1044 |
A TAPESTRY PANEL of an Elizabethan style group in a garden within a scrolling foliate border, 31.5" x 31" #30-50 | Nil |
|
25 |
| 1045 | A GEORGE III NEEDLEWORK SAMPLER by Rebecca Slater, dated 1815, worked with trees and scrolling foliage, 9" x 7.5", together with a needlework picture of a basket of fruit within scrolling oak leaf border, 11.5" x 10.25" (2). See illustration #50-100 | Nil |
|
340 |
| 1046 | AN EARLY VICTORIAN NEEDLEWORK SAMPLER by Hannah Bosen, dated october 1845, worked with alphabets and numerals, 11" x 13.25". See illustration #50-100 | Nil |
|
75 |
| 1047 | A PAIR OF BROWN LEATHER LACE-UP BOOTS with boot trees and two pairs of brown leather gaiters (a lot) #40-80 | Nil |
|
|
| 1055 | A GEORGE III MAHOGANY LONGCASE CLOCK, the white painted dial signed T. Middleton, Swansea, with Roman numerals, subsidiary seconds dial and dated aperture with moonphase above, the eight day movement striking on a bell, the arched top hood with shell and paterae inlay between triple brass orb finials, the trunk with door between panels of mahogany veneer within chequered stringing, the base on short bracket feet, 95" high. See illustration #2000-4000 | Nil |
|
2100 |
| 1056 | A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the white painted dial signed Radford, Leeds, with subsidiary seconds and date dials, with moonphase above, the arched top hood with swan-neck pediment, triple brass ball finials and applied patera, the dial flanked by fluted columns, the shaped door between quarter recessed fluted columns with mahogany crossbanding, on short bracket feet, 100". See illustration #1500-2500 | Nil |
|
|
| 1057 | A CARVED BLACK FOREST BRACKET CLOCK AND BRACKET, the circular dial surmounted by a huntsman holding a gun and carrying a dead deer over his shoulder, the base carved with game amongst foliage and oak leaves, the bracket carved with a boar being hunted by two dogs, 66" high. See illustration #3000-5000 | Nil |
|
4800 |
| 1058 | A VICTORIAN BRASS BODIED MANTLE CLOCK the white enamel dial with Roman numerals signed Howell James & Co to the Queen, London, Paris, the pagoda form case with central raised pinnacle and conforming pinnacles to the corners, decorated with applied enamelled roundels, 18.5". See illustration #400-600 | Nil |
|
|
| 1059 | AN EDWARDIAN OAK AND SATINWOOD STRUNG MANTLE CLOCK, the silvered dial with Roman numerals and chime/silent dial above, the German eight-day movement chiming on gongs, 16.5" #100-200 | Nil |
|
200 |
| 1060 | A 19TH CENTURY FRENCH GILT METAL MANTLE CLOCK the white enamelled dial with palm tree, flowers and gardner above, on elaborate scrolling rococo type base, the eight-day movement signed Lenny, Paris, 19" high. See illustration #400-600 | Nil |
|
|
| 1061 | A GEORGE III BRASS FACED LONGCASE CLOCK MOVEMENT, the dial signed Rd Broad, Bodmin, the centre engraved with a building and rococo type scrolls, with applied pierced spandrels to the corners, the thirty hour birdcage type movment striking on a bell, in later oak hanging wall case #200-400 | Nil |
|
440 |
| 1062 | A GEORGE III MAHOGANY LONGCASE CLOCK the arch brass dial with sun burst and sea creature spandrels, signed Robin Evans Halstead, with chapter ring and mask spandrels, the eight day movement striking on a bell, the hood with swan neck pediment and lion mask rosettes edged with string inlay, the long gothic style arched string inlaid door between fluted columns, the square string inlaid base on bracket feet, #1400-1800 | Nil |
|
1400 |
| 1063 | A GEORGE III MAHOGANY LONGCASE CLOCK, the arch brass dial signed William Mayhem, Woodbridge with two subsidiary dials for date and seconds, silver chapter ring and scrollwork spandrels with eight day movement, the hood with swan neck pediment, the trunk with long arch door between rope twist columns, the square base on stepped plinth £1300-1600 | Nil |
|
1400 |
| 1064 | AN EARLY 19TH CENTURY FRENCH MANTLE CLOCK, the hour glass face with contra boulle inlay with mother-of-pearl birds and features, mounted with gilt metal scrolling feet and top, the gilt metal dial with enamelled Roman numerals, the eight day movement signed Wm. Payne of New Bond Street, 18" high. See illustration #800-1500 | Nil |
|
|
| 1065 | A SCOTTISH OAK LONGCASE CLOCK, the white enamel dial signed Willm Laing, Rothes with subsidiary seconds and date dials, with Roman numerals, the spandrels with painted fan type decoration, the arch decorated with birds in a landscape, the hood with swan neck pediment with applied paterae, the door flanked by fluted columns, the eight-day movement striking on a bell, the later case on plinth base, 18" high. See illustration #500-1000 | Nil |
|
480 |
| 1066 | A GEORGE III MAHOGANY LONGCASE CLOCK, the white enamel arched dial, signed Jn Savage, Shrewsbury with subsidiary seconds dial, date aperture with Roman numerals and painted spandrels emblematic of the continents, beneath moon phase with painted ship decoration, the eight day movement striking on a bell, the hood with swan neck pediment, the trunk with short arch door between spiral turned columns, the base with square shaped panel, on plinth base, 90" high £1000-2000 | Nil |
|
1300 |
| 1067 | A OAK CASED LONGCASE CLOCK, the white enamel dial signed Clark, Dorchester with subsidiary seconds dial and date aperture, the spandrels painted with various leisure persuits, the eight-day movement striking on a bell, the hood with scrolling pediment the dial flanked by turned columns, the trunk with rectangular door, on bracket feet, 79" high. See illustration #700-900 Tribe and Whatmoor record a J. Clark as working in Dorchester c. 1790-1817 | Nil |
|
900 |
| 1068 | A LANTERN CLOCK, the brass dial inscribed "Markwick Markham, Londoni", with engraved rose and scrolling decoration, with silvered chapter ring with Roman numerals, with pierced dolphin ornament above, the movement with verge escapement and bob pendulum, striking on a bell, with oak wall mount, the clock 13.5". See illustration #800-1500 | Nil |
|
950 |
| 1069 | A LANTERN STYLE CLOCK with traditional brass case with pierced dolphin ornaments, the eight day movement with platform escapement, 9. 75" #70-90 | Nil |
|
100 |
| 1070 | A 19TH CENTURY FRENCH MANTEL CLOCK, the rosewood case with inlaid birds amongst scrolling foliage, the silver engine-turned dial with Roman numerals, the eight day movement signed "Osmont Aime, Paris" striking on a bell, 8.5". See illustration #450-650 | Nil |
|
|
| 1071 | A 19TH CENTURY TERRESTRIAL GLOBE by Cruchley of London, with brass scale, on turned wooden base, 10" high. See illustration #300-500 | Nil |
|
380 |
| 1072 | A GEORGE III OAK LONGCASE CLOCK, the white enamel dial with subsidiary seconds and date dials, the spandrels painted with figures emblematic of the continents, the arched dial painted with a scene of a figure seated by a globe, the eight day movement striking on a bell, the hood with swan-neck pediment and twin columns, the trunk with long door between canted corners, 80". See illustration #700-900 | Nil |
|
750 |
| 1075 | A SMALL PERSIAN CARPET of Kashan type, the brick red ground with a central blue and ivory floral medallion within Herati style outer borders and guards, 120" x 77" #200-400 | Nil |
|
280 |
| 1076 | A BELOUCH-TYPE RUG, the aubergine ground worked with ivory and coral guhls within outer borders and guards, 70" x 32" #50-100 | Nil |
|
60 |
| 1077 | A NORTH WEST PERSIAN TRIBAL RUG, the dark brown ground worked with two rows of brick red and blue elephant's foot guhls within outer borders and guards, 78" x 42" #70-100 | Nil |
|
90 |
| 1078 | AN AFGHAN TRIBAL RUG, the brick red ground with a central rectangular panel worked with two rows of blue and ivory elephants foot guhls within outer borders and guards, 56" x 36" #30-50 | Nil |
|
90 |
| 1079 | AN ART DECO STYLE RUG, the salmon pink ground worked with a central Persian style medallion and stylised animals within stepped diamond pattern outer borders and guards, 68" x 48" #30-50 | Nil |
|
45 |
| 1080 | A NORTH WEST PERSIAN TRIBAL RUG, the madder ground worked with diamond quadrilaterals and stylised animals within hooked boteh outer border and guards, 104" x 72" #50-100 | Nil |
|
45 |
| 1081 | AN AFGHAN RUNNER, the rust ground with a central panel of five elephants foot guhls within borders and guards, 128" x 45" #100-200 | Nil |
|
150 |
|
1082 |
A TURKOMAN RUG, the brick red ground worked with four rows of ivory medallions within "tarantula" borders and guards, 88" x 62" #100-200 |
Nil |
|
170 |
