1091 |
A 19TH CENTURY FRENCH GILT METAL SCULPTURE of two young lovers in traditional costume, on a shaped marble base, 12.5" wide. See illustration £80-150 | Nil |
|
|
| 1092 | TWO SIMILAR 17TH CENTURY CAPSTAN TYPE CANDLESTICKS with socket candle holders, on shaped uprights, with broad ringed drip pans, on moulded bases, 6" high probably 17th century, (2). See illustration £300-500 | Nil |
|
325 |
| 1093 | A 16TH CENTURY BRASS ALMS DISH, the centre decorated with six pomegranates surrounded by a border of gothic script, 15.75" wide. See illustration £200-400 | Nil |
|
320 |
| 1094 | A VICTORIAN CARVED WHITE MARBLE SCULPTURE OF A NAKED FEMALE clasping a robe around her leg, on a rocky stand and turned base, 21.5" high. See illustration £500-1000 | Nil |
|
500 |
| 1095 | A CAST AND PATINATED BRONZE SCULPTURE OF A HORSES HEAD on a rectangular green veined marble base, 9.25" high. See illustration £100-200 | Nil |
|
|
| 1096 | A VICTORIAN BRASS STANDARD LAMP on a circular column with spiral decoration on a spreading foot and shaped base, fitted for electricity, 57.5" high £100-200 | Nil |
|
|
| 1105 | A VICTORIAN NEEDLEWORK PICTURE of a figure seated at a well and a female holding a large ewer, in a landscape setting, 8" x 10.5". See illustration £150-250 | Nil |
|
|
| 1106 | A "STUMPWORK" PICTURE of a woman in a temple surrounded by scrolling foliage and four circular vignettes of figures in landscapes, 17th century, 12" x 9". See illustration £300-600 | Nil |
|
950 |
| 1107 | A PAIR OF 17TH CENTURY NEEDLEWORK PANELS featuring a turkey and lizard at the base of a tree, the other with a swan and fox in a similar landscape setting, 11.5" x 14.5". See illustration £500-800 | Nil |
|
500 |
| 1108 | A VICTORIAN NEEDLEWORK SAMPLER by Elizabeth Dorling, aged 10, 1852, worked with flowers and birds beneath an alphabet, 17.5" x 16". See illustration £300-600 | Nil |
|
280 |
| 1109 | A REGENCY NEEDLEWORK PICTURE of a mother and daughter walking in a wooded landscape, oval, in a verre eglomise mount, 15" x 11" and two similar needlework pictures (3) £80-150 | Nil |
|
70 |
| 1110 | A NEEDLEWORK SAMPLER by Sarah Harris in 1822, worked with alphabets within a scrolling border, 12" x 17" £60-80 | Nil |
|
90 |
| 1111 | A GEORGE III NEEDLEWORK PICTURE of St. Paul's Cathedral, London by Mary D. Turner, the building within a scrolling foliate surround, 12" x 12". See illustration £200-400 | Nil |
|
800 |
| 1112 | A REGENCY SILKWORK PICTURE of three ladies with garlands of flowers in a landscape setting, in a verre eglomise mount, 11" x 11" and a similar needlework picture of a bouquet of flowers (2). See illustration £200-400 | Nil |
|
180 |
| 1113 | A VICTORIAN NEEDLEWORK SAMPLER by Ellen Walker, finished February 27th 1838, worked with farm buildings, animals and farm implements, 16.25" x 18". See illustration £200-400 | Nil |
|
1400 |
| 1114 | A NEEDLEWORK PICTURE of a woman carrying a basket of laundry on her head, the woman standing in a street scene, 10" x 6.25". See illustration £80-150 | Nil |
|
70 |
| 1115 | A VICTORIAN NEEDLEWORK SAMPLER by Elizabeth Kingswell aged 13, 1841, worked with a central motto above a building in a landscape, 17" x 12.5". See illustration £200-400 | Nil |
|
|
| 1116 | A NEEDLEWORK SAMPLER by Ester Coxall, 1842, worked with an inscription "Dear Mother ..." and animals and trees, 17" x 16.75" £100-200 | Nil |
|
280 |
| 1117 | A HANGING NEEDLEWORK BANNER dated 1931, worked with an oak tree and various names within an intertwining border, with a label to the reverse "Family Tree worked by Anne Aikman Smith, designed by John Chart", 76" x 29" £100-200 | Nil |
|
|
| 1118 | A LARGE WOOLWORK PICTURE of a man on horseback in a dessert landscape, 72" x 56" £300-600 | Nil |
|
500 |
| 1125 | GILARDI OF BRISTOL: A LATE GEORGE III MAHOGANY WALL BAROMETER with a dry/damp gauge above a thermometer, a convex mirror, a barometer dial engraved to the centre with Prince of Wales feather motif and a signed spirit level, the case with boxwood and ebony stringing, 38" £100-200 | Nil |
|
100 |
| 1126 | A REGENCY MAHOGANY WHEEL BAROMETER by F. Stringa Carmarthen, with a scrolling pediment above a dry/damp gauge, thermometer, convex mirror and silvered barometer dial, 38". See illustration £200-400 | Nil |
|
|
| 1127 | A VICTORIAN SKELETON TIME PIECE by J. Brugger & Co., High Holburn, the single train fusee movement between twin scrolling plates, on a rosewood and brass inlaid base, 9.5" high. See illustration £200-400 | Nil |
|
260 |
| 1128 | A VICTORIAN BRASS AND CHAMPLEVE CARRIAGE CLOCK with a white enamelled dial with Roman numerals and makers signature, with a timepiece movement, the case with fluted uprights and horizontal panels of champleve enamel, 6.5" high. See illustration £100-200 | Nil |
|
240 |
| 1129 | A GEORGE III STYLE BRACKET CLOCK with a circular silvered dial with Roman numerals and single train fusee movement, the rectangular case with gilt metal carrying handle and similar bracket feet, 17" high £300-500 | Nil |
|
|
| 1130 | A CHARLES II STYLE LANTERN CLOCK with a brass dial with arched top, signed Thomas Hardwick, Ridgmount, with alarm mechanism and birdcage type movement, on a later oak wall bracket. See illustration £300-500 | Nil |
|
600 |
| 1131 | A VICTORIAN GILT METAL AND CHAMPLEVE BRACKET CLOCK with a circular white enamel dial with Roman numerals, with a Japy type movement striking on a bell, the architectural case with an arched top and pinnacle, the dial flanked by four turned columns and cherubs, with all over turquoise, blue and red champleve enamelled decoration, on wooden base, 18.5" high. See illustration £400-800 | Nil |
|
900 |
| 1132 | AN OAK AND MAHOGANY LONGCASE CLOCK with a white enamel dial signed William Northwood of Ranton, with Roman numerals and subsidiary date aperture, the spandrels and arch painted with scenes of hunting and rural scenes, with a thirty hour movement, striking on a bell, the case with an arch topped hood, the dial flanked by half turned columns, the trunk with a short door flanked by similar columns, 84" high. See illustration £400-600 | Nil |
|
|
| 1133 | A MAHOGANY CASED DIAL CLOCK with a white enamel dial, signed A Garratt, Guildford, the white enamelled, 8" dial with Roman numerals, with a single train fusee movement, 10" wide. See illustration £300-500 | Nil |
|
800 |
|
1134 |
A REGENCY MAHOGANY WHEEL BAROMETER by F. Stringa of Carmarthen, the case with a scrolling pediment above a dry/damp gauge, thermometer, convex mirror and silvered barometer dial, the case with boxwood stringing, 38.5". See illustration £200-400 |
Nil |
|
260 |
