAL WALNUT CHEST OF DRAWERS of small proportions, inlaid throughout with bold chequered stringing, each side fitted with a candle-slide and the front with four drawers, on bracket feet, possibly Maltese, 18th century, 34.5" wide
Estimate: 250-500
1060. A LOUIS XV STYLE TABLE EN CHIFFONNIERE with pictoral marquetry on a rosewood ground, the oval top with a pierced gallery over three drawers, the shaped legs joined by kidney-shaped undertier, 19.75" wide. See illustration
Estimate: 500-1000
1061. A GEORGE II STYLE MAHOGANY AND PARCEL-GILT FRETWORK WALL MIRROR with a rectangular plate, the cresting centred by a ho-ho bird and the sides with cascading foliage, the reverse inscribed "London 1741", 37.25" high
Estimate: 100-200
1062. A GEORGE II STYLE WALNUT MIRROR with a bevelled rectangular plate in a moulded frame with re-entrant upper corners, 22" high
Estimate: 50-100
1063. A PAIR OF GEORGE III STYLE MAHOGANY DINING CHAIRS of Hepplewhite design with shield-shaped backs and square tapering legs ending in spade feet (2)
Estimate: 50-100
1064. A GEORGE II STYLE WING ARMCHAIR with padded ears and outscroll arms, on cabriole legs and pad feet carved with stylised acanthus foliage, 35" wide
Estimate: 200-400
1065. A GEORGE III PADOUK TRIPOD TABLE of Sheraton design, the octagonal top with a moulded edge on a plain shaft and an inverted tripod base mounted with turned roundels and ending in gilt-brass ball feet, 13.75" wide. See illustration
Provenance: Purchased from Bernard Apter Ltd, Fulham Road, London SW3 on February 11th 1982.
Private Collection Cadogan Place, London SW1.
Estimate: 500-1000
1066. A LATE GEORGE III OVAL MAHOGANY TRAY with brass carrying handles, on an associated stand with square tapering legs joined by a cross-stretcher and ending in spade feet, 23.5" wide
Provenance: Acquired from David Pettifer, 269 Kings Road, Chelsea, London SW3 on 31st July 1982.
Private Collection Cadogan Place, London SW1
Estimate: 200-400
1067. A PAIR OF "COLONIAL" "GONZALES ALVES" ELBOW CHAIRS with reeded decoration and downswept arms on lobed and tulip-carved supports, with drop-in seats on turned and reeded front legs (2). See illustration
Estimate: 500-1000
1068. A GEORGE III MAHOGANY PEMBROKE TABLE with a serpentine "butterfly" top over a single frieze drawer and an opposing simulated drawer apparently retaining the original case brass handles, on square tapering and fluted legs ending in block feet and later castors, 28"
Estimate: 150-300
1069. A SET OF EIGHT LATE GEORGE III DINING CHAIRS of Sheraton design with reeded decoration and cross-over bar backs centred by a lozenge, on square tapering legs joined by stretchers. Comprising a pair of elbow chairs with downswept arms on elongated urn-shaped supports and six single chairs, basically early 19th century (8). See illustration
Estimate: 500-1000
1070. A LATE REGENCY MAHOGANY EXTENDING DINING TABLE, the rectangular extending top with a moulded edge and rounded corners, on turned and reeded legs ending in brass toe caps and castors, 75" x 47.5". See illustration
Estimate: 600-1200
1071. A GEORGE III MAHOGANY DINING CHAIR of Chippendale design with a pierced "Gothic" splat and a drop-in seat, on square chamfered legs joined by stretchers
Estimate: 40-70
1072. A GEORGE III MAHOGANY TEA TABLE of Sheraton design inlaid with boxwood and ebony stringing with a folding demi-lune top over an undulating apron, on square tapering legs headed by inlaid satinwood paterae and ending in spade feet, 36.25" wide. See illustration
Estimate: 200-400
1073. A WILLIAM AND MARY OAK DRESSER BASE with associated shelves, the base with a rectangular top with a moulded edge over three drawers with geometrically-moulded fronts, on turned legs joined by square moulded stretchers, late 17th/early 18th century with repairs, 23.5" wide. See illustration
Estimate: 1000-2000
1074. A RARE LATE GEORGE III MAHOGANY SHIPS TABLE of narrow proportions, the top with four circular apertures to hold bottles, each numbered on a brass plaque from 1 - 4, and flanked by brass candle-holders, on chamfered and moulded legs and previously with a brass back-rail, presumably for securing the table to the superstructure of the vessel, 51.25" wide x 13" deep. See illustration
Estimate: 600-1200
1075. A PAIR OF GOTHIC REVIVAL ELM BENCHES in the manner of AWN Pugin, with foliate carved finials and downswept arms carved with quatrefoils, on arched supports, 19th century, 51" wide (2). See illustration
Estimate: 500-1000
1076. A LATE GEORGE III MAHOGANY BOW-FRONT CHEST OF DRAWERS in the manner of Gillows of Lancaster with four graduated drawers flanked by turned and reeded pilasters with lotus-carved capitals and toupie feet, 40.75" wide. See illustration
Estimate: 600-1200
1077. A GEORGE III MAHOGANY SIDE TABLE, the rectangular top with a moulded edge over a plain frieze with shaped corner brackets, on slender turned legs joined by conforming stretchers, 28" wide
Estimate: 150-300
1078. A GEORGE III MAHOGANY BUREAU with a fall flap enclosing a fitted interior over four graduated drawers apparently retaining the original cast brass handles, on bracket feet, 36.25" wide. See illustration
Estimate: 300-600
1079. A VICTORIAN MAHOGANY WARDROBE with an inverted break front, the central section with a shaped cornice over a pair of arched-panel doors and six drawers flanked by long drawers, on a plinth base, 100" wide x 89" high
Estimate: 400-700
1080. A PAIR OF PAINTED "OBELISK" BOOKCASES in the manner of John Fowler with a cream and green finish, 53" high x 91.5" high. See illustration
Estimate: 300-600
1081. A GEORGE III MAHOGANY HANGING CORNER CUPBOARD, with a swan neck pediment over an astragal glazed door, flanked by canted angles, 29" wide
Estimate: 300-500
1082. A LOUIS XVI STYLE GILT TUB CHAIR, the "U"-shaped back carved with ram's mask terminals over an oval caned seat, on turned and fluted legs carved with acanthus foliage
Estimate: 80-160
1083. A REGENCY MAHOGANY CELLARETTE with a partitioned interior and lion's mask handles, on carved hairy claw and ball feet, 19.5" wide
Estimate: 600-1200
1084. A WILLIAM AND MARY WALNUT AND BEECH ELBOW CHAIR with a carved and pierced cresting rail over a caned panel and spirally-turned uprights, the downswept arms carved with acanthus leaves, with a caned seat, on a spirally-turned under-frame, late 17th century with repairs, 23.5" wide. See illustration
Estimate: 100-200
1085. A VICTORIAN WALNUT DAVENPORT with a brass gallery and a leather lined writing slope enclosing a fitted interior, the side fitted with four drawers with turned wood handles and the reverse with simulated drawers, on turned feet and castors, 26.5" wide
Estimate: 800-1400
1086. A WILLIAM AND MARY WALNUT MINIATURE CHEST OF DRAWERS fitted with four drawers with bollection-moulded panel, on turned front feet, late 17th century with repairs, 22.75" wide. See illustration
Estimate: 300-600
1087. A CHARLES II OAK SINGLE FLAP TABLE, the rectangular top with a moulded edge, on bold turned legs joined by squared stretchers, 25.5" wide. See illustration
Estimate: 300-600
1088. A LOUIS XVI STYLE WALNUT SIDE CABINET of narrow proportions, with a grey marble top and a pierced brass gallery over two cupboards and a central slide, the lower cupboard doors simulating a tambour shutter, on shaped legs, 20.25" wide
Estimate: 200-400
1089. AN ARTS AND CRAFTS MAHOGANY OCCASIONAL TABLE, with a shaped rectangular top inlaid with binding, with slatted end supports, with sunflower decoration and on squared and turned legs joined by a shaped stretcher, 36" wide
Estimate: 120-200
1090. A PAIR OF REGENCY STYLE SIMULATED ROSEWOOD AND JAPANNED OCCASIONAL TABLES, the rectangular tops with chinoiserie decoration on a black ground, on spirally turned columns and downswept sabre legs, 20" wide (2). See illustration
Estimate: 500-1000
1091. A GEORGE III STYLE BRASS FIRE GRATE, with pierced and engraved decoration and four urn-shaped finials, 27.25" wide. See illustration
Estimate: 200-400
1092. A GEORGE II WALNUT BUREAU, inlaid with herringbone banding with a fall flap enclosing a fitted interior over four drawers on shaped bracket feet, basically 18th century, 36.25" wide. See illustration
Estimate: 500-1000
1093. A PAIR OF REGENCY ROSEWOOD AND BRASS INLAID DINING CHAIRS, with caned seats and sabre legs (2)
Estimate: 100-200
1094. A PAIR OF REGENCY BRASS INLAID CHAIRS with brass mounts and rope-twist top rails, the caned seats on sabre legs (2)
Estimate: 100-200
1095. A MAHOGANY ETAGERE in the manner of Gillows of Lancaster, the six shelves with reeded edges and the second tier fitted with two drawers, on square supports, 30" wide x 76" high. See illustration
Provenance: Acquired from David Pettifer, 269 Kings Road, Chelsea, London SW3 on 18th March 1982. Private Collection for Cadogan Place, London SW1
Estimate: 500-1000
1096. A GEORGE III OAK DRESSER BASE, with three drawers over a pair of cupboards and a central bank of simulated drawers, on bracket feet, 55" wide. See illustration
Estimate: 1800-2400
1097. A GEORGE III PINE AND FRUITWOOD DRESSER AND ASSOCIATED SHELVES, fitted with three drawers, on moulded block legs, 64.75" wide. See illustration
Estimate: 300-600
1098. A SUITE OF LOUIS XVI STYLE SEAT FURNITURE, the polished wood frames with grey painted highlights and carved with acanthus leaves, beading and spiralling ribbons. Comprising, a pair of armchairs and a sofa, on turned fluted legs (3). See illustration
Estimate: 400-700
1099. A LOUIS XV STYLE "TULIPWOOD" AND MARQUETRY BIJOUTERIE TABLE, with gilt metal mounts throughout and an oval glazed top over a shaped undertier, 24.5" wide. See illustration (HP)
Estimate: 400-700
1100. A PAIR OF LOUIS XV STYLE SERPENTINE PETIT COMMODES, with chased gilt metal mounts throughout and variegated marble top on a dark grey ground, 30.5" wide. See illustration
Estimate: 500-1000
1101. A GEORGE III MAHOGANY LINEN PRESS with a moulded and dentiled cornice over a pair of panelled doors enclosing hanging space, the base with two simulated drawers over two further drawers, apparently retaining the original swan-neck handles, on bracket feet, 18th century with alteration, 50.5" wide. See illustration
Estimate: 400-700
1102. A PAIR OF GEORGE III STYLE MAHOGANY CHAIRS in the manner of Thomas Chippendale, the pierced backs extensively carved with rocaille-work, ribbons, leafy scrolls and acanthus foliage, with similarly carved seat rails and on cabriole legs with leaf capped scroll feet (2). See illustration
Provenance: Christie's auction at Hill Court, Ross on Wye, 13th and 14th, December 1982.
Estimate: 300-600
1103. A VICTORIAN MAHOGANY EXTENDING DINING TABLE with "D"-shaped end sections and an additional leaf, on turned and tulip-carved legs ending in ceramic castors, 71.25" x 46.25" extended
Estimate: 250-450
1104. A GEORGE III MAHOGANY TEA TABLE inlaid with chequered stringing, with a rectangular folding top over a plain frieze, on square tapering legs, 34" wide
Estimate: 200-400
1105. A GEORGE III GILTWOOD ARMCHAIR of Adam design, the oval padded back with a shaped seat covered in toile de jouy, with a fluted seat rail and on conforming turned legs headed by carved paterae, re-gilt. See illustration
Provenance: Christie's auction at Hill Court, Ross on Wye, 13th and 14th December 1982.
Estimate: 300-500
1106. A GEORGE III MAHOGANY TRAY-TOP BEDSIDE CUPBOARD of good colour, the gallery with pierced hand apertures over a cupboard with a recessed circular brass handle and a pull-out drawer with a shaped apron, on square moulded legs, 18.75" wide
Estimate: 150-300
1107. A GEORGE III MAHOGANY PEMBROKE TABLE of Sheraton design, the rectangular flap top with a satinwood banded border edged with ebony stringing over a single frieze drawer with a gilt brass axe-drop handle and an opposing simulated drawer, on square tapering legs ending in block feet and later castors, 28.25". See illustration
Estimate: 200-400
1108. A GEORGE III MAHOGANY TRIPOD TABLE, the tip-up circular top with a moulded "pie-crust" top, on a baluster shaft and a tripod base, the top and base possibly associated, 18" dia. See illustration
Estimate: 150-300
1109. A GEORGE III OAK LOWBOY with a rectangular top over an arrangement of five drawers with mahogany banding and apparently retaining the original brass handles, on cabriole legs ending in pointed pad feet, 30.75" wide. See illustration
Estimate: 300-600
1110. A REGENCY MAHOGANY CARD TABLE, the folding rectangular top with rounded corners and a baize-lined interior over a plain frieze, on a spirally-reeded shaft and a platform base with four reeded sabre legs, with applied roundels and ending in brass castors, 34" wide
Estimate: 150-300
1111. A GEORGE III MAHOGANY CARD TABLE of Sheraton design with a crossbanded "D"-shaped top over a plain frieze inlaid with panelling, on square tapering legs with collars towards the feet, 35.5" wide
Estimate: 150-250
1112. A DUTCH MAHOGANY SIDE TABLE of 18th century design, the "D"-shaped top inlaid with chequered stringing over a frieze drawer flanked by simulated drawers, on square tapering legs, 28.75" wide
Estimate: 150-300
1113. A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice over three short and three long drawers flanked by canted and fluted angles, the base with three drawers and bracket feet, 39.25" wide
Estimate: 300-600
1114. A LOUIS XV STYLE GILTWOOD ARMCHAIR, the moulded frame carved with acanthus foliage and rocaille-work, on flower-carved legs ending in knurled toes. See illustration
Provenance: Phillips and Jollys sale on the premises at Beech Court, Winsford, Avon, November 1982.
Estimate: 200-400
1115. A GEORGE II GILTWOOD WALL MIRROR with a shaped plate in a cartouche-shaped frame carved and pierced with rocaille-work, foliage and scrolls, 39" high. See illustration
Estimate: 500-1000
1116. A GEORGE III STYLE PAINTED SATINWOOD COMMODE in the manner of George Hepplewhite, the top with an oval en grisaille panel flanked by urns of fruit with drapery swags and the four cupboards with oval panels of flowers, on square tapering legs, 60" wide. See illustration
Estimate: 1500-3000
1117. A VICTORIAN BURR-WALNUT KIDNEY-SHAPED WRITING TABLE, the inside of the drawer with a label "From T.H. Filmer & Sons, Berners Street, Oxford Street, London W", the top with panels of floral marquetry, rosewood banding and a three quarter gilt brass gallery over a single frieze drawer with a rococo gilt metal escutcheon, on shaped cabriole legs with gilt-metal mounts ending in ceramic castors, 41" wide. See illustration
Provenance: The auction on the premises at The Old Vicarage, Leigh, Sherborne, Dorset, conducted by R.B. Taylor and Sons, 20th October, 1983.
Estimate: 2000-4000
1118. A VICTORIAN WALNUT CONVERSATION CHAIR with buttoned upholstery, the frame carved with naturalistic fruit, stylised foliage and scrolls, with a moulded seat rail and on four carved scroll legs ending in knurled toes, 72" wide x 54". See illustration HP
Provenance: Skindells Hotel, Windsor from the mid-19th century until 1978. Skindells Hotel was a fashionable watering hole and attracted notable visitors including Queen Victoria, who it is believed was photographed seated in the present lot.
1119. A GEORGE II MAHOGANY CENTRE LIBRARY TABLE in the manner of Giles Grendey, the rectangular top with a tooled green leather writing surface enclosed by a moulded edge with re-entrant corners over an arrangement of three drawers surrounding a cartouche-shaped kneehole and apparently retaining the original brass handles with open back plates, the sides with large brass carrying handles, on club legs and pad feet, 48.25" x 24.25". See illustration
Provenance: Probably acquired from the Grosvenor House Antiques Fair in the 1950's or 1960's. The interior of a drawer with a label printed with a description of the desk at the fair.
The unusual cartouche-shaped kneehole is reminiscent of furniture attributed to Giles Grendey and his workshop. Similar legs appear on a dining table bearing his trade label illustrated in Christopher Gilberts "Marked London Furniture 1700-1840".
Estimate: 2000-4000
1120.